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Instruments • Accessories • Books • Recordings elderly.com 888-473-5810 (toll-free in USA) Cat14-1

Greetings and Welcome to Elderly Instruments! We’ve been a family owned and operated music store since 1972. I started Elderly with the idea that we would run it as if we were welcoming folks into our living room to play some music and check out our new and used instruments, accessories, recordings, books and more. We still operate this way, so you should always feel welcome, whether in our store or on our web site. On the pages of this catalog you will see a sampling of what we offer, and also recognition of the Elderly Instruments employees that have been with us 20 years or more. They – and all of our employees – are a big part of our success. So are you. Visit with us at our web site at www.elderly.com or on Facebook or Twitter. If you’re nearby, drop into our showroom in Lansing, Michigan. We’ll be happy to see you and to help you get what you need to make your music. Whether you’ve been with us a long time or are new to us, we’re glad that you are a part of our musical family. Find us on: Stan Werbin, President swerbin@elderly.com or visit our website at elderly.com I know you carry it! Why isn’t it here? We simply can’t include everything we carry in our catalog; there is just not enough room. On our web site some items may be out of stock or available only by special order, but generally everything we carry is there – so please call us at 888-473-5810 (toll-free U.S. only or 517-372-7890 outside the U.S.) or email us at elderly@elderly.com for specifics. Prices and Availability We take pride in providing you with unusual and hard-to-find merchandise. But because of its specialized nature — much of it handmade in limited supply — the price and availability of items in this catalog are subject to change without notice. Our Limited Warranty On New Instruments We guarantee that all new instruments purchased from us will remain free from defects in material and workmanship for a limited period of no less than 90 days and up to one year from the date of purchase, depending on the brand name of the instrument. (Ask us for details on specific instruments). This is in addition to the manufacturers’ guarantees. Please note that inexpensive imported instruments may have minor flaws in the finish; this is normal and does not affect tone or playability, and will not be repaired under warranty. The following are not included in our guarantee: harmonicas, strings, banjo heads, tremolo readjustments, checked finishes (which are often the result of extreme temperature and/or humidity changes), and damage resulting from abuse, accident, or improper use. We strongly recommend use of a humidifier in your stringed instrument, particularly during the dry winter months. SHOP ADJUSTMENTS: Unlike most mail order shops, our stringed instruments are shop-adjusted for easy playability before we put them up for sale. Our personal rule of thumb for setting the action (string height above the fretboard) has been developed over many years. We are confident that nearly all players will be pleased with our standard setup. However, some players may want the action adjusted in a way that is outside these parameters. We are happy to provide this service, but in some instances there may be an additional charge (particularly if you want higher action than our standard). Ray Aleshire Steve Szilagyi Todd Young Lily Werbin, Sandy Dykins, Stan Werbin What’s Inside Elderly Starter Packs . . . . . . . . . . . . . . . . . . . . . . . 1 Acoustic Flattop Guitars . . . . . . . . . . . . . . . . .2-19 Classical Guitars . . . . . . . . . . . . . . . . . . . . . . . . . . 20 Electric Guitars and Basses . . . . . . . . . . . 21-26 Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27-28 Amplifiers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29-31 Instrument Cables . . . . . . . . . . . . . . . . . . . . . . . .32 Resonator and Lap Steel Guitars . . . . 33-36 Mandolins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37-41 Banjos . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42-46 Ukuleles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47-50 Harmonicas . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51 Autoharps® and Dulcimers . . . . . . . . . . . 52-53 Bodhrans, Whistles & Percussion . . . . . . . . .54 Acoustic Pickups and Preamps . . . . . . 55-58 Digital Recorders . . . . . . . . . . . . . . . . . . . . . . . . . 59 Mics and Mic Stands . . . . . . . . . . . . . . . . . . . . . .60 Tuners, Metronomes & Humidifiers . . 61-62 Slides & Steels . . . . . . . . . . . . . . . . . . . . . . . . . . . . .63 Instrument Parts . . . . . . . . . . . . . . . . . . . . . . 63-70 Strings and Picks . . . . . . . . . . . . . . . . . . . . . . 71-81 Cases and Gigbags . . . . . . . . . . . . . . . . . . . 82-86 Straps & Capos . . . . . . . . . . . . . . . . . . . . . . . 87-89 Instrument & Music Stands, Gift Ideas . . . 90 CDs, Books and DVDs . . . . . . . . . . . . . . . . . 91-95 Dave Matchette Production Credits Cover illustration by Jennifer Springman – jmscreative.com Catalog layout and design by Ray Aleshire, Steve Szilagyi, Todd Young and Dave Matchette Employee Since 1994 Employee Since 1980 Employee Since 1991 Employee Since 1995

Our Exclusive Guitar, Mandolin, and Banjo Starter Packs Each instrument has a custom selection of the accessories you need to start playing now! Save on everything you need to get going! Dreadnought Guitar Outfit Blueridge Bristol D-Size Guitar and Guardian Hardshell Case DEAL1 • Picks • Extra strings • String winder • Clip-on tuner • Polishing cloth • Instructional Book/CD 000-Size Guitar Outfit Blueridge Bristol 000-Size Guitar and Guardian Hardshell Case DEAL2 • Picks • Extra strings • String winder • Clip-on tuner • Polishing cloth • Instructional Book/CD Mandolin Outfit Kentucky KM-150 Mandolin and Access Stage One Gigbag • Extra strings • String winder • Clip-on tuner • Polishing cloth • Instructional Book DEAL4 Bluegrass Banjo Outfit Rover RB-115 Resonator Banjo and Guardian Hardshell Case DEAL5 • Picks • Extra strings • String winder • Clip-on tuner • Polishing cloth • Book/CD/DVD Set DEAL6 Old-Time Banjo Outfit Rover RB-110 Open-Back Banjo and Boulder Alpine Gigbag • Extra strings • String winder • Clip-on tuner • Polishing cloth • Instructional Book/CD DEAL7 Classical Guitar Outfit Cordoba C5 Classical Guitar and Guardian Hardshell Case • Footstool • Extra strings • String winder • Clip-on tuner • Polishing cloth • Instructional Book/CD Roundneck Resonator Outfit Regal RD-30MS Guitar and Guardian Hardshell Case Squareneck Resonator Outfit Gretsch® DEAL3 • Slide • Extra strings • String winder • Clip-on tuner • Polishing cloth • Book/CD Set Ampli-Sonic Alligator Guitar and Guardian Hardshell Case DELTA1 • Concave slide • Extra strings • String winder • Clip-on tuner • Polishing cloth • Instructional DVD Gypsy Jazz Guitar Outfit Cigano GJ-10 Oval-Hole Guitar and Guardian Hardshell Case GYPSY1 • Picks • Extra strings • String winder • Clip-on tuner • Polishing cloth • Book/CD/DVD Set Don’t see the package for you? Call us toll free at 888-473-5810 LEVY CASE/LUGGAGE TAG Leather tag with a slot for a business card. Specify black or brown. A149C KEY RING PICK HOLDER Key ring with leather pick holder. ELDERLY INSTRUMENTS – ALL THINGS STRINGS Peek-behind-the-scenes documentary about our store, as seen on PBS! ELDERLY-DVD1 EFOB CHERRY WOOD PICK BOX Elderly logo lasered into the slide top. EPB “TUNE IT OR DIE” MUG ‘Cause somebody has to say it. MUG2 MUG2 A149C TEE87-BLUE EFOB EPB TEE87-BLACK DISTRESSED LOGO T-SHIRT Natural (tan), Fern (blue-green), Powder Blue, Black or Slate (dark gray). TEE87-(color)-(M, L, or XL) TEE87-(color)-XXL TEE87-(NAT or Blue)-XXXL ELDERLY LOGO CAPS EHAT3 (black logo on gray) EHAT4 (white logo on gray) TEE87-FERN TEE87-SLATE TEE87-NAT

www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890 2 ELDERLY CUSTOM SHOP AND LIMITED EDITION MARTIN GUITARS Elderly Custom Shop Martins – specially made at our request HD-28 Adirondack Custom Designed for remarkable tone and playability! Low Profile neck with wider 13 scalloped braces. HD28AWB HD-28V Adirondack Custom HD-28VS Adirondac Custom 0000-28HW Custom 000-28H Custom HD-28V Adirondack Custom Rosewood with Adirondack spruce top, Modified-V neck, forward-shifted X-brace, and ivoroid binding. Aging toner on top. HD28VAW HD-28VS Adirondack Custom Rosewood with Adirondack spruce top, Modified-V neck with solid peghead joins body at 12th fret. Aging toner on top, ivoroid binding. HD28VSCUST 0000-28H and 0000-28HW Custom Rosewood with Sitka spruce top, scalloped braces, white body binding, herringbone top trim, Low Profile neck, 25.4” scale. Search “ELDCUST” at elderly.com for current custom guitar selection Limited Edition D-28 Louvin Brothers The Louvin Brothers – Ira on mandolin and Charlie on guitar, singing in soaring harmonies – were the stuff of legend. So, too, was their 1959 gospel LP Satan Is Real, in no small part because of the artwork that made it one of the most talked-about albums of all time. Much more elaborately staged than the typical LP photo shoot of the era, it included a painted, 16-foot plywood depiction of the devil, set up behind a giant pile of burning tires with Ira and Charlie posing dramatically in the foreground. This classic album cover is reproduced on the top of a very special C. F. Martin Limited Edition – limited to 50 guitars total, and destined to become a legend in its own right. Based on a 1955 D-28, it includes an Indian rosewood body, Sitka spruce top, modern Modified Low Oval 13 4 ” neck, and an inside label numbered in sequence and signed by C. F. Martin IV and Charlie’s son Ken Louvin. D28LOUVIN CD – Louvin Brothers – Satan is Real Reissue of the 1960 classic LP with the famous cover and the timeless brother harmonies. CAP-CD37378 Book – Satan Is Real – The Ballad of the Louvin Brothers by Charlie Louvin and Benjamin Whitmer The beautiful and tragic saga of the Louvin Brothers, one of the most legendary country duos of all time and one of America’s great untold stories. HARDCOVER 542-325 SOFTCOVER 542-372 Madagascar Rosewood 45-Style Custom Models One each of several body sizes. Premium Madagascar rosewood and Adirondack spruce, flame koa binding, select abalone inlay, 45-style snowflake fingerboards. 000028H (standard 111 000028HW (wider 13 /16” nut width) /4” nut width) 000-28H Custom Rosewood with Sitka spruce top, scalloped braces, white body binding, herringbone top trim, Low Profile neck, 24.9” scale, 111 /16 00028H Madagascar Rosewood 28-Style Custom Models Two each of several body sizes. Choice of Adirondack or thin/ sanded Swiss spruce top. Golden Era scalloped bracing. OM14MADSWISS ” nut. /4” nut. Rosewood with Adirondack spruce top, standard

ELDERLY CUSTOM SHOP AND LIMITED EDITION MARTIN GUITARS OM-28 Custom OM-28 Custom Rosewood with Sitka spruce top, scalloped braces, white body binding, black/white layered top trim, Low Profile neck, 25.4” scale, 13 /4 OM28CUST 0-21 and 00-21 Custom Small body 14-fret guitars designed with smaller players in mind. Rosewood and spruce with tortoise binding and scalloped brackes. Modified low oval neck, 24.9” scale with 111 /16 021CUST . . . 0-Size 0021CUST . . 00-Size 0-16 and 00-16 Custom Small body 14-fret rosewood and spruce models. Modified Low Oval neck, 25.4” scale with 111 /16 Custom nut width. Satin finish. 016CUST . . . 0-Size 0016CUST . . 00-Size 00-15S Custom Like the popular 15-Series 00 mahogany model, but neck joins body at 12th fret and features a wider 13 /4 ” nut. 0015SCUST 00-15S Custom 0-15 and 0-15S Custom 0-size – smaller version of above. 015SCUST . . . 12-fret 015CUST . . . . 14-fret 15-Series Tenor Custom ” nut width. /4 515TEN Want to design your own unique, one-of-a-kind handmade instrument? C. F. Martin Custom Shop Martin’s Custom Shop offers a vast array of possibilities on a special-ordered custom guitar. Let us know what interests you and we’ll get a price quote. Delivery is usually within 6 to 10 months from when we first Employee Since 1978 receive your deposit. Design your own Custom Martin Contact Cynthia Bridge toll-free at 888-473-5810 Cynthia Bridge All mahogany 4-string tenor, Martin Size 5 mini body, 23” scale with 11 Also available … Vintage and Used Martins Rare guitars – pre-war through current models www.elderly.com ” Cocobolo with Adirondack Spruce One each of several body sizes with 1933 Ambertone sunburst tops. Features ivoroid binding, herringbone rosette and special thin finish. ” nut width. ” nut width. Cocobolo with Bearclaw Spruce Dramatically figured body woods. One each of several body sizes. Scalloped bracing, ivoroid binding, abalone rosette and snowflake fingerboard inlays. OMBECOCUST 3 D-28 Custom Limited production D-size body of solid rosewood and spruce with ivoroid binding, natural finish top with scalloped braces, 25.4” scale ebony fretboard with pearl dot inlays and 13 Ebony bridge, 23 /4 /16 ” nut width. ” string spacing at saddle, Grover Vintage 18:1 tuning gears, beveled and polished tortoise pickguard. D28CUST141 www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890

www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890 4 MARTIN GUITARS Standard Series Martin’s Standard Series models are famous D-28 – he most imitated guitar of all time! for their resonant warm tones, quality craftsmanship, and tasteful styling. They are played by many of the world’s top guitarists. The sound quality and craftsmanship of today’s Standard Series continues to live up to the reputation established by the original Martin models, which ushered in the Golden Age of the guitar. Martin Standard Fretboard Inlay Dot Inlay D-18 • D-28 • D-1228 • HD-28 D-35 • HD-35 000-18 • 000-28 GJ-28LSE • OM-21• M36 balone Snowflake Inlay D-42 • 000-42 • OM-42 balone Hexagon Inlay D-41 • D-45 • J-40 Martin Standard Soundhole Rosettes 28-Style Rosette 45-Style Rosette Martin Standard Headstocks Gold decal, chrome tuners Models D-28 • D-1228 HD-28 D-35 • HD-35 000-18 000-28 • M36 Gold decal, nickel butterbean tuners (not shown) Models OM-28 • D-18 OM-21 000-18 45-Style abalone inlay, gold tuners Models D-41 • D-45 J-40 28-Style (black/white) 45-Style (abalone) D-28 • D-1228 • HD-28 • D-35 • D-35 • 000-18 • 000-28 • OM-21 • M-36 • OM-28 Martin Standard Series features Modern versions of Martin’s original designs, with the legendary Martin tone. All models available LEFT-HANDED – models with asterisk (*) are also available with SUNBURST FINISH. D-1228 D-Size Models Back and Sides Top Bracing Rosette Back Back Strip Body Binding Neck Fretboard/Bridge Fretboard Inlay Fretboard Binding Top Toner Tuning Machines Pickguard Scale Length Neck Width at Nut Stock Number D-18* mahogany forward shifted Style 18 2-piece black tortoise pearl dot no aging toner nickel, vintage tortoise 25.4” 13 D18 D-28* rosewood standard 5 /16 black/white 2-piece checkered white Modified Low Oval Low Profile ebony ebony pearl dot no no chrome black 25.4” /4”111 D28 ” 12-String HD-28* rosewood rosewood standard 5 /16 black/white 2-piece checkered white Low Profile ebony pearl dot no no /16”17”111 D1228 chrome black 24.9” /8 ” scalloped 5 black/white 2-piece zig-zag white Low Profile ebony pearl dot no no chrome tortoise 25.4” HD28 /16 ” D-35* rosewood standard 1 black/white /4 3-piece wht/blk/wht white Low Profile ebony pearl dot yes no chrome black 25.4” /16”111 D35 ” HD-35 rosewood scalloped 1 black/white 3-piece zig-zag white Low Profile ebony pearl dot yes no chrome tortoise 25.4” /16”111 HD35 /4 ” D-41* rosewood scalloped 5 abalone 2-piece mosaic white Low Profile ebony abalone hex yes no gold tortoise 25.4” /16”111 D41 /16 ” D-42 rosewood forward shifted abalone 2-piece mosaic ivoroid Low Profile ebony abalone snwflk yes aging toner gold/vintage tortoise 25.4” /16”111 D42 D-45 rosewood scalloped 5 abalone 2-piece mosaic white Low Profile ebony abalone hex yes no gold /16”111 tortoise 25.4” /16 ” D45 /16 ” D-41 • D-42 • D-45 • J-40 • 000-42 • OM-42 45-Style inlay, gold butterbean tuners Models D-42 000-42 OM-42 Solid wood top, back, and sides • Maple bridge plate • Polished gloss finish • Hand-fit dovetail neck attachment • Hardshell case • Limited lifetime warranty

MARTIN GUITARS J-, M-, 000-, and OM-Size Models Back and Sides Top Bracing Rosette Back Back Strip Body Binding Neck Fretboard/Bridge Fretboard Inlay Fretboard Binding Top Toner Tuning Machines Pickguard Scale Length Neck Width at Nut Stock Number J-40 rosewood forward shifted abalone 2-piece mosaic white Low Profile ebony abalone hex yes no gold tortoise 25.4” 111 J40 000-18 mahogany scalloped 1 old style 18 2-piece black tortoise Modified Low Oval ebony abalone dot no aging toner nickel vintage tortoise 24.9” /16”13 00018 Martin Standard Top Trim • 18-STYLE - Black or tortoise binding with black/white inlay lines Models D-18 (tortoise), 000-18 (black) OM-21 (tortoise) • 28-STYLE – White or Ivoroid binding with black/white inlay lines Models D-28, D-35, D12-28, M36, 000-28 (white) • OM28 (ivoroid) • HERRINGBONE – White binding with herringbone inlay Models HD-28 • HD-35 • M-STYLE (not shown) – White binding with multiple black/white inlay lines Model M-36 • 45-STYLE – White or ivoroid binding with abalone inlay Models D-41 and D-45 (white) D-42, 000-42, OM-42 (ivoroid) 45STYLE 28STYLE 00018ERETRO Spruce top with scalloped bracing • Vintage Series appontments • Aging toner on top • High Performance Neck (Modified Low Oval shape with Performing Artist taper • 13 ” string spacing at saddle). /4” nut • 21 at 12th fret • 23 HERRINGBONE /16 New! D-35E Retro Rosewood 3-piece back, European spruce top. D35ERETRO New! 000-18E Retro Mahogany and Sitka spruce top, scalloped braces, short scale. 00018ERETRO GEIB CASE UPGRADE tin‘s wooden GEIB (rhymes with “vibe”) STYLE case luded with their Vintage Series Instruments may be substituted for the thermoplastic se on any new Martin Standard Series guitar for an 00.00. Retro Models Back and Sides Top Top Bracing Rosette Back Body Binding Pickguard CEO-7 Special Edition CEO-7 Slope-Shoulder 00 • 24.9” scale ebony fretboard with dot inlay • Modified V-neck profile • Mahogany back and sides, Adirondack spruce top • Tortoise pickguard, ivoroid binding • Geib-style hardshell case CEO7 Fretboard Inlay Scale Length D-18E HD-28E D-35E 000-18E 0M-28E mahogany Sitka rosewood Sitka style-28 2-piece ivoroid tortoise 25.4” rosewood European scalloped 5/16” scalloped 5/16” scalloped 1 old style-18 2-piece style-28 3-piece tortoise tortoise diamond/square abalone dot 25.4” ivoroid black pearl dot 25.4” /4 ” mahogany Sitka scalloped 1 style-18 2-piece tortoise tortoise /4 ” rosewood Sitka scalloped 1 style-28 2-piece ivoroid tortoise teardrop abalone dot diamond/square 24.9” 25.4” Stock Number D18ERETRO HD28ERETRO D35ERETRO 00018ERETRO 0M28ERETRO /4 ” /8 ” width 18STYLE All feature the Fishman F1 Aura Plus pickup system with sound images created using vintage guitars from Martin’s museum played through vintage mics. The Aura Plus offers Easy Mode with 3 presets, plus Performance Mode with a wealth of user controlled blend and EQ options and built-in tuner. /4 ” 000-28* rosewood standard 5 /16 black/white 2-piece checkered white Low Profile ebony pearl dot no no chrome black 24.9” /4”111 00028 ” 000-42 rosewood scalloped 5 abalone 2-piece mosaic ivoroid abalone snowflake yes aging toner gold vintage tortoise 24.9” /16”13 00042 /16 ” OM-21* rosewood scalloped 1 black/white 2-piece black tortoise ebony pearl dot no aging toner nickel vintage tortoise teardrop 25.4” /4”13 OM21 /4 ” OM-28 rosewood scalloped 1 black/white 2-piece zig-zag ivoroid Modified V Modified Low Oval Modified Low Oval ebony ebony aging toner nickel vintage tortoise teardrop 25.4” /4”13 OM28 /4 ” OM-42 rosewood scalloped 1 abalone 2-piece mosaic ivoroid Low Profile ebony diamond/square abalone snowflake no yes aging toner gold vintage tortoise teardrop 25.4” /4”13 OM42 /4 ” M-36 rosewood forward shifted black/white 3-piece wht/blk/wht white Low Profile ebony/rosewood pearl dot yes vintage toner chrome /4”111 tortoise 25.4” /16 ” M36 5 Retro Series Martin Back Strips Zig-Zag HD-28 • HD-35 (35-Style 3-piece back shown) Mosaic J-40 • 000-42 OM-42 • D-41 D-42 • D-45 28-Style – Checkered D-28 • 000-28 D12-28 • GJ28LSE 18-Style – Black line D-18 • 000-18 OM-21 MOSAIC 28-STYLE 18-STYLE ZIG-ZAG www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890

www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890 6 MARTIN GUITARS Marquis Collection – Authentic Series 00028KAUTH21 New! 000-28 Authentic 1921 Reproduction of a rare 1921 guitar in Martin’s museum. Highly figured koa body, 12-fret neck joint, Madagascar rosewood peghead overlay . 00028KAUTH21 Re-creates prewar construction methods including non-adjustable truss rod, the use of hide glue, and cloth strip side braces. All incorporate small but significant historic features including neck shapes and bracing styles that are true to the year. All have Adirondack spruce tops. Amazingly light in weight, awesome prewar sound. Madagascar rosewood replaces the Brazilian used in the originals. New! D-28 Authentic 1937 Madagascar rosewood, forward-shifted X-brace, herringbone top trim. D28AUTH37 OM-18 Authentic 1933 Mahogany, ebony truss rod, 1933 shaded top. OM18AUTH33 D-18 Authentic 1939 Mahogany, T-Bar truss rod, rear shifted X-brace. D18AUTH39 D-28 Authentic 1931 D28AUTH37 OM18AUTH33 Madagascar rosewood, 12-fret body, ebony truss rod. D28AUTH31 D-28 Authentic 1941 Madagascar rosewood, T-Bar truss rod, rearshifted X-brace. D28AUTH41 elderly.com Detailed photos of these and other Martin guitars on our web site at Martin Neck Profiles Low Profile Martin’s standard neck profile as found on most Standard Series models and countless others. Produced with 111 13 ” and 17 /16 /4 /8 a variety of models. Performing Artist Martin's newest and slimmest neck shape features a parallel taper; the fretboard and the back of the neck remain parallel up to about the 10th fret. Although the nut width is 13 /4 ”, the fretboard widens less as it approaches the body. Modified V-Shape Similar to a low profile, but with sides shaved. Featured on Vintage, Golden Era, and Marquis Series, plus many Special and Limited Editions. Available with 111 /16”, 13/4”, or 113 /16 ” nut widths. Modified Low Oval Slightly thinner depth than the Low Profile, does not thicken as quickly towards the body. Used on most 15-, 16- and X-Series models. Also on some Standard and Special models. 111 13 ” nut widths only. /16 /4 ”, ” nut widths to accomodate Seth Avett Dreadnought Designed with the Avett Brothers guitarist. 3-piece back of East Indian rosewood with koa center wedge, high altitude Swiss spruce top with 1/4” Adirondack spruce braces, ivoroid binding, herringbone rosette. Ebony fretboard with large copper star inlays, Martin Gold Plus pickup installed. ” and D35AVETT 00DBJT Jeff Tweedy 00-Deep Body Designed with Wilco guitarist Jeff Tweedy. All mahogany with sunburst top, woods are certified by the Forest Stewardship Council. Features deep body (45 /8 ”) tortoise binding with black/ white inlay, Modified V neck, Fodenstyle position inlays. Custom Artist Series Martin’s artist-inspired and artist-designed guitars, handcrafted by the Martin Custom Shop. See complete details of these and other Custom Artist Series guitars in stock at elderly.com

MARTIN GUITARS Features ‘30s-style bracing with forward shifted X-brace • Ebony fretboard • 13 with long bone saddle and 25 D18GE/99SB D28MQ Marquis Collection – Golden Era Models Specifications used in Martin’s first Golden Era, including the original lacquer tints and stains, linen reinforcing strips in the sides, authentic inlays, and bridge shape. Modern features include a Modified Vshaped neck with adjustable truss rod. /16 Beveled and polished tortoise pickguard • Gloss finish • 1930s-style logo on headplate • Open gear tuners with butterbean buttons • Geib-style hardshell case • D-18GE Golden Era Mahogany and Adirondack spruce, tortoise binding, Brazilian rosewood headplate, Style-18 dot fretboard inlays. D18GE/99 . . . . . . . aging toner D18GE/99SB . . . . . sunburst D-28 Marquis Indian rosewood and Adirondack spruce, ivoroid binding, diamond and squares position inlays. D28MQ . . . . . . . . aging toner D28MQSB . . . . . . sunburst Marquis Collection – Vintage Series Pre-War inspired – each model is a tribute to Martin’s early craftsmen. Model names ending in “VS” feature slotted headstock, and neck which joins the body at the 12th fret. Vintage Series Features 028VS Sitka spruce top with aging toner • Modified V-shape neck • Ebony fretboard and bridge • Tortoise pickguard • Polished gloss finish • Hand-fitted dovetail neck attachment • Nickel open gear tuners (gold on D-45V) with butterbean buttons • Deluxe wooden Geib-style hardshell case • Limited lifetime warranty. 0-28VS Martin’s smallest full-size guitar. Rosewood back and sides, spruce top with aging toner and scalloped braces, herringbone top trim, grained ivoroid binding, diamonds and squares inlays 028VS 00-18V Great sounding 14-fret mahogany 00 with short scale and wide nut 0018V 0018V Small Body Models Back and Sides Top Bracing Rosette Back Purfling Body Binding Bridge Style Fretboard Inlay Fretboard Binding Top Toner Scale Length Neck Width at Nut Stock Number Eric Clapton 000-28EC* rosewood scalloped 5 /16 herringbone zig-zag ivoroid standard diamonds/squares no vintage 24.9” 13 00028EC ” Vintage Series models available LEFT-HANDED – models with asterisk (*) are also available with SUNBURST finish. D-Size Models Back and Sides Top Bracing Rosette Back Purfling Body Binding Bridge Style Fretboard Inlay Fretboard Binding Top Toner Scale Length Neck Width at Nut Stock Number HD-28V rosewood frwd-X, scall. 5 black/white zig-zag ivoroid long saddle aging 25.4” 111 HD28VR /16 ” HD-28VS* rosewood scalloped 5 black/white zig-zag ivoroid long saddle no aging 25.4” /16”13 HD28VS /16 ” D-45V rosewood frwd-X, scall. 5 abalone mosaic ivoroid yes /16 ” /4” nut width • Ebony bridge ” string spacing • 7 long saddle diamonds/squares diamond/squares abalone snowflake no aging 25.4” /4”111 /16 ” D45VR 000-28VS rosewood scalloped 5 black/white zig-zag ivoroid pyramid diamonds/squares no aging 25.4” /4”113 00028VS /16 ” 00-18V mahogany scalloped 1 black/white black tortoise long saddle abalone dot no aging 24.9” /16”13 0018V /4 ” 00-28VS rosewood scalloped 1 black/white zig-zag ivoroid pyramid diamonds/squares no aging 24.9” /4”17 0028VS /4 ” 0-28VS rosewood scalloped 1 black/white zig-zag ivoroid pyramid diamonds/squares no aging 24.9” /8”17 /8 ” 028VS /4 ” www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890

www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890 8 MARTIN GUITARS Performing Artist Series Grand Performance, OM, and D Sizes New! Performing Artist GT Models with F1 Aura Plus Rosewood back and sides, white binding, pearl rosette, black pickguard. bound African Blackwood fretboard with pearl hexagon outline inlays, bound ebony headplate, nickel enclosed tuning gears, satin finish with polished gloss top. Grand Performance . . . . . . . . . . . . . . . GPCAURAGT D-Size . . . . . . . . . . . . . . . . . . . . . . . . . . . . . DCAURAGT Performing Artist 1 with F1 Aura Plus Rosewood back and sides, ovangkol wood binding, bound fretboard and headstock, Martin pearl logo, pearl rosette, hollow arrows and squares inlay, gold tuners. Natural finish Grand Performance . . . . . . . . . . . . . . GPCPA1P-NAT D-Size . . . . . . . . . . . . . . . . . . . . . . . . . . . . DCPA1PLUS OM-Size . . . . . . . . . . . . . . . . . . . . . . . . OMCPA1PLUS Ambertone sunburst finish Grand Performance GPCPA1P-AMB F1 AURA PLUS Award winning Aura Acoustic Imaging technology, coupled with the Martin Gold Plus under-saddle transducer replicates the sound of nine different world-class studio mics. Easy-access sidemounted controls offer a chromatic tuner, EQ and Blend controls. Easy Mode with 3 mic/transducer blend presets, Performance Mode with access to all 9 mics. F1 ANALOG True plug-in, tune-up and play system provides an amazing mix of simplicity and functionality with volume and tone shaping capabilities, onboard digital chromatic tuner, and phase control. Easy-access side mounted controls, two low-profile buttons and a single large, bright LED display. F1 Analog electronics are standard on all PA4 and PA5 models. Performing Artist 4 with F1 Analog Solid spruce top with solid rosewood or sapele back and sides, black binding, rosewood peghead overlay, white dot inlay. Rosewood Grand Performance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . GPCPA4R OM-Size . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . OMCPA4R D-Size . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . DCPA4R Sapele Grand Performance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . GPCPA4 OM-Size . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . OMCPA4 D-Size . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . DCPA4 12-String . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . GPC12PA4 BCPA4 GPCPA4R OMCPA4R DCPA4SB New! Sapele Models with Shaded Top Grand Performance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . GPCPA4SB D-Size . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . DCPA4SB Performing Artist 4 Bass with F1 Analog J-size cutaway body of sapele with solid spruce top, 34” scale. BCPA4 Performing Artist models put Martin quality and acoustic tone in a contemporary acoustic-electric. Available in traditional dreadnought, orchestra and Grand Performance size that’s smaller than a dreadnought, but larger and deeper than the OM for greater volume. All feature a solid spruce top, Martin’s slim High Performance neck-shape and fretboard taper (13 /4” nut, 21/8” at 12th fret, 23/16” string spacing at saddle) and either the Fishman F-1 Aura Plus pickup system or the ultra-affordable F-1 Analog pickup system. GPCAURAGT DCPA1PLUS OMCPA1PLUS

MARTIN GUITARS Performing Artist 5 Martin’s most affordable Performing Artist guitars feature Black, Koa or Mahogany patterned High Pressure Laminate (HPL) back and sides and solid spruce top. All feature the Fishman F1 Analog system. Koa Grand Performance . . . GPCPA5K D-Size . . . . . . . . . . . . . . . . . DCPA5K GPCPA5K Mahogany Grand Performance . . . . . GPCPA5 D-Size . . . . . . . . . . . . . . . . . . DCPA5 Black Grand Performance . GPCPA5BLK D-Size . . . . . . . . . . . . . . DCPA5BLK OM-Size . . . . . . . . . . . OMCPA5BLK D17M Amazingly simple to use with volume 00017SM 17-Series Great sound, all solid woods, made in USA Mahogany back and sides • Spruce top • Tortoise binding and pickguard • Modified Low Oval neck shape • Morado fretboard and bridge • Standard 25.4” scale • Diamonds and Squares position inlays • Satin finish with polished gloss sunburst top • Martin flattop hardshell case D-17M Sunburst D-size body, Solid peghead, 111 F1 ANALOG and tone shaping capabilities, onboard digital chromatic tuner, and phase control. Easy-access side mounted controls, two low-profile buttons and a single large, bright LED display. More models made from Sustainable Harvested Woods at 16-Series Gloss Top Models Sitka spruce top with Hybrid-X scalloped bracing, herringbone rosette, pearl dot fretboard position markers, chrome enclosed tuning gears, satin finish neck and body with glossy top finish, hardshell case. Full-Gloss Models Fancier versions of the Gloss Top models above with complete gloss body finish. elderly.com 16-Series Premium solid wood construction – exceptional sounding guitars HD-16R Model Finish/Model Type Body Style Back and Sides Body Binding Top Trim (Purfling) Rosette Neck Shape Electronics Stock Number DC-16GTE Gloss Top D-cutaway sapele black black/white herringbone Mod. Low Oval Roland AP-1 DC16GTE D-16GT Gloss Top D-full body mahogany black none herringbone Mod. Low Oval none D16GT D-16RGT Gloss Top D-full body rosewood white black/white herringbone Mod. Low Oval none D16RGT Adirondack 000-16GT Full Gloss Gloss Top D-full body rosewood ivoroid herringbone style-28 Modified V none HD16RA 000-full body mahogany black none herringbone none 00016GT Grand J12-16GTE Gloss Top Grand Jumbo mahogany black herringbone herringbone Modified Low Oval Performing Artist Duncan D-TAR GJ1216GTE D17M 000-17SM Sunburst 000-size 12-fret body, slotted peghead, 13 21 /4 00017SM /4 ” nut, ” string spacing at saddle, nickel open-gear tuners with ivoroid buttons. 9 /16” nut, 21 /8 ” string spacing at saddle, nickel open-gear butterbean tuners. Grand J12-16GTE Grand Jumbo 12-String Acoustic-Electric • Mahogany back and sides with 17” lower bout • Sitka spruce top with herringbone trim • Performing Artist neck profile • Seymour Duncan D-TAR pickup system GJ1216GTE Shop our great selection of new and used Martin guitars at elderly.com www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890

www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890 10 MARTIN GUITARS 15 Series Fine sound, all mahogany, made in USA Bone nut and saddle • Old style headplate decal • Open gear butterbean tuners • Inlaid rosette ring • Modified Low Oval monds and Squares inlays • Delmar tortoise Satin finish D-15M and D-15MSB MTND15MAH . . . D-size D15MSB . . . . . sunburst top 000-15M and 000-15SM 00015MAH 000-size, 14-fret 00015SM . 000-size, 12-fret 00-15M 0015MAH . . . . . 00-Size We are your source for all things Martin … Shop our great selection of new and used Martin guitars in stock at elderly.com X Series oustic/Electrics High Pressure Laminate (HPL) ed with solid spruce top 000X1AE y look back and sides, 25.4” scale Modified Low atabond neck • Tortoise pickguard • Black Richlite d and bridge • Chrome tuning machines • Satin ishman Sonitone pickup with soundhole olume and tone controls • Case sold separately DX1AE and D12X1AE DX1AE . . . . . D-Size D12X1AE D-Size 12-String 000X1AE 000X1AE . . . 000-Size MARTIN ECONOMY HARDSHELL CASE GCMA-DF . . . . D-Size GCMA-000F . . 000-Size Road Series cellent value with pickup Solid sapele back and sides • Modified Low Oval Stratabond neck • Black Richlite fretboard with small white position dots • Single ring rosette • Chrome enclosed tuners • Fishman Sonitone pickup with soundhole mounted volume and tone controls • Flattop hardshell case included. DRS1 and DRS2 (D-Size) DRS1 . . . . . sapele top DRS2 . . . . . spruce top 000RS1 (000-Size) 000RS1 . . . sapele top New! DRSGT and 000RSGT Gloss Top Models Solid sapele or sipo (a European mahogany-like wood) back and sides, solid Sitka spruce top. 000RS25NAV DRSGT . . . . . . D-size 000RSGT . . . . 000-Size New! Limited Edition Only 250 made – commemorates the 25th Anniversary of Martin’s Navojoa, Mexico factory. 000RS25 Navojoa 25th Anniversary 000 body, solid Sitka spruce top, rosewood fretboard and bridge, satin finish with aging toner on top. Fishman Sonitone pickup with 1/4” and USB outputs. 000RS25NAV Little Martin Models eat sound in a small package! odified 0-size body, 23” scale neck. Available with solid spruce top or HPL wood grain. Gigbag included! Standard Models LXM (mahogany and spruce look) LXK2 (all koa look) LX1 (solid spruce top) See more Little Martins and Backpackers at www.elderly.com Martin Backpacker “ long, 2” deep, and The perfect travel guitar – just 351 81 /4 /2 ” wide. Triangle shape body and neck of solid mahogany, solid spruce top, Richlite fretboard. Features chrome enclosed tuning gears and strap buttons. Gigbag and strap included. MBP100

ACOUSTIC GUITARS Acoustic/Electric Models Unless otherwise noted, all have a solid spruce top, ebony fretboard and bridge and feature Taylor’s great sounding Expression Sy Hardshell case included. 412-CEN Nylon String 114-CE Grand Auditorium, sapele back and sides, black binding, plastic rosette, Taylor ES-T Element undersaddle pickup system. Gigbag included. Grand Concert, solid ovangkol back and sides, white binding, Tusq nut and saddle, nickel tuning machines with pearloid buttons and satin finish. ES-N pickup system. 412CEN 11 150-E 524-CE 12-String D-size, solid Sitka spruce top, sapele back and sides, black binding and pickguard. Chrome mini tuners, matte finish. Gigbag included. 150E 714-CE 210-E D-size, rosewood back and sides, solid spruce top, white binding, Taylor ES-T Element under-saddle pickup system. Gigbag included. 210E 714CE Grand Auditorium, solid rosewood back and sides with solid Engelmann spruce top. Ivoroid binding, gloss finish with satin finish neck. 524CE Grand Auditorium. A beautiful pairing of solid mahogany trimmed in ivoroid with ebony peghead overlay and gloss finish. 214-CE 814-CE Grand Auditorium, rosewood back and sides, Taylor ES-T Element under-saddle pickup system. Gigbag included. 214CESBDLX sunburst finish Grand Auditorium, solid rosewood back and sides, maple binding, abalone rosette, pearl 800 Series inlay. 314-CE 914-CE Grand Auditorium with solid sapele ound fretboard, satin finish with gloss top, chrome tuners. Grand Auditorium, rosewood back and sides with rosewood binding, abalone rosette, ornate fretboard inlay. 356-CE 12-String Grand Symphony size cutaway body, solid sapele back and sides, black binding, 3-ring rosette, mahogany neck, pearloid dot fretboard inlay, chrome tuners. Satin finish with gloss top. 356CE K24-CE Grand Auditorium, all solid Hawaiian koa, wood rosette and binding. Mahogany neck with satin finish, island vine inlays, one nut and saddle, gold tuners. Gloss finish. K24CE www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890

www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890 12 ACOUSTIC GUITARS Baby Taylor® Models All include gigbag. Left-handed versions are also available. Baby Taylor® 4-size dreadnought body, laser-etched soundhole rosette, sapele sides with arched back, oard and bridge, satin finish. y top GS Mini aled-down GS body shape, but bigger, deeper, and longer ale than the Baby Taylor. Large reater volume. Solid y top, sapele back and oard and bridge, chrome tuners, satin finish. Gigbag included. GSMINI . . . . . . spruce top GSMINIM . . . mahogany top S6 Cedar Original Cherry back and sides, solid select cedar oard and bridge, Tusq nut and saddle, polished semi-gloss finish. F1HC D-size, solid Sitka spruce top, nato back and sides, rosewood fretboard and bridge, chrome tuners, natural finish. Hardshell case included. F1HC FS720-S 000-size, solid Sitka spruce top, y back and sides, rosewood oard and bridge, black bound body. Natural finish – other finishes available. SX700SC 000-size acoustic-electric cutaway, Solid Sitka spruce top, nato back and sides, oard and bridge. System 55T piezo pickup and preamp. Perfect for smaller hands R2 3/4-Size Spruce top, nato back and sides, nato neck, rosewood bridge and oard, chrome hardware. Gigbag included. obacco Sunburst finish al finish urst finish Coastline Cedar Grand ained wild cherry back and sides, solid select cedar top, oard and bridge, Tusq nut and saddle, semi-gloss finish. cursion alnut SG D-size, walnut back and sides with solid spruce top. Rosewood fretboard and amped rosette, Tusq nut and saddle semi-gloss natural finish. Natural Elements Acoustic-Electric away Mini Jumbo size. Cherry back and sides, solid cedar top, maple binding, maple neck with flame maple veneer contoured headstock, rosewood fretboard and bridge, butterbean open-gear tuners, B-Band T35 s, semi-gloss natural finish. SNCLE-MJ Entourage ustic Grand Parlor-size acoustic electric. Wild cherry back and sides, solid cedar top, rosewood usq nut and saddle, Quantum I electronics. Coastline S6 Folk Dark stained wild cherry back and sides, select solid cedar top, rated set-in neck, rosewood oard and bridge, Tusq nut and saddle, semi-gloss finish.

ACOUSTIC GUITARS GAD D-125 12-String D-size body, solid mahogany back, sides and top alloped spruce braces. 20-fret oard, Nu-Bone nut and compensated saddle, rosewood bridge and ap. Pearl rosette, gloss finish body with satin finish neck. Deluxe hardshell case included. M-120 Concert Gloss finished solid mahogany back, sides and top with scalloped ing, slim neck with satin finish, oard and bridge, and vintagestyle tuners. Hardshell case included. M -120 Acoustic Electric Cutaway Fishman Sonitone pickup system with endpin-mounted active preamp and soundholemounted volume and tone controls. GADM120E Your trusted source for … Used & Vintage Guitars T-BucketTM E Cutaway coustic/Electric y back and sides, scalloped ing, ivoroid binding and pinstripe motif. Sunburst or Transparent ransparent Blue or Amber (quilted maple top) or Transparent Violet or Brown (quilted ash top). FTB3CE2-(COLOR) . . . . . Sunburst Cutaway D-size mahogany body, solid spruce top with scalloped X bracing and checkerboard rosette, bound top and back. C-shape maple neck with 20-fret rosewood fingerboard, rosewood bridge with compensated bone saddle, and Fishman Isys III system. Specify Lake Placid Blue, Candy Apple Red, Olympic White, Black or Natural finish with matching headstock. FSCE-(COLOR) . . . . . Lake Placid Blue Classic Design CD-60 D-size, nato back and sides, spruce top ing, 20-fret rosewood tion truss rod, rosewood bridge with compensated saddle, chrome tuners, and gloss black finish. Hardshell case included. k Employee Since 1995 Employee Since 1986 Series Sonoran www.elderly.com Brian Alvarez California S. J. “Frog” Forgey BUY • SELL • TRADE Consignment and Appraisals TOLL-FREE (USA only) 888-473-5810 (517-372-7890 outside USA) 13 www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890

www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890 14 ACOUSTIC GUITARS Beautiful and affordable all solid wood models Dirty ‘30s Series Decent no-frills acoustic guitars with ound top and back, oard and bridge, bone saddle and nut, and nickel enclosed gear tuners Vintage Dark-Burst satin finish. DTY30-D (D-Size) DTY30-000 (000-Size) DTY30-0 (0-Size, 12-Fret) 06-Series Solid spruce top with scalloped toise-bound mahogany back and sides, plain rosewood fretboard y), nickel tuners, bone nut and saddle, gloss finish. ROM06CE ROS06 (D-Siz, Large Soundhole) RO06 (000) RO06M (000 with satin finish) ROS06 (12-Fret 000-Size) RP06 (12-Fret 0-Size) RJ06 (Small F-Jumbo) ROM-06-CEF4 000 Acoustic-Electric Cutaway Venetian cutaway, Fishman Presys pickup system. ROM06CE RD310 RO10 310-Series age-style dreadnought with an mahogany back and sides, Adirondack spruce top, scalloped bracing with forward-shifted X, rosewood fretboard toise body binding, nickel ne nut and saddle, gloss finish. RO310 (000) RD-316 eadnought A Adirondack spruce top, oard and bridge, nickel ver butter-bean tuners, gloss nitocellulose lacquer finish. More Recording King & The Loar in stock at elderly.com Beautifully designed vintage-style guitars LO-16 Classic L-00 style body, LO-215 -fret 0-size, bound maple back and sides, solid Sitka spruce top, with dovetail neck joint, dot inlaid rosewood fretboard, bone nut and saddle, rosewood bridge, pearl headstock age style tuners, Sunburst finish. Nice small body based on classic designs of the ‘30s. LH-200 and LH-250 Solid spruce top, premium y back, sides and neck with dotoard, and rosewood LO-216 Like above, but mahogany back and sides. Specify Natural or Black finish. LO216-(COLOR) LH250S y, neck and peghead, nickel open-gear butter-bean tuners, ornate peghead Sunburst finish. LH200S LH250S solid back and sides y back and sides with solid spruce top, bound top and oard and bridge, ver tuners and pearl Natural or Black finish. (000) 10-Series Sitka spruce top with scalloped ound mahogany back and sides, mahogany neck, rosewood oard and bridge, nickel tuners, bone nut and saddle, and gloss Natural finish

ARCHTOP AND GYPSY JAZZ GUITARS Based on classic archtop designs from the ‘20s LH-280C-VS Bound maple body, bound mahogany neck with rosewood fretboard. Dual humbucking pickups, 3-way switch. Floating tune-o-matic bridge, vintage-style tuners with butterbean buttons. Vintage Sunburst finish. LH280C-VS GJ-10 Django A nice student level gypsy jazz . Solid spruce top, rosewood back away body with small val soundhole and black binding, ebony bridge, extended 24-fret rosewood oard, brass tailpiece, satin finish. GJ-15 Django LH-300-VS Hand-carved solid spruce top, maple back and sides, bound body and neck. Vprofile mahogany neck with rosewood fretboard, adjustable ebony bridge, vintagestyle tuners. Vintage Tobacco Sunburst finish. LH300VS Paris Swing LH-309-VS Like above with single P-90-style pickup with volume and tone controls. Vintage Tobacco Sunburst finish. LH309VS LH-350-VS Kent Armstrong floating humbucking pickup, bound pickguard with volume control, gloss Vintage Sunburst finish. LH350VS Newark St.TM X-175 Manhattan Solid spruce top, flame maple back and sides with body binding, 20-fret rosewood fingerboard. Guild single-coil pickups, 3-way switch, compensated rosewood bridge, Sta-Tite tuners, plexi pickguard, Antique Burst finish. Hardshell case included. X175 ‘40s classic reborn EXL-1 Spruce top, flame maple back, multi-ply bindings. Rosewood fretboard and bridge. Stairstep tailpiece, floating humbucker neck pickup, bound tortoise pickguard. Grover Super Rotomatic tuners, gold plated hardware and Vintage Sunburst finish. Deluxe hardshell case included. EXL1VS Collection D-500 Django 932 Selmer/Maccaferri ar, with extended 24-fret oard, solid spruce top with rosewood back and sides, 12-fret cutaway y with multi-layer wood binding and arge D-shaped soundhole, brass trapeze tailpiece, gloss finish. D-300 Jorgenson Designed with input from swing master John Jorgenson. Brazilian rosewood back and sides with select solid spruce top and oval soundhole. 14-fret walnut neck, flat ebony fretboard with distinct square profile, tortoise body binding and tailpiece insert, gold tuners, ebony bridge. Gloss finish with aging toner on top. DG300 GG42 GG-42 Django Like above, but with a large D-shaped soundhole. GG39 GG-39 Django Bound 14-fret body. Rosewood back and sides, solid spruce top with small oval soundhole, mahogany neck with rosewood fretboard, rosewood bridge, Grover tuners, nickel-plated tailpiece. with large D-shaped soundhole and mahogany back and sides. 15 www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890

www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890 16 ACOUSTIC GUITARS Exceptional imported guitars BRBD16 BD-16 and BM-16 y back and sides, y neck with adjustable truss rod, dot inlaid rosewood fingerboard, bound oard, ornate peghead als, nickel sealed-gear tuners, gloss finish. See even more Blueridge guitars at elderly.com BR-40 and BR-43 raditional-style with mahogany back able truss rod, dot-inlaid oard. Bound top, back and oard, ornate peghead inlay, bone nut and saddle, nickel butterbean tuners, full gloss finish. BR40 BR40 (D-Size) or BR43 (000) R-4012 2-String A long-awaited addition to the Blueridge 0 dreadnought above, for exceptional balance and tonal response. Solid rosewood/ Adirondack spruce models BR163A BR-160A and BR-163A Like the BR160 and BR163 above, but with Adirondack spruce top and wider 13 /4 BR160A (D-Size) or BR163A (000) BR-160-12 Jumbo 12-String Classic 17” all solid wood F-jumbo body features bound spruce top with herringbone purfling and rosewood back and sides. BR16012 BR-180A Dressed up version of the BR-160A above. Fully bound with abalone purfling on top and back, beautifully done abalone rosette and peghead inlay, gold butterbean tuners. BR180A BR143 BR-140 and BR-143 Scalloped bracing with forward shifted X-brace, ornate peghead inlay, “dalmatian” tortoise pickguard. BR140 (D-Size) or BR143 (000) Solid rosewood/ spruce models BR160 BR-160 and BR-163 Like the BR140, but with rosewood back and sides and snowflake fretboard inlay. BR160 (D-Size) or BR163 (000) BR70T BR183 Tenor Models 0-size, solid spruce top, black bound mahogany (BR40T) or white bound rosewood (BR60T and BR70T) back and sides, bound neck, gloss finish. BR40T pearl dot inlay, nickel tuners BR60T pearl dot inlay, nickel tuners BR70T abalone inlay, gold tuners BR-183 ” nut width. /16 000-size version of above with Sitka spruce top and 111 ” nut width. Employee Since 1983 SUPER DEAL Starter Packs Guitar, hardshell case and all the accessories you need to get started. DEAL1 . . . . . . . . . . . BD-16 Guitar DEAL2 . . . . . . . . . . . BM-16 Guitar Jerry Spencer

www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890 18 ACOUSTIC GUITARS All models feature chrome vintage open-gear Gotoh tuners and include hardshell case. All solid wood construction with hand-carved scalloped bracing Heirloom quality instruments handcrafted for sustain and complex, sophisticated tone E10-D eadnought ” nut width /4 Adirondack spruce top, mahogany back and y binding, mahogany neck, oard with 13 and mother-of-pearl microdot inlays, ebony bridge, and real bone nut and saddle. E10D E10-OM 000-Size 000-size version of above. Tony Rice Model D-size, Indian rosewood back and sides, Sitka spruce top with scalloped braces, ivoroid binding, herringbone top trim and rosette, ebony bridge, tortoise pickguard. Like Rice’s famous guitar, the bound ebony fingerboard extends into the large 4 1 /4” soundhole. Plain fretboard (no inlays except Santa Cruz SCGC logo at the 12th fret) and plain ebony peghead overlay. RICE D-PW ROSEWOOD DPW FIREFLY SCFFRSB VINTAGE ARTIST SCVA E10P Parlor 0-size version of above. E6OM 000-Size M (000) size, solid Sitka spruce top, solid mahogany back and sides. Outstanding quality and meticulous attention to detail – the choice of countless professionals D2HA Shop our great selection – hundreds of new, used and vintage guitars in stock elderly.com OOO-40R 000-size 12-fret body of all solid woods. Rosewood back and sides, Sitka spruce top with hybrid scalloped bracing. Ebony fretboard with wide 13 /4” nut width, tortoise pickguard, vintage-style Grover tuners, ebony bridge, bone nut and saddle. Hardshell case included. OOO40R Dreadnought body, solid Indian rosewood back and sides with solid Adirondack spruce top, herringbone trim, diamond and squares inlays, scalloped braces, squared off headstock, ivoroid bindings. Waverly vintage-style open-gear tuners, pearl Collings logo in peghead. COLD2HA-REG D2HA BRAZ CD2HBRZ0 ILIAN CJ-35SB SUNBURST CJ35-SB D1A VARNISH COLD1AVAR

ACOUSTIC GUITARS G-Series All feature solid top with quartersawn X-bracing GD20 D-size, mahogany back and sides, bound cedar top mahogany neck with 20-fret rosewood fingerboard, pearloid dot inlays, synthetic bone nut, pinless bridge, satin finish. GD20 GD30CE Cutaway acoustic/electric dreadnought features mahogany back and sides, bound spruce top, TP-4TD preamp with built-in tuner. Gloss finish. GD30CE-NAT Made different – to sound GJ72CE12 12-String Cutaway jumbo, flame maple back and sides with bound spruce top, TK-40D preamp with built-in tuner and gold tuners with pearl buttons. Gloss finish. GJ72CE12-NAT Pro-Series Crafted with the performer in mind. All feature solid woods, scalloped bracing, pinless bridge with split bone saddle and Palathetic pickup. P1M Bound OM body, sapele back and sides, cedar top, concentric ring rosette, satin finished mahogany neck, rosewood fretboard, pearl dot inlays, CT4B2 preamp system, chrome tuners, satin finish body and neck with gloss top. P1M P3NY New Yorker Sapele back and sides, cedar top, ivory binding with wood purfling. Concentric ring with wood marquetry rosette, rosewood fretboard with abalone inlays, CT4B2 preamp, gold tuners with amber buttons. P3NY P5JC Jumbo cutaway body, rosewood back and sides, spruce top, ivory binding with dark wood purfling and abalone soundhole rosette. Asymmetrical neck profile, rosewood fretboard with abalone inlays, CT4-DX preamp, tortoise pickguard, gold tuners, and gloss finish. P5JC FL2EC-BB Fat Lady 1 Acoustic/Electric D-size with internally carved top and back. Solid Queensland maple back and sides with solid bunya top. Dual Input Acoustic Pickup includes a bridge mounted piezo-transducer and a top plate sensor. Hardshell case included. FL1EC-BM Fat Lady 2 Cutaway Acoustic/Electric Cutaway body, blackwood back and sides, bunya top. 3-way pickup includes a piezo bridge, top sensor and internal mic. Very natural, warm sound. Hardshell case included. FL2EC-BB One Series Angel Grand Auditorium with internally carved top and back. Solid Queensland maple back and sides with solid bunya top. CAN1BM different Classical construction, innovative design and manufacturing techniques for lighter, stronger, unique guitars with a natural amplified sound FL1EC-BM 19 www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890

www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890 20 CLASSICAL GUITARS Jose Ramir 130th C-12 Handcrafted concertlevel guitar with Spanish heel, arved neck and lattice bracing, domed premium woods. Rosewood back and sides, cedar top, ebony fretboard, mother of pearl rosette, maple binding, one nut and saddle, and lacquer finish. Hardshell case included. CORC12 C-9 Sweet, warm tone of solid mahogany and cedar with the visual elegance of hand-inlaid y neck and fretboard, rosewood bridge and binding, gold tuners with wood buttons. Hardshell case included. CORC9D (7/8-size Parlor) C-10 Parlor /8-size, rosewood back and sides, European spruce top, ebony fretboard, mother-of-pearl and ebony “Esteso” rosette, one nut and saddle, gloss finish. Cordoba polyfoam case included. Orchestra Rosewood back and sides, solid Canadian cedar top with fan bracing. y neck, radiused ebony fretboard ” nut width, bone nut and saddle, silver tuners with ebony buttons and gloss finish. Gigbag included. C-5 African mahogany back and sides, solid Canadian cedar top, rosewood fretboard and bindings, wood rosette, gold tuners. Isys+ pickup TH5 Cordoba C-5 starter pack See page 1 Guilele Small guitar with a ukulele sound and feel and tuned up a fourth andard guitar tuning. Solid spruce top, mahogany back and sides, rosewood oard, satin finish. A great travel guitar. GUILELE-CE (cutaway with pickup) G-Series GC5CE Cutaway classical body, rosewood back and sides, bound solid spruce top with fan bracing. Rosewood fretboard and bridge with compensated saddle. Takamine TP-E preamp with built-in tuner and gold tuners. GC5CEN Hirade Series H5 Concert Solid rosewood back and sides, solid cedar top, ebony fretboard and bridge, rosewood peghead overlay, gold tuners. Hardshell case included. CG-142C Classical Solid cedar top, nato back and sides, oard, gloss natural finish. We have more classical guitars from these and other makers – see ‘em all at elderly.com CN-140 Classical Solid cedar top with traditional fan ing, rosewood back and sides, with rosewood headstock oard, rosewood bridge, chrome open-gear tuners with pearl acrylic buttons. Gloss natural finish. CN140S nniversary Solid rosewood back and sides with solid red cedar top, cherry blossom rosette, ebony fretboard, rosewood bridge, gold tuners with pearl buttons. Hardshell case included.

FENDER® American StandardTM Alder body, satin finish on back of neck, Fender Custom Shop® molded rectangular SKB case. Made in USA. Stratocaster® 22 medium-jumbo frets, 4-bolt neck with Micro-TiltTM, three Fat ‘50s single-coil pickups, 2-point synchronized tremolo, bent steel saddles with elongated string slots, high mass bridge block, chrome cast/sealed tuners, 3-ply parchment pickguard with aged plastic parts. FNAS-MYB-M (Mystic Blue) Other colors available – See elderly.com for our current stock Stratocaster® FNAS-BLK-M (Black) Standard Telecaster® with Micro-TiltTM 22 medium-jumbo frets, 4-bolt neck , Fender® Custom Shop® Broadcaster bridge and Twisted Tele singlecoil pickups with Delta No-load tone control, brass bridge plate with bent steel saddles with elongated string slots, chrome cast/sealed tuners, 3-ply parchment pickguard. FNAT-MYR-M (Mystic Red) Deluxe Series Stratocaster® Telecaster® Plus HSS 100% solderless electronics features interchangeable “personality cards” for instant wiring modifications. Alder body, compound radiused neck with satin finish, win Head humbucking bridge N3 single-coil pickups, y pickguard, aged white plastic hree personality cards, strap, cable, loth and deluxe hardshell case included. urst) Modern Player TM Series Telecaster® Plus Pine body, slim C-shape maple neck with 22 jumbo frets. Humbucking bridge, single-coil Strat® middle and single-coil Tele® neck pickups, 6saddle hardtail bridge, 3-ply pickguard. FMPTP-HBST (Honeyburst) Even more Fender® at elderly.com P-Bass® pickup. Alder body, maple neck with rosewood fretboard, split single-coil P-Bass® FSP11-AWT-R (Arctic White) Jazz Bass® Alder body, maple neck with rosewood fretboard, two single-coil pickups. FSJ11-BSB-R (Brown Sunburst) Alder body, one-piece tinted maple neck, 21 frets, 3-ply parchment pickguard, string-thru-body bridge, two single-coil pickups. FST11-MDW (Midnight Wine) Series pickups. All include “FSR” Models Factory Special Run ‘54 Stratocaster® Ash body, V-shape maple neck, 21 frets. Three Alnico Custom single-coil pickups, floating tremolo bridge, vintage-style tremolo, single-ply pickguard. FSR131 (2-Color Sunburst) ELECTRIC GUITARS 21 Thinline Telecaster® Semi-hollow ash body with F-hole, C-shape neck, 22 medium jumbo frets. Two Fideli’TronTM humbucking pickups, vintage-style Strat® stringsthru-body bridge, cast/sealed tuners and white single-ply pickguard. Deluxe gigbag included. FCBTT-SHG (Shoreline Gold) Specify rosewood or maple fretboard. Available in Arctic White, Brown Sunburst, Candy Apple Red, Lake Placid Blue, Midnight Wine, and Black. Stratocaster® Alder body, one-piece tinted maple neck with 21-fret rosewood fingerboard, high mass tremolo, die-cast tuners, 3 single-coil pickups, 3-ply parchment pickguard. FSS11-BLK-R (Black) www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890

www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890 22 SQUIER® ELECTRIC GUITARS Standard Series Value-packed versions of the world’s most popular guitars See elderly.com for current colors in stock Stratocaster® Agathis body, maple neck, maple or rosewood fretboard with 22 frets. Large headstock, three single-coil pickups, tortoise shell pickguard. SQST-ATB-MPL (Antique Burst) Squier® Telecaster® y, C-shape maple neck, oard with 22 frets, two Alnico 5 magnet single-coil pickups. Classic Vibe atocaster® ‘60s -fret rosewood fretboard, three Custom Alnico 5 single-coil pickups, aged toise pickguard, vintagestyle tremolo and tuners. Jaguar® Telecaster® SCVT5BB (Butterscotch Blonde) Tele® Custom y, rosewood fretboard o frets, two Custom Tele® Alnico single-coil pickups, strings-thru-body bridge. Precision Bass® Bass ound 20-fret maple neck, an Designed single-coil pickup, special tor, 4-saddle bridge. ‘50s Classic looks with just the right amount of player upgrades. Pine body, two Custom Tele® Alnico 5 single-coil pickups. Bass Special Basswood body, maple neck with 20-fret bridge pickup, active bass boost. rosewood fingerboard, split single-coil P-Bass® pickup, Jazz Bass® SVMJBS-CRT (Crimson Red Trans.) elecaster® Thinline y, maple neck with 22-fret oard, Duncan DesignedTM pickups, chrome hardware, and parchment pickguard. SQVMTT-SHG (Shoreline Gold) ‘51 neck Basswood body, tinted C-shape maple neck 21 medium jumbo frets, single-coil Strat® pickup and hot humbucking bridge pickup, 3-way rotary selector, 6-saddle hardtail bridge. Chrome hardware and single-ply pickguard. S51-2SB (2-Color Sunburst) Vintage Modified ‘70s Strat® Basswood body, tinted C-shape maple neck single-coil with large 70’s style headstock, 21-fret rosewood fingerboard, Duncan DesignedTM pickups, 3-ply pickguard, synchronized tremolo, vintage-style tuners and chrome hardware. SVM7S-BLK (Black) ‘50s Pine body, 1-piece maple modern C-shape neck, 20 vintage style frets, Custom original P-Bass single-coil pickup with Alnico 5 magnets, volume and tone controls, knurled chrome dome knobs, hi-mass 4-saddle bridge, black single-ply pickguard with thumbrest, open gear tuners with chrome hardware. SCVP5BB (Butterscotch Blonde) Jazz Bass® 77 ound 20-fret maple neck with pearloid block inlays, two Fender® designed single-coil Jazz pickups.

SQUIER® Affinity SeriesTM Strat® Three single coil pickups. Specify Black or 2-Tone Sunburst (SQAFSM) or Black, Brown Sunburst, Lake Placid Blue, Shell Pink, Burgundy Mist or Surf Green (SQAFSR). SQAFSM (maple board) SQAFSR (rosewood board) Tele® Alder body, C-shape maple neck with 21 frets, two single-coil pickups. Specify Black, Butterscotch Blonde, 2-Tone Sunburst or Arctic White finish. SQAFT (Butterscotch Blonde) BOOK – SQUIER® ELECTRICS – 30 YEARS OF FENDER’S BUDGET GUITAR BRAND 49-333228 BOOK – THE FENDER® STRATOCASTER® HANDBOOK – 2ND EDITION 49-333858 BOOK – THE STRAT® IN THE ATTIC – THRILLING STORIES OF GUITAR ARCHAEOLOGY 542-405 Artist Series 20 frets, 2 single-coil Jazz® Jazz Bass® pickups. Specify Black, Lake Placid Blue, Burgundy Mist Metallic, or Brown Sunburst finish. SQAFJ SJ5TFG (Frost Gold) J. Mascis JazzmasterTM Basswood body, tinted neck, large headstock Bullet Series Great value! Bullet Strat® dy, maple neck 2-fret rosewood fingerboard, three single-coil pickups, master volume and two tone controls, tremolo bridge, covered tuners, chrome hardware and a single-ply white Fiesta Red, Black, Pink, Brown Sunburst, or Arctic White finish. SQBST-DPB Brian Hefferan Juan Sanchez with J. Mascis signature on back. 21 frets, two singlecoil pickups, 3-position toggle, lead/rhythm switch, vintage-style tremolo and tuners, anodized pickguard. SQJMJM (Vintage White) Simon Neil Based on Simon’s Custom Shop® ‘60s Strat® Stratocaster® Time Machine . Alder body, tinted neck with Simon’s signature on the back of the headstock and the Biffy Clyro logo on the front. 21 frets, three Custom single-coil pickups, 3-ply mint green pickguard. SQSNS (Fiesta Red) Larry Scott White John 5 Telecaster® Alder body, bound top and back, 22 frets, humbucking bridge pickup with ceramic magnets, Alnico V magnet custom humbucking neck pickup, gold mirror plastic pickguard. ELECTRIC GUITARS Affinity SeriesTM SQMINI Mini Strat® 3/4 size Strat®. Hardwood body, short 223/4” scale C-shaped maple neck with 20-fret rosewood fingerboard, three single-coil pickups. Specify Black, Torino Red, or Pink finish. 23 Used Instrument Wanted List We can help you find that vintage Strat® or Tele® http://elderly.com/ wanted.htm Employee Since 1984 Employee Since 1993 Employee Since 1992 www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890

www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890 24 ELECTRIC GUITARS Manufactured and distributed by… G-5622T Semi-Hollow Electromatic Junior Jet Bass II Short 30.3” scale length – a little bit of bass with a whole lot of sound. G2224 (Tobacco Sunburst) G100BKCE Synchromatic Acoustic/Electric Archtop Neck-mounted single-coil pickup with volume and tone controls on the pickguard. Vintage cool. G100BKCE (Black Satin) G6120 (Orange Stain) 422DC-12 12-String ® G-5422TDC Hollowbody . pickups and a Bigsby® G-6120SSU Brian Setzer Rockabilly Riot! y to rock ‘n’ roll with “Black Top” ansparent Red) Kingbolt A hot-rodded bolt-on rock guitar. Special H humbuckers, a simple yet effective control layout and a stay-in-tune Wilkinson trem. Tone , Style, Value Pete Anderson Eastsider-S This plank may look standard at first glance, but it’s hot-rodded and stage ready right out of the box. RPAESTB (Tobacco Burst) RKBBLK (Black) Flatroc Perennially popular model with two RevTron mini-humbuckers. Dare to be different – it will not disappoint. FROC-ROR (Rock Orange) Shop from our complete selection of electric guitars at www.elderly.com Crank up the two TV Jones pickups and strut right by with your tail in the air. 6120SSU (Orange Tiger Flame) sound of renown. G-6137TCB Panther A night stalkin’ stunner that will impress the cats in your crowd. G-6129T Sparkle Jet Las Vegas “show” with lots of “get up and go.” G6129TG (Green Sparkle) G-6120 Chet Atkins When you say “Chet Atkins,” you’ve said all you need to say. Three dual-coil Super HiLo’Tron pickups and lots of controls give you a ton of tonal possibilities. G5622TCB-R (Rosa Red) USA Model USA Model USA Model

ELECTRIC GUITARS AND BASSES SE Series Quality imports USA-made SE Custom 24 S design. All of the luding bird inlays and PRS designed pickups and trem – with an ag. Gigbag included. SE el Bass y maple/walnut neck-through ale, 22 frets with bird inlays. E 4B pickups. Gigbag included. One of the most versatile-sounding guitars on the market. Features a huge palette of singlecoil, humbucker, and excellent acoustic tones. P22 Flame maple on y, 22 frets, bird inlays. L.R. Baggs piezo bridge (stoptail) vered humbuckers, 3-way ase included. 5P22 (Blood Orange) SCS2BSH-MTS (Tobacco Sunburst) e models and color choices at elderly.com No name resonates across the spruce and maple boundaries of the classic American guitar like that of John D’Angelico, master guitar builder. Here is a small sampling of his Standard Series guitars – New here at Elderly Instruments Check out our web site at www.elderly.com for more great models EX-175 Stylish retro vibe! Spruce top and flame maple back and sides. Bigsby B-30 and two Kent Armstrong humbuckers. Hardshell case included. EX175NAT (Natural) Hundreds of EX-DC Classic semi-hollow body with gold hardware, 5-ply binding and lots of style. Two Kent Armstrong humbuckers, Tune-O-Matic bridge. Hardshell case included. EXDCCH (Cherry) USED & VINTAGE guitars in stock www.elderly.com 1100 N. Washington Lansing, Michigan 48906 BUY • SELL • TRADE Consignment and Appraisals MS2B-VC (Vintage Cherry) S2 Mira Semi-Hollow Thin semi-hollow mahogany body, 22 frets with bird inlays. PRS stoptail and S2 Mira pickups. Gigbag included. MS2BSH-VC (Vintage Cherry) S2 Custom 24 S2 HFS treble and S2 Vintage Bass pickups and bird inlays. CUS2-BC (Black Cherry) S2 Mira 21 frets, S2 Mira treble and bass pickups, stoptail and bird inlays. Gigbag included. 25 S2 McCarty Classic single-cut body with beveled maple top. 22 frets with bird inlays. S2 #7 pickups and stoptail bridge. Gigbag included www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890 USA Model

EFFECTS Modulation effects TU-3 Pedal Tuner Bright 21-segment LED indicators and Accu-Pitch tuning verification. Chromatic or guitar/bass tuning modes. Powers up to 7 Boss pedals, too, with optional parallel cable (PCS20A, $24.50). TU3 Distortion and overdrive effects SD-1 Super Overdrive SD1 BD-2 Blues Driver BD2 TR-2 Tremolo TR2 Delay effects CH-1 Super Chorus BCH1 Phrase sampler with realistic onboard drum patterns RC-3 Compact Loop Station New and improved with more memory and USB connectivity. Store up to 99 phrases with room for three hours of recording. DS-1 Distortion BDS1 Great for guitar or bass CS-3 Compression Sustainer CS3 BOSS PSA-120S AC POWER SUPPY Recommended over batteries for best performance. PSA120 RC3 DD-7 Digital Delay Modulation Delay mode offers natural, chorus-type sounds, classic Analog Delay mode for modeling the warm analog sound of the earlier Boss delay pedals. Controls include tap tempo, delay time, feedback, and effect level. Up to 6.4 seconds delay time, and up to 40 seconds of recording in hold mode. DD7 FRV-1 ‘63 Fender® Reverb The legendary sound of the 1963 Fender® spring reverb in a stompbox. Timeless tube-driven reverb sound with three classic controls for Dwell, Tone, and Mixer for creating sounds from buttery warmth to sparkling Fender® twang. FRV1 ME-25 Multi-Effects Processor Packed with powerful Boss effects to make you sound like a pro. Instant access to dozens of classic and modern effects – simply choose a category, select a variation and play. Customize your sound with simple twists of the Drive, Tone and Volume knobs. Features COSM amp models, plus Super Stack and Phrase Loop. Runs on 6 AA batteries or optional AC adaptor (not included). ME25 Volume Pedals and Wah Effects Ernie Ball Volume Pedal Junior Smooth, great control. Open end design for easy cleaning. Kevlar pulley cable. Designed for use with passive electronics. EB6180 Goodrich Model 120 Smooth, quiet volume control with two outputs. GOOD120 Dunlop Original Crybaby The original vintage wah wah tone — the one that all others are judged against. GCB95 Vox V846 Wah Hand-wired for vintage tone. Vintage specs with new potentiometer design for precise control. Carrying case included. V846 1G and 1B 100 preset programs, 103 types of effects. Edit and save 20 of your own user programs. Up to eight effects simultaneously. SL1G for guitar SL1B . . for bass 2G and 2B Like above with a built-in expression pedal that lets you control a variety of effect parameters, wah and volume. SL2G for guitar SL2B . . for bass Employee Since 1987 See even more effects at elderly.com StompLab Multi-Effects Compact and powerful multi-effects feature easy-to-use controls and a sturdy housing. Built-in chromatic tuner with bypass and mute functions. Operates on batteries (included) or optional AC power supply. Scott Koster 27 www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890

www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890 28 EFFECTS Pedaltrain 2 PT-2SC Pedalboard Holds a wah and a dozen standard size stomp boxes, with plenty of space underneath for power supplies and power strips. Features a tough cordura nylon gigbag, with protective panels to keep your pedals safe. Lifetime warranty. PT2SC Mini Pedalboard Super compact pedalboard is great for the quick weekend gig. Includes soft case and lifetime warranty. PTMINI History, quality and innovation New! B9 Organ Machine USA Big Muff Pi Reissue of the original madein-USA distortion / sustainer. Replicates the familiar appearance and the sweet, singing tone prized by artists from Jimi Hendrix to Carlos Santana and beyond. BMUFFUS Holy Grail Digital Reverb Classic spring, hall and “Flerb” reverb settings with level control. Power supply included. EHNG Fuzz Face Mini Distortion Smaller, pedalboard-friendly version of the Fuzz Face SILICON - Specs are from a 1970 Fuzz Face – prized for its bright and aggressive sound, delivered by its matched BC108 silicon transistors. Rugged blue housing. FFM1 GERMANIUM - Based on a ‘66-’68 era pre-silicon Fuzz Face, famous for warm vintage fuzz tones provided by slightly mismatched germanium transistors. Rugged red housing. FFM2 JIMI HENDRIX MINI - The same thick, smooth Fuzz Face tone that Hendrix made famous. Rugged turquoise housing. FFM3 New! Soul Food Overdrive Transparent overdrive with great touch and response. May also be used as a clean boost. Features boosted power rails to provide abundant headroom and increased definition. Volume, treble and drive controls. Buffered or true bypass operation. Powered by 9v battery or optional AC power supply. EHSF ELECTRO HARMONIX POWER SUPPLY 9.6V power supply for many Electro Harmonix effects including the Soul Food, OD Glove, B9 Organ Machine, Holy Grail and others. US96DC elderly.com See even more effects at Carbon Copy Delay An amazing 600ms delay. MXR169 Dyna Comp Compressor One of the most popular compressor pedals of all time – heard on countless hit recordings. MXR102 Jamman Express XT Stereo Looper 10 minutes of stereo looping time Includes LED's for record, Stereo in/out, true bypass switch, easy to operate. JMEXT Luxe Polyphonic Detune The detune effect from the popular Whammy product line adds positive and negative detune capabilities. Provides consistent thickening to your signal without the modulating side effects of a chorus pedal. 9V DC power supply included. LUXE Ditto Looper 5-minute looping time. Combines all essential looper functions with an intuitive one-button user interface. Features true bypass, analog dry-through design, ultrasmall footprint and 24-bit uncompressed high-quality audio. DITTO Light the fire and cook up some green onions – amazing organ tones from your guitar Fast and flawless tracking, nine presets of the most popular and classic electric organ tones. Features percussive attack level, modulation speed, organ and dry tone controls. Rugged and easy to use. Includes 9.6 DC power supply. EHB9 Ravish Sitar Truly amazing sitar sounds! Transforms your guitar into a sitar with LOTS of creative tone shaping. Power supply included. EHRS New! OD Glove Overdrive/ Distortion Get a grip on your tone! Uses mosfet semiconductors for clipping. True bypass circuitry with volume, tone and gain controls. Includes an internal voltage 9/18 volt switch. Operation at 18V results in a less compressed, more open tone while the 9V setting results in a tighter sound and reduces the current draw to 5mA. Also can be used as a clean boost. Compact diecast chassis, powered by 9v battery or by optional AC power supply. GLOVE Analog-dry-through circuitry for maximum tonal integrity and clarity. Requires 9-V battery or optional power supply. Hall of Fame Reverb Features 10 reverb types, stereo in and out. HOFAME AC POWER SUPPLY Boss 9V power supply. PSA120

AMPLIFIERS Pawn Shop Special Series Quality tone at a great price ChampionTM 20 20 watts, 1x8” Fender® Special Design speaker. Single channel with selectable amp voice. Gain, volume, voice, treble, bass, FX level and FX select controls. Built-in effects include reverb, delay/echo, chorus, tremolo, Vibratone and more with tap controllable delay time and tremolo speed. Black “Bronco” covering with silver grille cloth. FCH20 High speed, amped-up, and loud MustangTM Series Authentic amp models and a huge bank of built-in effects. Equipped with USB connectivity, Ableton® AmpliTube® and Fender® FUSETM MustangTM II 40 watts 1x12” speaker, closed back combo. 24 onboard presets. FMST2 MustangTM I The great features of the Mustang™ II above, but in a smaller 20-watt, 1x8” package. FMST1 FMST1 Retooled and refueled Hot Rod® Blues Junior® Series III Traditional all-tube tone with modern day features. 15 watts, 1x12” speaker, spring reverb and Fat Switch. Mid, bass, treble, volume, and master volume controls. FBJ3 Tougher, louder, and better sounding RumbleTM Series Bass Combos Newly redesigned with features to satisfy the demands of the modern bassist Rumble 40, 100 and 200 feature footswitchable contour and vintage 3-button voicing plus XLR line out with ground lift. Rumble 200 is also equipped with an effects loop and external speaker output. Model Rumble 200 R200 Rumble 100 R100 Rumble 40 R40 Rumble 25 R25 Rumble 15 R15 Stock # Watts E.Q. Speaker Horn 200 4-band Overdive 1x15” Yes Yes 100 4-band 1x12” No Yes 40 4-band 1x10” No Yes 25 3-band 1x8” No No 15 3-band 1x8” No No R100 R200 FC68D ‘68 Custom Deluxe Reverb® Versatile and toneful. 22 watts, 1x12” Celestion speaker, 2 channels (Custom and Vintage) with 2 inputs each. Custom channel includes a modified Bassman® tone circuit, quicker gain onset and reduced negative feedback for greater sensitivity. Controls include volume, treble and bass for each channel with reverb, level and intensity. FC68D ‘68 Custom Princeton® Reverb 12 watts, 1x10” Celestion speaker, 2 inputs. Controls include volume, treble, bass, reverb, tremolo speed, and tremolo intensity. FC68P ‘68 Custom Twin Reverb® 85 watts, 2x12” Celestion speakers, 2 channels (Custom and Vintage) with 2 inputs each. Custom channel includes a modified Bassman® tone circuit. Controls include a bright switch, volume, treble, middle and bass for each channel with reverb, level and intensity. FC68T Live Lite 8, software. FMST2 Ramparte Cool 2-tone chocolate and copper fabric exterior with wheat grille cloth. 9 watts all tube, 1x12” Special Design speaker. Two inputs (Cool and Hot) with separate volume controls, internal speaker disconnect for use with external cabinets. Black top panel and black chicken head knobs. RAMPARTE Vintage Modified® FSR® Series Blends classic styling with some cool new features for the best of old and new. All tube designs with custom-made Schumacher transformers – just like the originals. Series Limited availability Fudge Brownie Awesome looks and chewy tone! Features brown covering with a brown faceplate and wheat grille cloth. ‘65 PRINCETON® REVERB Single channel, 15 watts, 1x10” Jensen speaker. 2-button footswitch and cover included. F65PRFB ‘65 DELUXE REVERB® Two channels, 22 watts, 1x12” Jensen speaker. 2-button footswitch included. F65DRFB Vaporizer 12 watts, all tube circuitry, 2x10” Special Design Vaporizer speakers. Normal and bright inputs, volume, tone and reverb controls, spring reverb. Footswitchable “Vaporizer” mode bypasses volume and tone controls for full strength overload. Single-button footswitch included. Specify Rocket Red, Slate Blue or Surf Green exterior. VAP-(COLOR) 29 ‘59 Bassman® Blondeman Blonde covering and oxblood grille cloth. 50 watts, 4x10” Jensen speakers, two channels. Includes cover. F59BLM www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890

www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890 30 AMPLIFIERS Acoustic Amplification Amazing studio quality guitar tone anywhere THR-5A Acoustic Stereo Amplifier / Recording Interface Combination stereo amp and recording interface with four acoustic microphone simulations (condenser, dynamic, tube, nylon) and one clean amp model for electric guitar. Features 6 on-board effects (compressor, compressor/chorus, chorus, delay, delay/reverb, hall reverb), chromatic tuner, blend/gain control knob. 10-watt stereo, 2x3.15” speakers. Built-in chromatic tuner, Cubase AI recording software included. Uses 8-AA batteries or included power supply. Easy USB connectivity. THR5A Loudbox Mini Small, low-priced powerhouse. 60 watts, 1x6.5” woofer and tweeter. Two channel with independent EQ and reverb, plus two auxiliary inputs and XLR direct output. FLB5 LOUDBOX MINI COVER FLB5SC New! Schertler Reso-Coil pickups for guitar and banjo (See page 56) Jam 100 Versatile, compact, lightweight, and delivers impressive sound. 100-watt biamp power, 1x6” woofer and 1” tweeter. Four channels (two with 1/4” and XLR inputs, one with dual hi or low impedance 1/4” and one with stereo RCA input). 3-band EQ on the three main channels, 2-band EQ on the RCA channel, reverb on all channels, master DI output, built-in pole mount. SJ100 JAM 100 PROTECTIVE GIGBAG SJ100BAG AcoustasonicTM Series AcoustasonicTM 15 15 watts and 1x6” Special Design speaker, XLR and 1/4” inputs with separate volume controls. 3-band EQ with chorus. FAC15 AcoustasonicTM 150 Guitar simulating voicing control for parlor, dreadnought or jumbo. 150 watts, 2x8” speaker and tweeter. Two channels with 1/4” and XLR inputs, independent EQ and effects. Effects include reverb, delay, chorus, Vibratone. XLR line out, built-in kick stand. USB connectivity. Optional 2-button footswitch available. FACS150 Loudbox Artist 120 watts with 1x8” woofer and 1x1” tweeter. Two channels accept mic or instrument inputs, 3-band EQ, feedback controls and effects controls for reverb, chorus, flanger, delay, echo. XLR output on each channel, 48V phantom power, and more. FLB6 LOUDBOX ARTIST COVER FLB6SC Loudbox Performer Seriously good acoustic amp with dual digital effects processors. 180 watts of clean bi-amped power packed into a lightweight package. 1x8” woofer, 1x5” midrange and 1” tweeter. Two channels for mic or instrument with 1/4” and XLR inputs, 3-band EQ, feedback controls and effects controls. Auxiliary stereo input with level control. Effects include reverb, chorus, flanger, delay, echo and slap echo. Balanced XLR DI output on each channel, main mix. 24V phantom power and more. Speakers installed at 10-degree angle for improved monitoring, plus a built-in kickstand. FLB7 LOUDBOX PERFORMER COVER FLB7SC SoloAmp (FSA1) SoloAmp SA220 The SoloAmp provides a complete, highly portable sound system for the solo acoustic musician that yields a rich powerful sound from instrument and vocals. 220 watts, two channels with a vertical array of 6x4” woofers and 1x1” dome tweeter, 3-band EQ, phantom power, four digital reverbs. Includes tripod stand and gigbag with wheels. FSA1 Fishman pickups and preamps ( See page 55) Ultrasound AG-15M Award-winning clean acoustic Ultrasound tone at an affordable price. 15 watts with 1x8” coaxial speaker, single instrument input with feedback filter and shape control, separate mic input with volume control. Effects loop, direct output. AG15M

AMPLIFIERS AC-33 Acoustic Chorus AC or DC operation 15 watts/side stereo, 2x5” speakers, dual channel, reverb, chorus and ambience effects, phrase looper with 40 seconds of record time. Built-in tiltback stand. Powered by standard AC or by eight AA-size batteries. AC33 Mobile AC Acoustic Chorus 5 watt stereo (2.5 watts/side) 2x4” speakers, 1/4” inputs, 1/8” and RCA stereo inputs, 1/8” headphone output. Features chorus and “wide” switches, volume, tone and reverb controls. Operates on 6-AA batteries or optional power supply. MOBILEAC Cube 40GX The great features of the Cube 80GX in a smaller package. 40 watts with 1x10” speaker. CUBE40GX Micro Cube GX Fill it with 6-AA batteries and sling it over your shoulder (strap included). The smallest, feature-packed Cube. 3 watts, 1x5” speaker, eight COSM amps, eight DSP effects, plus the i-Cube Link Apple interface – just like its big brothers. RMCGX-B Mini 3 G2 Pathfinder V-9106 Vintage basket weave covering and diamond grille cloth. 10 watts, 1x6.5” speaker, volume, gain, treble, and bass controls. PATH10 VT-20P Valvetronix Plus Combines great tube amp sounds with cutting-edge modeling technology. 33 amp models, 22 effects. 12AX7 tube driven Vox Valve Reactor circuit, 30 watts, 1X8” speaker, power level control for lower wattage use; gain, volume, master volume, treble middle and bass controls. VT20P AC15C1 All tube and two channels (normal/top-boost). 15 watts, 1x12” Celestion Greenback AC15C1-VRD Limited Production Model (V15VR) speaker, master volume and tone cut controls. Features footswitchable reverb and tremolo (footswitch not included). Classic black basketweave covering with brown Vox diamond grille cloth and chicken-head knobs. AC15C1 AC15C1-VRD Limited production model of the AC15C1 above. Features 1x12” V-type Celestion speaker, British Garnet Red vinyl covering and black grille cloth. V15VR Mini modeling amp with the classic Vox look. Features 11 amp models from sparkling clean to over the top distortion. Built-in effects include compressor, chorus, flanger, tremolo, delay and reverb. 3 watts, 1x5” speaker, removable carrying strap and power supply included. Also runs on 6-AA batteries (not included). VM3G2-CBK Mini 5 Rhythm 5 watts, 1x6.5” speaker and all the modeling power and effects of the Mini 3 G2 above, plus built-in rhythm tracks and metronome patterns – a total of 99 rhythms. Featues tempo/ level controls, start/stop button, builtin tuner. Power supply included, also runs on 6-AA batteries (not included). VM5R AC1RV Rhythm Vox Ultra-small mini amp with a wealth of features never before seen on a mini amp. Based on the popular Amplug Series circuitry, the AC1 delivers great amp tones to a pair of 3” speakers. Builtin rhythm with 66 Rhythm/Song Patterns. Operates on 6 AA batteries (included) or optional power supply. AC1RV Amplug Model AC30 Headphone Amp Just plug in your headphones and plug it into your guitar for hours of jamming! Voiced to sound like the classic tube driven Vox AC30. Runs on two AAA batteries (included). Headphones not included. AMPLUG-AC30 Cube 80GX 80 watts, 1x12” speaker, three channels (JC Clean and Lead) plus 10 COSM amp types. Fully programmable effects, delay with tap tempo and reverb. i-Cube Link jack provides audio interfacing with Apple iPhone, iPad, and iPod (cable included). 3-band EQ plus Presence control, built-in chromatic tuner and more. CUBE80GX 31 www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890

www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890 32 CABLES Instrument Cables Make Fender® Fender® Fender® Planet Waves Planet Waves Planet Waves Planet Waves Quantum Quantum Quantum Quantum Fender® Fender® Fender® Planet Waves Stock# FPSC-10 FPSC-10A FPSC-186 FPSC-186A PWCGT-10 PWCGT-10R PWCGT-20 PWCGT-20R HQ15G GLI-10 Q10 QQ20 FCSPSC-BTWD-10 FCSPSC-BTWD-10A Length Good quality multi-use cables Fender® 10’ Description 10’ Heavy PVC jacket, white straight plugs Heavy PVC jacket, one angled plug 18.6’ Heavy PVC jacket, white straight plugs Heavy PVC jacket, one angled plug Classic Series, single conductor Classic Series, one angle plug Classic Series, single conductor Classic Series, one angle plug Cloth covered, gold straight plugs 10’ Economy grade with lifetime guarantee Best Seller! Nice quality, inexpensive Best Seller! Nice quality, inexpensive 10’ 20’ Better quality performance cables Fender® 10’ 10’ Planet Waves PWAMSG-10R PWAMSG-15 Planet Waves PWAMSG-20R Quantum QI20R Best quality for studio sound Asterope Asterope Asterope Asterope Asterope Asterope Asterope Hosa Hosa Hosa Quantum Quantum Quantum Quantum ABN1-10 ABN2-10 ABN1-15 ABN2-15 ABN1-20 ABN2-20 ABN4-15 FPSC-5 IRG-100 IRG-101 IRG-103 GLI-6 FCSPSC-BTWD-186 18.6’ FCSPSC-BTWD-186A 18.6’ 10’ 10’ 20’ Black tweed covered, straight plugs Black tweed covered, one angle plug Black tweed covered, straight plugs Black tweed covered, one angle plug Geo Tip connectors, one angle plug 10’ Geo Tip connectors, two straight plugs Geo Tip connectors, one angle plug Oxygen free, one right angle plug 10’ 10’ 15’ 15’ 20’ 20’ 15’ Patch cables for your outboard gear Fender® 0.5’ 0.5’ 1’ 3’ GLICR-.5F GLICR-1F Q3 Speaker Cables Good quality Planet Waves Planet Waves Planet Waves Quantum Quantum Quantum PWCSPK5 PWCSPK10 PWCSPK25 Best quality for low noise Quantum SC14-3 SC14-6 SC14-10 SC14-30 5’ 16-gauge premium copper, 10’ 16-gauge premium copper, 25’ 16- gauge premium copper, 3’ 6’ 10’ 30’ straight plugs straight plugs straight plugs 14-gauge wire, straight plugs 14-gauge wire, straight plugs 14-gauge wire, straight plugs 14-gauge wire, straight plugs 0.5’ 1’ 3’ straight plugs 1 straight and one angled plug straight plugs 1 straight and one angled plug straight plugs 1 straight and one angled plug Two XLR plugs – perfect for D.I. Two white jacketed straight plugs Two right angle plugs Two right angle plugs Two right angle plugs 6’ Economy grade with lifetime guarantee Cloth covered, two right angle plugs Cloth covered, two right angle plugs High quality, perfect for patching effects Hosa IRG-101 Shop our huge selection of cables and accessories at elderly.com Top quality sound reproduction for acoustic instruments Taylor V-Cable Asterope Pro-Stage Cables Impressive cables – optimized for live performance Premium cable delivers a broader bandwidth and far greater clarity. Signal is unidirectional from instrument to amp as indicated by arrows on the plugs. Made in Austin, Texas for Fishman. Lifetime warranty. See list above. Great cable for acoustic instruments, features a built-in volume control. 250K - Best suited for acoustic pickups and single-coil electric gutar pickups. VCABLE-250-10 . 10’ VCABLE-250-20 . 20’ Planet Waves PWCSPK-25 Quantum GLICR-1F Quantum QI20R 18.6’ 10’ 10’ 20’ 20’ 15’ Fender® FPSC-10 PWCGT-20 Quantum GLI-10 Fender® FCSPSCBTWD-10

RESONATOR GUITARS Impressive art, exhaustive detail … an incredible book every collector should own Palm Trees, Senoritas… and Rocket Ships! by Mark Makin A tour-de-force that explores the fascinating design world of the Dopyera Brothers and the instruments they produced from 1923 to 1993. Featuring over 1100 graphic illustrations of musical instruments and amplifiers, and more than 100 artists who used them, this is the definitive collection of the developments, designs, colors and engraving patterns of everything produced by the Dopyera Brothers in their various companies – National, Dobro, Supro, Valco, Mosrite, Regal and OMI. Hardcover, 423 pages. 782-1 Attractively priced versions of the time-honored designs of the 1930s D-30MS Nice entry level squareneck. y body and neck, ” aluminum cone with spider bridge, natural gloss finish. k Squareneck RD-52 Black Lightning raditional squareneck, hot-rodded SA-made spun cone. Classic y with gloss translucent ody and neck, tive lightning bolt inlay. reen-holes, nickel plated fan coverplate, tailpiece, and tuners. RD52 CANADIAN 00-SIZE GUITAR CASE Fits most roundneck resonator guitars. GCEV-00 Shop our great selection of USED and VINTAGE resonator guitars elderly.com RC-2 Polished, plain nickel-plated spun cone with biscuit verplate, round mahogany neck with dot-inlaid rosewood fretboard. AlligatorTM oundneck -shape mahogany neck with white binding, weathered poinsettia chrome resonator cover. Sunburst finish. BobtailTM Deluxe tric version of above with y and neck and Fishman Nashville pickup installed. Sunburst finish. Roundneck Squareneck See more Gretsch Resonators and Lap Steels at elderly.com Ampli-Sonic Models BoxcarTM All mahogany model. Soundwell ram ports, spider bridge, ite tuners, semi-gloss finish. 33 y DipperTM oundneck eathered “Pump House Roof” finish, y, V-shaped mahogany uit bridge, chrome-plated hardware, -Tite tuning machines. www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890 Wow!

www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890 34 RESONATOR GUITARS Authentic ‘30s style resonator guitars with etched Hawaiian scene National’s Iconic Brass Bodies NGO14 Style O Polished nickel-plated brass body with F-holes. 12-fret maple neck with ivoroid bound, pearl dot inlaid, profiled ebony fretboard, slotted peghead with shield logo. 91 /2 cone with biscuit bridge, sieve coverplate. NGO 14-Fret Style O Similar to above, but neck joins the body at the 14th fret and features a “chicken foot” pattern coverplate. NGO14 The true classic Tricone Style 1 Tricone Plain polished nickel-plated brass body with domed back and lattice soundholes. 12-fret mahogany neck, grained ivoroid bound ebony fretboard with dot inlay. Slotted peghead with National shield logo decal and vintage-style tuners, three 6” spun embossed cones with T-bar bridge and maple insert. NGT1 12-fret Steel Bodies Remarkable tone and beauty NRP Steel-body with single 91 Single Cone /2” cone. 12- or 14-fret mahogany neck with ebony fretboard, vintage-style tuners. Specify Distressed Steel, Grey-Green Burst, Black-Rust, Black, or Ivory finish. NGNRP . . . . . . . 12-fret NGNRP14 . . . . . 14-fret NGNRP NRP Reso-Rocket Light gauge steel body with cutaway. 12-fret mahogany neck with rosewood fretboard, and slotted peghead. Arched back, lattice soundholes, distinctive grillwork coverplate, all done in a distressed nickel-plated finish for an authentic vintage look. NGNRPRR2 Slimline Pickup A joint effort of National Reso-Phonic Guitars and Villex Electronics. Thin dual-coil magnetic pickup attaches to the top just below the fingerboard. Nickel plated engraved cover. NSLP1 NGRL3 Shop our great selection of new, used and vintage National guitars at elderly.com NGTM1SQ Solid Body Electric NGELTB ador Baritone Baritone voice (tuned C-to-C). NGELTB M1 Tricone Rich, warm tone. Bound mahogany body with lattice soundholes, matching coverplate, ossed cones, ivoroid bound age style engraved tuners. k k NGTM1C . roundneck cutaway Standard ” cone, sieve /2 NGRRWB El Trovador 0s look! Tight waist and deep 4” mahogany body with solid sides, pre-aged hardware. ” resonator y NGO14 Wood Bodies adio-Tone Bend-A-Way away with dual tripleslot soundholes, maple neck, ebony fretboard, verplate, nickel hardware, vintage style tuners. Broad peghead with black overlay and obacco-burst satin finish. NGRTB5 ResoRocket All wood body variation of the Reso-Rocket with a rich wood tone and that big single-cone voice. Reso-Lectric Maple body, 91 coverplate. Active electronics, Highlander saddle transducer plus Lollar P-90 pickup. NGRL3 . . . . . Sunburst NGRL5 . . Transparent Black Raoul Employee Since 1980

RESONATOR GUITARS Workhorse resonator Crafted in USA by National Reso-Phonic L-Body Squareneck Ivoroid bound large modified-D body of all solid woods, motherof-pearl dot inlaid ebony fretboard, cast spider bridge with capped maple inserts. Features Scheerhorn spun cone, soundposts, internal baffle, fan coverplate, dual open soundhole rings, traditional tailpiece, nickel plated hardware and high gloss finish. Hardshell case included. HONDURAN MAHOGANY- Mahogany body and neck, sunburst finish. NSLRG-MAHOGANY FLAMED MAPLE - Flame maple body and neck, sunburst finish. NSLRG-MAPLE ROB ICKES MODEL - Indian rosewood back and sides, spruce top, mahogany neck, natural finish. NSLRG-ICKES Jerry Douglas Blackbeard The choice of many top players A visually stunning, great sounding new guitar from master luthier Paul Beard in collaboration with resonator guitar virtuoso Jerry Douglas. Solid mahogany modified E-style body with open body chamber and baffle – powered by a sand-cast spider bridge and Beard spun cone. Custom coverplate, fabulous bubinga fretboard with Douglas’ signature inlaid and Translucent Black finish. Performance ready with Fishman Nashville bridge pickup. Includes Fishman Douglas Aura pedal and hardshell case. Jerry Douglass Aura Pedal Included JDB1 Vintage R Custom 0s style squareneck with open soundwell. Birch veneer body. Red Sunburst with chrome with black hardware. BVR-RSB . . . red sunburst BVR-RSBC1 red w/ black hardware BVR-VSB . . vintage sunburst BGT3S Mike Auldridge 6 Large E-body 6-string squareneck with maple bound birch body. Open body cavity with soundposts and bass baffle. Ebony fretboard with hearts and flowers inlay, Tobacco Sunburst finish, chrome hardware. BMA6-TBS PBS-8 8-String Bound R-body 8-string made of premium mahogany. Features Beard’s open soundwell design for maximum resonance, and bound rosewood fingerboard. BGT8S . . . . . . squareneck BGT1S TRIAX1 30s-Style – Squareneck TRIAX1SQ Designed by Genuine U.S.-made Beard parts for the highest quality imported resonator guitars available Standard Mahogany Bound mahogany , bound mahogany neck with rosewood fretboard. squareneck roundneck Solid Mahogany Premium grade, all solid y body with curly maple bindings. Diamond pattern fretboard inlay. k Maple Deluxe Bound premium flame maple laminate body, bound y neck with rosewood fretboard and ornate inlay, chrome fan coverplate. BGT3S . . . . . . squareneck BGT3R . . . . . . roundneck AXL Style-1 12-fret tricone, nickel-plated brass body, 3x6” Continental cones. Roundneck guitars with classic looks and sound Style-0 Roundneck, 14-fret brass body, rosewood fretboard, Continental 91 /2 ” cone, “Chicken Foot” coverplate. High-Polished finish. 35 www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890

www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890 36 LAP AND PEDAL STEEL GUITARS, PARTS AND ACCESSORIES Resonator Guitar Gigbags and Cases ACCESS STAGE THREE (AGHT33-00/000) ACCESS STAGE-ONE GIGBAG - Great value. Dense foam padding with wall stiffener, nylon web handles, nylon zippers, accessory pocket, padded shoulder straps. AGB1-00/DOB ACCESS STAGE-THREE GIGBAG - Extra heavy-duty ballistic-style nylon exterior, thick closed-cell foam padding, with wall stiffeners, bridge and peghead protectors, wrap-around nylon web handles, padded shoulder straps, and dualpocket accessory pouch. AGHT33-00/000 GUARDIAN DELUXE HARDSHELL CASE - 5-ply wooden shell with arched top, plush padded interior, leather covered handle. Fits squareneck resonator guitars only. GDGC-DOB CANADIAN (GCEV-DOB) CANADIAN HARDSHELL CASES - Wooden shell with strong arched lid, plush padded interior. Fits squareneck or roundneck models. GCEV-DOB (Black) Squareneck Capos WALWORTH - Nice design. Heavy brass, easy cam action flip lever with tension adjustment screw. WRGC1 GRAHAM METCALF - Innovative design from England. Solid brass with carbon fiber spring. Dual adjusters, simple one hand operation. GMRGC1 SHEERHORN - Heavy brass top bar with a padded pivot arm. Simple flip-action release. SRGC1 NR16 SRC1 Resonator Cones NATIONAL - The “hot rod” cone, spun embossed, 91 /2 ” diameter with swirl-pattern. Includes biscuit bridge. Fits old and new National guitars. NR16 SCHEERHORN - Genuine Scheerhorn spun cone for spider-bridge style resonator guitars. Classic design 109 /16” diameter – may be trimmed down to 101 SRC1 BRC1 BEARD BC-1 - Classic design 109 /16 aluminum cone for spider bridge. BRC1 BEARD BC-2 LEGEND CONE - Beard’s premier triplespun special aluminum alloy cone with modified traditional shape for enhanced lower frequency response and clear bell-like tone. 109 /16 BRC2 ”, typical of many older Dobros. BRC2 /2 ” diameter for spider bridge guitars – may be trimmed down to 101 Favorite Slides and Steels BROZ-O-PHONIC HAWAIIAN STEEL BOPGS SCHEERHORN STAINLESS STEEL - Used by Jerry Douglas. S16 STEVENS STEEL S1 SILICA SOUND GLASS OVER BRASS SLIDE SS113 MOONSHINE CERAMIC SLIDE S243 DUNLOP LAP DAWG TONEBAR S926 More Lap Steels at elderly.com ” diameter spun /2 ”, aluminum alloy, hand spun and shaped to yield clean clear response across frequencies. Beautiful combination of vintage and modern de and innov Asher Electro Hawaiian Junior Solid mahogany neck-thru design, two humbucking pickups. Gigbag included. Specify Black, or Cherry Burst finish. urst) M Style 3 any Top ody with rope-look top trim and rosette. Hollow mahogany neck with fret lines, pearl dot inlay, gold Kluson tuners. GOLD TONE/WEISSENBORN HARDSHELL CASE - Fits Gold Tone 1-SS & 1-SM. Black vinyl exterior with “Weissenborn by Gold Tone” logo, padded plush interior. GCGT-WEISS Original 1920s design A great acoustic lap steel for Hawaiian music 6-String Electric Lap Steel Styled after the vintage Oahu models. ream binding, treble ver, single-coil pickup. “If you own a resonator guitar, you should own the Paul Beard video.” – Mike Auldridge DVD – DOBRO SET UP AND MAINTENANCE by Paul Beard Renowned luthier Paul Beard shows you complete disassembly and reassembly, adjustments to correct buzzes and rattles, modifications and general maintenance for your spider-bridge style resonator guitar. 362-101DVD RG-31 Solid mahogany, pearloid oard, single EMG designed 0 style pickup, volume and tone controls, string-through-body bridge.

MANDOLINS RM-50 and RM-50B A-Models All solid wood entry-level mandolins. Spruce top with tone bar bracing, maple back and sides. RM50 (Sunburst finish) RM50B (Black finish) Economical traditional F-model RM-75SB F-Model ound solid woods: Carved spruce top with f-holes and tone bar bracing, carved maple back and sides, maple neck, rosewood fretboard with y peghead inlay, nickel Sunburst lacquer finish. Great value – nice quality KM-630 ound, handcarved flamed KM-140S One of the best sounding entry-level mandolins you’ll find anywhere. Solid spruce top, laminate maple back and sides, ail neck joint, Sunburst finish. KM-855 KM-150S reat sounding entry-level mandolin. Maple back, sides and neck, spruce top with f-holes, Sunburst finish. KM-1050 KM-252 and KM-256 Carved maple back, carved spruce top with F-holes, bound body and neck. KM252 (Transparent Amber) KM256 (Transparent Brown) Hundreds KM-270 and KM-272 Carved spruce top with oval soundhole, carved maple back and sides, dovetail neck joint. Bound body and neck. KM270 (Sunburst) KM272 (Transparent Amber) of new, used and vintage mandolins in stock KM1050 Josh Swain Master Model, hand-carved Adirondack spruce top, flamed maple back, sides and neck, bound top, back, fretboard and peghead. Radiused ebony fretboard, ornate pearl peghead inlays, ebony bridge. Silver-plated engraved tailpiece, Gotoh reverse tuners, Vintage Sunburst lacquer finish. Radiused ebony fretboard, oce” pattern inlays, Vintage-Burst lacquer finish. one bar braced top, maple neck with radiused rosewood fretboard with stylized extension, rosewood bridge, fernpattern peghead inlay, nickel hardware, and gloss lacquer Sunburst finish. Get a bigger sound from your instrument – fits most A- and F-style mandolins The Tone-Gard Attaches to the back of most mandolins. Holds your mandolin securely away from your body – opening up the sound and improving projection. Used by David Grisman, Ricky Skaggs, Mike Marshall, and many more of today’s mandolin masters. STANDARD - Fits most traditional-size mandolins with 93 /4” to 915 body width. TGM1 . . . . . . . . . . . . sunrise pattern TGM3 . . . . . . . . . . . . . deco pattern LARGE - Fits mandolins with larger 10” to 103/16” body width. TGM4 . . . . . . . . . . . . sunrise pattern /16 ” 37 Employee Since 1994 www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890

www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890 38 MANDOLINS All solid woods, including carved spruce top, maple back and sides, rosewood fretboard and ebony bridge. MD-304 and MD-305 ound top, maple neck, dot-inlaid oard with stylized extension, ailpiece, nickel hardware, Classic satin finish. Padded gigbag included. MD305C (F-Holes) MD305C MD315C MD-315 F-style version with above features. MD-504 A-style, maple neck, dot-inlaid ebony st tailpiece, gloss lacquer vered hard foam case included. MD504CSB MD-505 A-style, all hand-carved solid woods, maple back and sides, spruce top, maple neck, dot-inlaid ailpiece, gloss lacquer vered suspension-fit hard foam case included. MD505CSB MD505CSB (Sunburst Top) MD-604 and MD-605 coustic/Electric A-style, maple back and sides, spruce top, MD605CE ound back, bound maple ony fretboard, bound headstock with Schaller tuning machines, and heavy Coil pickup installed. Gloss lacquer Classic Rich Brown stain finish, deluxe rectangular cordura nylon covered suspension-fit hard foam case included. MD604CE (Oval Soundhole) MD605CE (F-Holes) elderly.com Supreme Solid mahogany top back and y neck, natural finish. Quality entry-level mandolins. All feature rosewood fretboard with pearl dot inlays, adjustable rosewood bridge, Grover tuners, nickel hardware, tortoise pickguard, and antique semi-gloss finish. Standard neck and headstock, solid spruce top, mahogany back sides 2-tone sunburst finish. NATIONAL “HOT PLATE” FOR MODEL ONE - Simple solution for adding a pickup to your National Model One resonator mandolin. Aged brass coverplate with a Lollar single-coil pickup, 1/4” jack, volume and tone controls. Simply replace the coverplate, plug in, and play. NRHP3 New Yorker A-Models M-1 Walnut A unique look based on the rare pre-war alnut back and sides, maple verplate, spiral-embossed spun cone with biscuit bridge. Model One Wood Body Responsive, powerful sound M-1V Maple Maple back, sides, and top. age nickel hardware. Deluxe Electric neck and headstock, solid spruce top, mahogany back, sides and neck, rosewood electric bridge, 3-tone sunburst finish.

MANDOLINS 39 MT-2 A-Model MF F-Model Solid carved maple back and rims, carved Adirondack spruce top with f-holes, tone bar bracing, gold or nickel hardware. Ivoroid binding with purfling around top, back, fretboard and peghead. Radiused ebony fretboard, adjustable truss rod, pearl logo and decorative flourish in peghead. Sunburst gloss finish. Hardshell case included. CAM2-SB Carved solid maple back and rims, carved solid spruce top, ivoroid binding around top only. Radiused ebony fretboard with pearl dot inlays, stainless steel one-piece Collings custom tailpiece. Sunburst satin lacquer finish with polished gloss top. Hardshell case included. MFIG MT A-Model MT Mandola Carved solid maple back and rims, carved solid spruce top, ivoroid binding around top only. Radiused ebony fretboard with pearl dot inlays, stainless steel one-piece Collings custom tailpiece, Sunburst satin lacquer finish with polished gloss top. Hardshell case included. CMTA-IG Handcrafted in Austin, Texas A-5 Deluxe ound, flamed maple sides -piece back, Adirondack red spruce oar specs with tone-bar ony bridge, radiused oard with pearl dot inlay. Engraved ailpiece, Waverly tuners with y pickguard, bound headstock Cremona Sunburst hand rubbed oil varnish finish. Hardshell case included. EA5DLX8 Delightful mandolins from luthier Pava Knezevic, made at Ellis Mandolins in Austin, TX. Player A-5 Model Classic A-style sound. Ivoroid bound figured maple back and rims, Adirondack red spruce top with tone bar bracing, radiused fretboard, snakehead headstock, ebony bridge, traditional polished nickel tailpiece, nickel tuners with ivoroid buttons, Sunburst gloss lacquer finish. Hardshell case included. PPL-SUNBURST S-Series F5S Ivoroid-bound Adirondack red spruce top, ivoroid bound figured maple back and sides, 3-piece maple neck with striped ebony center. Ebony bridge, fretboard and pickguard. Mother-ofpearl dot markers and peghead logo, Schaller tuners with black buttons. Satin Sunburst finish. NFSS-F5S Designed in the USA A-style body with f-shaped soundholes, solid carved maple back and rims, carved Adirondack spruce top with tone bar bracing and ivoroid binding. Radiused ebony fretboard, nickel hardware, Sunburst satin finish with gloss top. Shaped hardshell case included. CMTDOLA-SBIG Handmade one at a time in Polk, PA. Stiver Mandolins elderly.com S-Series Models Maintaining the same level of handcrafted quality and superb tone that Northfield mandolins have become known for, the S-series offers several new features and options with affordability in mind. Hardshell case included. Satin A-Model Classic no-frills A-model. Same construction as above, but with ivoroid bound top and Transparent Brown stain lacquer finish. Hardshell case included. PSA-BROWN S-Series F2S All the great appointments of the F5S above with an ivoroid-bound oval soundhole. NFSS-F2S www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890

www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890 40 MANDOLINS Solid carved spruce top and solid maple back and sides, rosewood fretboard and ebony bridge. Crossover Natural Breedlove O-body shape, solid spruce top, maple back and sides, rosewood fretboard with dot inlay and wide 13/16” bone nut (easier for “crossover” guitar players to play). Rosewood bridge, nickel tuners with black buttons, semi-gloss finish. BCVR-F BCVR-F . . . . . . . F-Holes BCVR-O . . . . Oval Soundhole BCVRB-O Crossover Black Like above, but with black finish. LM-700-VS BCVRB-F . . . . . . . F-Holes BCVRB-O . . . . Oval Soundhole Nice sound, contemporary looks – made in the USA Premier Series Solid carved Sitka spruce top with tone bar bracing, solid maple sides and back with handrubbed semi-gloss Honeyburst finish. Radiused ebony fretboard with pearl dot inlays and, wide 13 /16 ” wide fossilite nut. Adjustable ebony bridge, heavy cast tailpiece and nickel Gotoh tuners. Hardshell case included. F-SHAPE (F-MODEL) BPM-FF . . . . . . . . . . . . . . . . . . . . F-Holes BPM-FO . . . . . . . . . . . . . . . . . Oval Soundhole K-SHAPE (CONTEMPORARY F-MODEL) BPM-KF . . . . . . . . . . . . . . . . . . . . F-Holes BPM-K0 . . . . . . . . . . . . . . . . . Oval Soundhole Bitterroot O-SHAPE (A-MODEL) BPM-OF . . . . . . . . . . . . . . . . . . . . F-Holes BPM-OO . . . . . . . . . . . . . . . . . Oval Soundhole Joe Konkoly Steve Olson WB2C1-F Bitterroot Custom Octave Mandolin Solid mahogany back, sides and neck, X-braced spruce top with oval soundhole. Short 20” scale radiused ebony fretboard with pearl diamond inlays, bound top and neck, fancy peghead inlay, nickel hardware. Ebony bridge, heavy cast tailpiece, Buckskin satin lacquer finish. Employee Since 1987 Employee Since 1989 WB2C4-A More Weber mandolins in stock! Custom F-Model All the great features of above (WB2CA-1) but in an F-model. Bitterroot Custom A-Model Great workhorse mandolin. Adirondack solid ing, solid maple back, sides and neck, radiused ebony fretboard ” nut width and pearl diamond inlay. atin lacquer finish. WB2C1-A oar-inspired F-model with flame maple back and sides. LM220VS LM-220-VS A-Model and neck, dot fretboard inlay, yurethane lacquer. LM-520-VS F-Model LM520VS

MANDOLINS Electric Mandolins Mando-Strat® 4-String Alder body, maple C-shape neck, 24 fret rosewood fingerboard, Fender designed pickup with volume and tone controls, vintage style adjustable bridge with 2 threaded brass barrel saddles, chrome vintage style tuners and 3-ply tortoise shell pickguard. FMST (3-Color Sunburst) 1100 N. Washington Lansing, Michigan 48906 Mando-Strat® 8-String Like above with standard 8-string configuration. FMST8 (3-Color Sunburst) A-8 Semi-Hollow Solid two-chamber mahogany body, solid spruce top, mahogany neck with 24-fret ebony fingerboard, custom RMC transducer saddles and pre-amp, volume, middle, treble and bass control sliders, gold hardware. Natural semi-gloss finish, gigbag included. GA8-NAT Resonator Mandolin Engraved Brass Body Classic pear-shaped design, ornately engraved nickel-plated brass body, maple neck with dot inlaid ebony fretboard. Spun aluminum cone, sieve coverplate, biscuit bridge. Nylon covered rigid foam case included. MA998E Trinity College TM-275 Mandola, TM-325 Octave Mandolin and TM-375 Bouzouki Celtic-style, TC375 solid maple back and sides, solid spruce top, mahogany neck with rosewood fretboard. Hardshell case included. TC275 (Mandola) TC325 (Octave Mandolin) TC375 (Bouzouki) Employee Since 1993 Employee Since 1992 Used & Vintage Mandolins BUY • SELL • TRADE Consignment and Appraisals TOLL-FREE (USA only) 888-473-5810 (517-372-7890 outside USA) www.elderly.com Bob Blackman Jim Jones Your trusted source for … 41 www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890

www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890 42 OPEN BACK BANJOS Open Back Banjos CB-100 1” maple pot with brass rod tone hoop, 24 brackets, Fiberskyn head. Maple neck with rosewood fretboard, ar on peghead, shooting ary tuners, No-Knot ega-style armrest, gloss finish. GTCCOT Take it with you wherever you go BC-350 Bob Carlin 12” maple pot with brass hoop tone ring, 26 brackets, Renaissance head, maple neck with ebony fretboard and peghead with star inlay, Planetary-geared tuners, No-Knot tailpiece, Gold Tone “hotdog” armrest. Beautiful natural gloss finish. GTBC350 Perfectly suited for playing Celtic reels and jigs x. 19 7 CC-Mini 5-String Cripple Creek /8”) for B or C tuning. brackets and brass hoop tone ar-style gears with geared oard with slotted diamond inlays. GTCCM 14” pot with Renaissance head for a great, deep tone IT-250 Irish Tenor Dark-stained maple neck and rim, whitebound ebony fretboard withpearl cloud inlays, fancy peghead inlay, planetary tuners, Whyte Laydie tone ring, Fiberskyn head, No-Knot tailpiece, flat armrest. GTIT250 Wildwood Banjos “Ex Exotic Bubinga ound tropical bubinga neck and rim with wenge wood tone ring and Renaissance head for a clear but mellow oard with diamond inlays y peghead overlay with pearl ildwood logo and abalone vine inlay, planetary y tailpiece, Vega-style ight and smooth, satin oil finish. WILDEX5 We are pleased to offer the Ome line of openback banjos combining time-tested features with modern refinements in technology and design – the newest innovation being a series of short scale, wide fretboard models including the Flora, Wizard, Tupelo, Minstrel and North Star models. FLORAMPL11 See details at elderly.com Old-Tyme Wonder Dark finish maple neck and Little Wonder tone ring (steel hoop inside spun brass sleeve, nickeloard, Fiberskyn head, planetary tuners with geared 5th string peg, No-Knot tailpiece. GTCEB5 We stock many of Gold Tone’s innovative banjos including cello banjos, wood-body banjos, 6-and 10-strings and solid body electrics See www.elderly.com or call for current stock Vega by Deering All feature an 11” diameter 3-ply maple rim, ebony fretboard and peghead overlay, and armrest. Deering’s lifetime warranty and hardshell case included. Vega 2 The flagship of the ega models with a full, rich tone and refined traditional beauty. ubaphone tone ring and bracket band, y maple neck with bound fretboard. Cello Banjo Peghead shape and inlays give these models a historic 1920's-era look. CEB-5 Tuned low to A (aEAC#E) or D (aDADE). Gold Tone loves old time music! They offer a great variety of nice quality, good sounding, affordably priced instruments, assembled with care in the USA from parts manufactured overseas. Complete Gold Tone banjo package • Quality Gold Tone open back banjo with brass hoop tone ring, planetary tuners, maple neck, NoKnot tailpiece • Gigbag, strap, and DVD included

OPEN BACK BANJOS Low-priced starter banjos – made in the USA Deering Great old-time sound Goodtime Open Back ved version of the original Goodtime. 1” frosted plastic head with 16 brackets, maple neck with traditional peghead shape and walnut ar-type tuners, geared 5th peg. GOODTIME GOODTIME Goodtime with Scooped Fretboard GOODSCOOP Classic Goodtime andard Goodtime with shinier antique mahogany stain finish, alled at 7th, 9th and 0th frets, and planetary banjo pegs. Classic with Scooped Fretboard CGOODSCOOP GOODTIME GIGBAG Black padded bag with gold Deering logo embroidery. BCGO-OB Inspired by vintage designs RKOB25 RB-20 5-String 1” diameter composite rim with 24 hooks, beveled tension hoop with flat ega-style armrest, bound mahogany oard and adjustable truss ar-style tuners and friction 5th peg. RKOBH05T Decent no-frills old-time banjos. 1” maple rim with single adjustable rim-rod, maple neck with rosewood fretboard and 2-way able truss rod. Remo frosted head, geared ar-style tuners and geared 5th peg, presto style tension hook pattern and satin finish. RKOBH05T 4-string tenor RB-20T and B-20P 4-String trum versions of the RB20 above. RB-110 5-String 1” diameter multi-ply rim with simple brass hoop tone ring, mahogany ut peghead and adjustable truss rod, dot inlaid rosewood fretboard, planetary averly style tailpiece, capped maple bridge. RB110 Thornburg Small and large gourd models – no two exactly alike Chanterelle Hartel Faithful reproductions of 19th-Century minstrel banjos Fine old-time banjos handcrafted by Mike Ramsey elderly.com Dirty ‘30s Models Madison Great old-timey sound! Features 11”rim with 24 tension hooks, maple neck with dot-inlaid rosewood fretboard and dual coordinator rods, geared nickel tuners, Presto-style tailpiece, dark stain finish. RKOB25 RKOB25OT scooped fretboard SS-10P Pony Travel Banjo Short scale version of the SS10 above, -fret neck designed for open C-tuning. OR PONY BANJO GIGBAG BCSU-PONY Special-design rim requires no tone ring SS-10 Old-Time Open Back 1" diameter rim of 5/8” maple with simple brass hoop tone ring, 18 tension ailpiece. Mahogany neck with ary pegs, geared 5th peg. 43 www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890

www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890 44 OPEN BACK BANJOS Bart Reiter High quality workmanship – excellent old-time sound and feel Unless noted, all feature brass tone hoop. an 11” bent maple rim, lanetar ebony fretboard, Elite Amber head, No-Knot tailpiec Buckbee Squared peghead, walnut ap, scooped fretboard. Specify alnut or Mahogany neck. , mahogany Standard S y neck, dark-stained rim ap, scooped fretboard. fretted, short A-flat scale Special Natural maple neck and rim with ap, fully fretted neck. Round Peak Named for the famed North Carolina music community that y Jarrell, Fred Cockerham y others. Mahogany neck, 12” darkained rim, 26 brackets, and scooped fretboard. Galax Whyte Laydie tone ring – bright and loud Named for the town of Galax, Virginia, host of the renowned annual fiddle and banjo y neck, dark-stained ap, scooped fretboard. Unique designs, great tone Chuck Lee Pure tone, extreme playability, true vintage spirit and Chuck’s unique expression – hallmarks of every Chuck Lee banjo. See our current stock at Whyte Laydie tone ring Regent Natural maple neck and rim with rosewood cap, fully fretted. elderly.com Kevin Enoch Excellent craftsmanship in an affordable, no frills banjo Bacon-style tone ring for a sweet, bright tone Bacophone y neck, dark-stained rim with ap, scooped fretboard for easy playing above neck. Tradesman Black multi-ply maple rim, hardwood neck with Dobson-style rounded heel and graphite reinforcement, ebony or rosewood fretboard. TRM100 12” fretted TRM111 11” fretted Fretless, Flush-Fret, and Half Fretless models are also available – see them all at elderly.com Appalachian Rosewood rim with brass hoop tone ring, mahogany neck with Dobson-style heel, scooped ebony fretboard ebony peghead overlay, Waverly V-2 pegs. CMA-11MAH Excellent banjos in a variety of woods, sizes, and decorative trim. Handcrafted in North Carolina Bungalow All woods from the U.S.A. Curly maple rim and neck, cherry rim cap, peghead overlay and fretboard. Five Star pegs. CMBUNGA-11MPL Super-clean and powerful traditional open back sound in a totally new look – plenty of Nechville’s distinctive style, comfort, and playability. Moonshine EX New Corona Excelsior rim design with tubaphone tone ring, curly maple neck, traditional peghead shape, ebony fretboard with Diamond Blossom inlay pattern. Exotic wood beveled armrest, Nechville tailpiece, Enterprise bridge. Hardshell case included. NMOON-EX The Moonshine is back – now with the Excelsior Heli-Mount Frame

RESONATOR BANJOS Goodtime Banjos Nice U.S.-made student banjos RB-115 Goodtime Resonator y rim, maple resonator, maple neck with walnut bowtie fretboard inlays. brackets, Vega style armrest, ar-style tuners, geared 5th string peg. Brighter, punchier, and louder Goodtime Special Like GOOD2 above, with a nickel-plated steel flathead tone ring. Nice beginning bluegrass banjo. GF85 GOOD2SP GIGBAG - For Goodtime resonator models. BCGO-RES GF-100 Series Mahogany neck and resonator, bell bronze flathead tone ring, triple Goodtime Special Classic ted like the Goodtime Special ve, but with some additional professional vements including planetary tuning gears, railroad spikes are installed at the 7th, ega-style armrest. Black-bound Antique Mahogany stain satin finish. CGOOD2SP nickel-plated hardware, ebony fretboard with Flying Eagle or Hearts and Flowers inlay patterns, ebony peghead overlay. GF100FE (Flying Eagle inlay) GF100HF (Hearts and Flowers inlay) 6-String Banjos Dirty ‘30s Decent no-frills resonator banjo. 1” maple rim, maple resonator, tube and plate flange, rosewood fretboard, geared ar-style tuners and geared 5th peg, Presto-style ailpiece, 24 tension hook pattern, satin finish . Madison onderful bluegrass sound, ial rim design requires no tone ring. Bound maple resonator, tube and plate flange, 24-bracket hook pattern with notched tension hoop, Presto-style tailpiece, armrest. Gold Tone Madison Deluxe 3-ply maple rim with cast bell brass flathead tone ring, bound rosewood fretboard with ornate inlay, bound resonator, one-piece flange, hand-rubbed satin finish. RKRB35 . . maple neck and resonator RKRB36 mahogany neck and resonator 00 Banjitar y tone ring, maple neck oard and guitar-style tuners. Features a sliding magnetic pickup with an easy-access volume control. GT500-STD Goodtime Solona 6 Nylon strings for a sweet, mellow tone. 12” violin rade maple rim, maple neck, rosewood fretboard, ailpiece and bridgeplate with piezo pickup installed. ar inspired peghead, and ar tuners with pearloid buttons. Beautiful natural blonde finish. GOODSOL6 Bridge transducer plus KavanjoTM Deering Phoenix headmounted humbucker, volume and blend controls. Maple rim and resonator radiused ebony fretboard, guitar-style tuners. Hardshell case included. PH6 1” multi-ply rim with simple brass hoop tone ring, y resonator, mahogany able truss rod, dot inlaid ary tuners, geared ailpiece, 24 hooks, armrest. All include maple rim with 1-piece flange, Presto tailpiece, armrest and hardshell case. GF-85 Pre-war style bronze flathead tone ring bound mahogany resonator and neck, rosewood fretboard with ornate inlay. 45 www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890

www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890 46 RESONATOR BANJOS “The Great American Banjo Company” All models feature a 3-ply violin-grade maple rim, slender neck shape with ebony fretboard and two-way adjustable truss rod, planetary gears and nickel hardware. Each is backed by Deering’s lifetime warranty, and includes a hardshell case. Eagle II en” tone ring and 2-piece tion bring a new sound to the Deering line-up. Great value in a professional SA. Maple neck and ound resonator, fancy engraved inlays. Sunflower Professional Models Available in mahogany or maple All feature Deering’s “06” 20-hole bell bronze tone ring and one-piece cast zinc flange. Sierra Deering’s lowest priced professional banjo. Satin finished mahogany or maple neck and bound resonator, ornate engraved inlays. SIERRA (mahogany) SIERRAMPL (maple) A mahogany or maple Deluxe A step up from the Sierra, features gloss finished mahogany or maple neck and bound resonator, and raved white and gold inlays. Exceptional resonator banjo from David and Paul Hopkins Features Kerschner tailpiece, ebony fretboard with railroad spikes at frets 7, 9 and 10. Hardshell case included. Mahogany Standard y neck, quilted mahogany resonator, y Pass rim, Hopkins flathead tone ring, ornate averly 2-band tuners and 5th peg, chrome plated hardware, bound neck and resonator, dual-action truss rod. DPH6 Calico Honey finish figured maple. Tapered resonator walls for better projection. Ivoroid binding and checkerboard purfling around sides of resonator and fretboard. Bound peghead, fancy pearl inlays. CALICO Fine bluegrass banjos by Rob Bishline, handcrafted in the USA See even more great banjos from these and other makers online at elderly.com Fine tone, innovative design – join the Banjo Revolution Heli-Mount tone ring system makes head tensioning a matter of a few seconds. Action height adjusts with an Allen screw. Standard and lightweight models. Phantom Cimarron Bishline’s newest model has a full-weight tone ring and beautiful premium woods. Walnut neck and burled walnut resonator, ivoroid binding, ebony fretboard with pearl inlays, satin finish. CIMARRON Midnight Galaxy Mahogany neck and resonator, radiused ebony fretboard (for playing comfort), Galaxy fretboard inlays. Cyclatronic tone ring with Black Eclipse frame, Enterprise compensated bridge, Nechville straight-pulling tailpiece and comfortable beveled armrest. NMPHANGAL y maple neck and resonator with ain, Stelling patented oard with flower and leaf inlay iln-dried old wood dredged from the depths of ake Superior and turned into a superior tone machine by alled at frets 7, 8, 9 and 10. LFSUN All include hardshell case. Red Fox Maple neck and resonator with light reddish ain. Features Stelling’s patented wedge-fit tone ring on a Tony Pass block rim for exceptional richness and depth. Bound fretboard, maple leaf x on peghead, and railroad alled at frets 7, 8, 9 and 10. LFREDFOX

UKULELES Kamaka Style 1 Models C1KUKE All solid wood ukes with inlaid rosette (black/white/black), oard and bridge, Tusq nut tin decal on peghead. Satin finish. Padded gigbag included. tion tuners; concert and tenor models feature open-gear guitar-style tuners. S1UKE . . . . . . . . . . . . mahogany soprano C1KUKE . . . . . . . . . . . . . . koa concert T1KUKE . . . . . . . . . . . . . . . koa tenor USA-built at the Martin Style 2 Ukuleles Beautiful solid wood ukes feature ivoroid binding with black/white top inlay, black/ white multi-layered single rosette ring, raditional peghead shape al, rosewood fretboard, pearl position dots. Satin finish, and Tusq nut and saddle. Padded gigbag included. Soprano model has uke-style friction tuners, concert and tenor models feature open-gear guitar-style tuners. Koa Models 2KUKE . . . . . . . . . . . . . . . . soprano 2KCONUKE . . . . . . . . . . . . concert 2KTENUKE . . . . . . . . . . . . . . tenor Mahogany Models 2UKE . . . . . . . . . . . . . . . . . soprano 2CONUKE . . . . . . . . . . . . . . concert 2TENUKE . . . . . . . . . . . . . . . tenor Israel Kamakawiwo’ole Inspired by 1T ukes of the ‘40s 0s and honors beloved Hawaiian musician “Brudda Iz.” . Commemorative peghead design features the Martin logo decal, us flower and “IZ” inlaid round. PegHed tuning gears, rosewood fretboard and bridge. Inside label is individually signed by Iz’s wife Marlene and numbered in sequence without total. Includes zippered semi-hard case with embroidered Martin logo. 1TIZ Acoustic/Electric Model Fishman under-saddle transducer installed. 1TIZE UT1K L3K Standard Soprano Laughlin Ukuleles Meticulous, exacting replicas of the great ukuleles of the 1920’s L3K UT-1K Tenor Tenor version of above, but with solid koa top, back and sides. Hardshell case included. HF4 . . . . . . . . . baritone National Resophonic HFD1 . . . . . . . . soprano HF3D . . . . . . . . . . tenor Standard Solid Curly Koa Models The oldest, most respected name in genuine Hawaiian ukuleles Deluxe All solid figured koa, rosewood-bound top with decorative rope purfling and soundhole rosette. Pearl peghead logo, ebony fretboard, planetary pegs with pearloid buttons, gloss finish. 47 Concert NRP 0’s style distressed nickel-plated steel uke, mahogany neck, plain mahogany peghead with block “National” inscribed. Single 6” ale. Hardshell case included. UC-1 Concert eighs barely more than air and sings like a bird. All solid mahogany, oard and peghead overlay. PegHed brand geared tuning pegs, and satin finish. Hardshell case included. www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890

www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890 48 UKULELES Beautifully crafted ukes – Sound as good as they look Striped Acacia acia wood (a cousin koa) decorated with abalone inlay, rosewood binding and vintage-style herringbone purfling. KACT KACT . . . . . . . . tenor KACB . . . . . . . baritone Ovangkol and Spruce All solid wood trimmed top to ottom with dark red padauk wood bindings and fancy pearl inlay. KASOV-C KASOV-T . . . . . . tenor Flamed Maple Spalted flame maple back and sides with a solid Sitka spruce top. Maple neck with rosewood fretboard and bridge, geared tuners with amber buttons, mahogany-bound . Abalone soundhole rosette. KAFMT KAFMC . . . . . . concert KAFMT . . . . . . . tenor Pacific Walnut Bound Pacific walnut top, back and sides. Rosewood oard and bridge, nickel-silver frets, open-gear tuners, satin finish. ano KAPW-S KAPW-C . . . . . . . . concert KAPW-T . . . . . . . . . tenor KAPW-TE Great bass tone and feel U-Bass Rumbler 20” short scale bass on – tuned EADG like a y, 16-fret rosewood oard and bridge. Custom Hipshot oard preamp and built-in tuner with individual piezo elements. Gigbag included. UBRUM U-Bass Mini-Bass Mahogany back and sides with solid spruce top. Custom Hipshot tuners, active Shadow pickup with individual piezo elements and compensated saddles, active preamp with built-in tuner. Gigbag included. UBASS2 . . . . . . fretted UBF2 . . . . . . . . fretless Ukulele sizes Ukuleles come in four sizes: SOPRANO, CONCERT, TENOR, and BARITONE. . . . tenor with pickup Exotic Mahogany Figured mahogany body, ound top and back, mahogany neck, rosewood bridge and fretboard, geared tuners. Aquila strings and a light gloss finish. KAEM-C KAEM-T . . . . . . tenor Uke Scale / Body Width (Approximate) Soprano: 13”-14” scale / 6”-61 /2 Concert: 15” scale / 71 Soprano, concert, and tenor ukes are usually tuned GCEA, with the G string being a 5th up from the C string. This tuning – often called “reentrant” tuning – contributes to the unique sound of the uke. Some players prefer “Low G” – or “linear” – tuning, which requires a heavier (usually wound) low G string. The baritone uke is tuned like the highest four strings of a guitar, DGBE (linear). A more in-depth look at ukulele tunings and sizes can be found at http://www.elderly.com/info/ ukulele-sizes.html or by scanning the QR code at right. /2 Tenor: 17” scale / 9” wide Baritone: 19” scale / 10” wide ” wide ”-8” wide KAJSB KABNJO-C Archtop Tenor Beautiful archtop and archback design with f-holes. Mahogany back and sides, spruce top, pearloid binding on body and oard, palm tree pearl inlay at 12th fret. Shadow pickup installed, satin finish. obacco Sunburst KAJHB . . . . . . . Honey Burst Banjo Ukulele Classic open back banjo-uke with brass hardware, bound neck with rosewood fretboard, Remo Weatherking head, and geared tuners. Black satin finish. Gigbag included. KABNJO-S . . . . . . . soprano KABNJO-C . . . . . . . concert

UKULELES Intonation problems are a thing of the past with the new TunaUke system Each features a compensated nut and individual adjustable saddle pieces which allows for perfect intonation on every string, every time. Mahogany Models All mahogany construction, white top and back binding, dark stained Nato oard, geared tuners with plastic buttons. sopr LUTU-21C . . . . . . . . . . . concer lLUTU-21T . . . . . . . . . . . tenor LUTU-21B . . . . . . . . . . . baritone Solid Spruce Top Bound mahogany back and sides, 12-fret oard, geared tuners with black plastic buttons. Good, bright sound. soprano SPTU-C . . . . . . . . . . . . . concert SPTU-T . . . . . . . . . . . . . . tenor SPTU-B . . . . . . . . . . . . . baritone Thinline imited edition thin body uke features solid spruce top with Okume back and sides. Stunningly appointed with abalone rosette top and back purfling, ustom rope-style binding and backstrip. SOTTU-T . . . . . . . . . . . . tenor Makau Series Handcrafted in Hawaii of all-solid premium koa Haleiwa Soprano Crafted using the top 1% of koa harvested from the slopes of Mauna Kea and Mauna Loa – a true legacy instrument made to perform and last for centuries. Radiused koa top with Alaskan Sitka spruce braces and radiused back for tone and projection. Rosewood fretboard and bridge, abalone inlay, geared tuners with black buttons, hand-rubbed oil and wax finish. Hardshell case included. LMSH-SOP Solid Spruce Top y back and sides, solid spruce top. Black binding, pearl top purfling, rosette, gold geared tuners, gloss finish. LKSUSB-T . . . . . . . tenor Koa Series Attractive koa with black binding, mother of pearl top fling, rosette and block inlays. Gold geared tuners and gloss finish. ano t LKTEU . . . . . . . . . . teno Mahogany All mahogany construction, rosewood fingerboard and bridge, chrome geared tuners. Bound neck and body. LMU-T . . . . . . . . . . . tenor LMU-B . . . . . . . . . baritone 49 Sailor Jerry Concert Uke A must have for tattoo fans, uke collectors and lovers of vintage Americana Celebrates the legendary tattoo artist Norman “Sailor Jerry” Collins, the father of traditional American tattooing, with classic flash tattoo designs on the top and back. Mahogany body, rosewood fretboard and bridge, chrome geared tuners. LUSJ-C UkeSB USB-equipped ukes with Fishman electronics – truly the instrument of the 21st Century www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890

www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890 50 UKULELES We also carry ukuleles by these and other fine makers … Leho • Nalu • Kanile’a • Loprinzi • Kiwaya • Zimnicki • Oscar Schmidt • Makai • Kohala • Gretsch® Even more at elderly.com Firefly Banjo-Uke Remo Acousticon frame, detachable walnut neck, 16 frets, pearl inlay, Grover tuners, Renaissance head. Gigbag included. Madison Banjo-Uke ” frosted head and /4 KU-650 Baritone Uke raditional baritone ukulele, all solid woods, mahogany top, back, sides and neck, sealed gear mini guitar-style tuners, one nut and saddle, gloss natural finish. Sweet soprano banjo-uke features a maple rim with 61 0-hook pattern, maple neck, 20-fret rosewood oard, open gear tuners, single rim-rod, nickel hardware, stained satin finish. RKU25 Ignacio Suarez CHA3 Planetary Uke Tuners Set of 4 geared tuners for smooth and stable tuning. Satin chrome with white butterbean-style buttons. UPTCWWB 10-String Charango raditional nylon-string Andean instrument made in Bolivia. Single piece y and neck, with spruce top and ebony y marquetry rosette and top purfling. Carrying bag included. EU3-CON EU3 Ukuleles Solid mahogany body and neck, rosewood fretboard, bridge and binding. Grover tuners, gloss finish, hardshell case included. EU3-SOP . . . . . soprano EU3-CON . . . . concert EU3-TEN . . . . . . tenor Guitalele Guitar/Uke Half guitar, half uke – a mini 6-string guitar that is sized like a baritone uke. Six nylon strings tuned up a fourth (ADGCEA) from standard guitar tuning. Features meranti back and sides, spruce top, rosewood fretboard and bridge. Specify Natural or Persimmon Brown finish. Gigbag included. GL1 . . . . . . . . . . . Natural GL1PB . . . . . Persimmon Brown Ukulele Pickups K&K BIG ISLAND PICKUP Single piezo disc soundboard pickup attaches with doublesided adhesive, wired to 1/4” endpin jack. KK13 KK14 K&K ALOHA TWIN PICKUP Like above, but with dual disc transducers. KK14 LRB50 LR BAGGS “FIVE.O” PICKUP SYSTEM Under-saddle Baggs “Element” mini preamp with a 1/4” endpin jack, soundhole-mounted volume control. LRB50 MI-SI ACOUSTIC TRIO PICKUP SYSTEM Innovative system incorporates Baggs “Element” pickup with a rechargable active preamp. Charges in 60 seconds for 8 hours of playing, charger included. MSAT5 MSAT5

HARMONICAS AND ACCESSORIES Diatonic Harmonicas Chromatic Harmonicas Diatonic 10-hole harmonicas with 20 reeds tuned to produce the natural notes of the scale without sharps or flats. Each hole produces two different notes. Model Name The Old Standby Big River Harp Marine Band Special 20 Blues Harp Golden Melody Marine Band Deluxe Crossover M2013 Comb Keys Stock # A, C, G, D plastic plastic pearwood plastic wood plastic All All All All All sealed pearwood All sealed bamboo All HO34B HO590 HO1896 HO560 HO532 HO542 HOMBD M2009 Great feel, playability and volume New! M2013 Rocket A souped-up Special 20 with rounded comb edges and hole openings for a smooth feel. Features fully recessed reedplates with forward-shifted coverplate screws for an airtight seal. M2013 . . . . . . . . . All Keys Blues Band 7-Harp Set (BBH7) Blues Band Set Set of 7 Blues Band harmonicas in the keys of A, Bb, C, D, E, F and G, all in a zippered case. BBH7 NO RETURNS ON HARMONICAS! Health and sanitary regulations prohibit us from accepting any mouth blown instrument returned for exchange or refund – they must be returned to the manufacturer for repair or replacement. Chromatix Excellent quality, pro-level chromatics. SCX48 . 12-Hole SCX64 . 16-Hole Harmonica Microphones VET SVET Nice gnarly tone. SVET SHRR Major Diatonic Extra responsiveness, quality construction. LOM Fantastic clear, full sound Seydel Harmonicas Blues Session Steel (10-Hole) German silver reed plates, long-lasting stainless steel reeds and superior airtight construction. Specify key. SESS 7PHC Harmonica Accessories HOC7 7-Harp Leatherette Case Compact bi-fold case for seven 10-hole harmonicas. 7PHC 7-Harp Carrying Case Rigid foam shell with space for 7 harps. Nylon covering with zippered closure. HOC7 SM520DX Green Bullet The old favorite for that Chicago-style tone. SM520DX Flex Rack Harp Holder Fully adjustable for height, angle and position. Locking joints never slip. Holds harps up to 7” wide. Nice rack. MZ2010 Harp Holder Holds most 7” wide diatonic harmonicas. Nice and sturdy. HM22 HM22 More harmonicas and accessories at elderly.com Retro Rocket Crystal element for a hot bluesy sound. SHRR Madcat Natural acoustic sound. MADCAT SHM300 Dynamic Best value. Hot, thick blues sound. SHM300 MADCAT SMH300 Complete octaves with all the sharps and flats. Each single hole contains four reeds: button selects between two blow and two draw reeds. Educator 10 by Hohnica Good value, low-priced 10-hole chromatic made for Hohner in China. Clear, powerful sound without valves. Zippered case included. Key of C only. M1040-C HO270 Super Chromonica (12-Hole) HO270 . . . C, D, G, A, (Bb, B, E, F special order) Super Chromonica Deluxe Fully sealed wood comb, improved round hole mouthpiece. Slide assembly can be reversed for left-handed players. HO7540 . . C only HO7540 51 MZ2010 www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890

www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890 52 AUTOHARPS® OS11021LTDEHSB AND ACCESSORIES ® OS21C Entry Level Models Berkshire OS15B . . . . . . . . 15-Bar All Autoharps® are covered by a five-year warranty and include tuning wrench, tuning tips, and picks. Professional Series Features fine tuning system. Adirondack – Solid Spruce Top Natural finish, imitation abalone inlay, cream binding, Sunburst birdseye maple back, high gloss finish. OS12021 . . . . . . 21-Bar OS11021AE Ozark Deluxe – Solid Spruce Back Tiger maple top, pickup, Honey Sunburst gloss finish. OS11021LTDE-HSB 21-Bar Americana – Solid Spruce Back New chord lineup – key of E added and improved key of A with bluegrass, folk, and old-time styles in mind. Magnetic pickup installed. Sunburst satin finish. OS11021AE . . . . 21-Bar 1930s Reissue Vintage-style “A-model” stringing system with modern chord bar assembly and flip-open endpin cover. Black satin finish. OS73C OS73C . . . . . . . . 21-Bar Oscar Schmidt® Parts & Accessories Most of the parts and accessories listed here are supplied to us directly by Oscar Schmidt. We have most in stock; others are easily available by special order (allow 6-8 weeks for delivery). Chord Bar Felt Self-sticking white felt strips. Stick the whole strip to the bar, cut the felt out where you do not need it. Bar width is the first dimension below, felt height is the second, length is third. 10-, 12-, 15-BAR FELT, SHORTER - Approx. 1 /4” x 3/16” x 101 FELT-15 /4” x 1 /4” x 101 FELT-14 21-BAR FELT - Approx. 3/16” x 1 FELT-21 /4 ”. FELT-732 Springs for under bars 10-, 12-, OR 15-BAR SPRING SPRING-15 21-BAR SPRING SPRING-21 Chord Bar Holders Sold in pairs with springs included. 15-BAR HOLDER WITH TOP - 11 with cover. Black plastic. HOLDER-15PR 21-BAR HOLDER - White plastic. HOLDER-21PR /4” tall /4” x 91 21-BAR WIDE FELT - Approx. 7 x 91 /4 /32” x 7 ”. /32 ” /2 /2 ”. 10-, 12-, 15-BAR FELT, TALLER - Approx. 1 ”. Blank Chord Bars To make your own custom chords. Includes bar, blank button, and felt. 12-, and 15-BAR AUTOHARPS BAR-15 21-BAR AUTOHARP BAR-21 Chord Buttons 15-BAR SET - All 15 chord buttons. AB-12/15-SET 21-BAR SET - All 21 chord buttons. AB-21-SET UNPRINTED BUTTON - For most 10- 12or 15-bar Autoharps. AB-12/15-BLANK UNPRINTED BUTTON - For 21-bar. AB-21-BLANK Complete Chord Bars With pre-cut felts and printed buttons. Special order — available only in the standard chords provided on new Autoharps. 12- and 15-BAR AUTOHARPS - Specify chord. BARB-(chord) 21-BAR AUTOHARPS - Specify chord. BARC-(chord) Conversion Kits Pre-felted bars (black felts), buttons, springs, and chord bar holders — everything you need to recondition an old Autoharp. Repositioning of the chord bar holders may require drilling new screw holes. Specify 15-bar or 21bar kit, also available with uncut felts. CONVKIT-15 CONVKIT-21 Fine Tuning System Replacement for string anchor. Lets you make precise tuning changes easily with included Allen wrench. Brass with black anodized finish. AA8 Pickup Slides under chord bar assembly. Volume and tone controls mount to side of chord bar cover (21 bar) or holder (15 bar). 1/8” output jack, cord included. AP442 Tuning Wrenches T-STYLE HDA4 GOOSENECK-STYLE HDA5 HDA4 HDA5 Pins ZITHER TUNING PINS HDA1 DESK (HITCH) PINS HDA2 Hammers, piano wire, stands, and more in stock at elderly.com HDA1 HDA2 OS150FCE Slider Autoharp Strap Spreads weight across your back. Specify black, or brown. SLS2 ACCESSORIES for Dulcimers and Autoharps Dandy Duster Static-free dusting brush for hammered dulcimers, Autoharp, and more. Soft 4” hog bristles, handturned wooden handle. DD15 OS45C Classic Sunburst gloss finish. OS21C . . . . . . . . 21-Bar Classic Electric Like above with pickup installed. Sunburst gloss finish. OS21CE . . . . . . . 21-Bar Appalachian Natural finish spruce top with flower-shaped soundhole, cream binding, black sides, Sunburst back. OS45C . . . . . . . . 21-Bar Appalachian Electric Like above with magnetic pickup. Natural finish. OS45CE . . . . . . . 21-Bar Flame Top Electric Tiger maple top, brown binding, no soundhole for decreased feedback. Sunburst gloss finish. OS150FCE . . . . 21-Bar Cases and Gigbags OSCAR SCHMIDT HARDSHELL CASE - Oblong, with brown covering. ACOS-HS PADDED GIGBAG - Black Cordura, detachable shoulder strap, accessory pocket. ACOS-GIG F

DULCIMERS AND MORE BMT58DLX Lap Dulcimers Nicely made, nicely priced Model 58 Deluxe Great value! Shorter scale and adjustable string spacing for versatility and ease of playing. 32” long hourglass shape body with solid cherry back and sides, solid redwood top with heart-shaped soundholes, rosewood fretboard with pearl position dots. BMT58DLX BLACK MOUNTAIN DULCIMER GIGBAG For 50-series dulcimers. 34”x101 /2 ” padded bag of heavy duty black nylon with accessory pocket, web handles, shoulder strap. DGB50 FRD550S Folk Roots Made in the U.S.A. D-550S 18 frets includes a 61 /2 fret. 36” long 4-string with traditional scroll peghead. Solid walnut back, sides, solid spruce or walnut top, heart-shaped soundholes. FRD550S (spruce top) M4FGWW Handmade in the Ozarks – many models in stock 4FHWW Walnut 4-string. Hourglass shape with flat peghead. Solid walnut back, sides, and top. Embroidered gigbag included. M4FHWW Hammered Dulcimer Stands JAKE’S CABIN BASSWOOD STANDS Highly portable, light weight, and sturdy. Made in the USA. SITTING - Holds lower edge of dulcimer approx. 24” high. JCDS1 STANDING - Holds lower edge of dulcimer approx. 35” high. JCDS2 Lap Dulcimer Picks Nylon triangle shape. Each point a different gauge. HPK1 (lt. gauge, yellow) HPK2 (med. gauge, red) HPK3 (heavy gauge, blue) Merlin A dulcimer inspired, 4-string diatonic instrument (tuned DADD) – held and strummed like a guitar. Features 3-piece maple body with neck-through design, solid spruce or mahogany top, Tusq string-through body bridge with compensated saddle, open-geared tuning machines, semi-gloss natural finish. MERLIN-M (mahogany top) MERLIN-S (spruce top) Lots of dulcimer songbooks and instructional material in stock at elderly.com Appalachian Dulcimer Strings D’ADDARIO - Nickel, .012 .012 .014 .022w J64 GHS STEEL - Stainless steel, .012 .012 .012 .020w D20S GHS SQUEALESS - Bronze, .012 .012 .014 .024w D20MBS JOHN PEARSE - 80/20 Bronze, .009 .010 .012 .023w JP5000 MARTIN - Nickel, .012 .012 .012 .022w M640 Mountain Dulcimer Capos EWING - Great looking capo adjusts to fit all fretboard widths. Solid maple, with brass screw, decorative brass dot inlay. Specify Cherry or Walnut cap. EDC1 WALWORTH - Simple to use brass cam lever design easily adjusts to different fretboard widths. WDC1 EDC1-CHER Mountain Dulcimer Cases & Gigbags All fit teardrop and hourglass shaped dulcimers. MCSPADDEN GIGBAG - Heavy-duty generously padded navy blue nylon bag. Handy storage pockets and backpack straps. MCDC FOLKCRAFT HARDSHELL CASE - Oblong wooden shell, plush padded interior. Fits instruments up to 391 /2” long and 73 wide. DCFC Jake’s Cabin Dulcimers Meadowlark Great sound – our most popular model 25 courses (13 treble, 12 bass). Laminate Baltic birch top, Baltic birch back with hole/handle for easy carrying, walnut bridges and hard maple pin block. Tuning wrench, instruction book and gigbag included. CFML Dulcimer Hammers More hammers to choose from at elderly.com WEIMER “CELTIC KNOT” - 8” maple blade. JW30 WEIMER “SWIRL” - 73/4” long, nicely cut design. JW35 WEIMER “HUMMINGBIRD” - 8” long, well-crafted. JW34 JW30 JW35 JW34 /4 ” DCFC 53 HPK3 EDC1-WAL WDC1 www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890

www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890 54 BODHRANS, WHISTLES, PERCUSSION, MORE Bodhrans Traditional Irish drums 18” Internal Tunable Bodhrans MODEL 4 - Double crossbar and single goatskin head. TBOD4 MODEL 5 - Single goatskin head worked extra soft. TBOD5 TBOD5 WALTONS BODHRAN CONDITIONING CREAM - Helps maintain goatskin. BCC BODHRAN TIPPER, CENTER RIBS - 9” long, approx. 1.6 oz. IBB561 Everything you need to get started Waltons Bodhran Gift Pack 15” Waltons handcrafted bodhran with a real goatskin head and Gaelic Cross design. Includes tipper, carrying bag and instructional DVD. BGP15CC Hand Percussion Gourd Piano 12-note thumb piano (Kalimba). Resonant wood soundboard nicely joined to a gourd. CGP12MS Guiro (Fish) Traditional wooden guiro with a wooden scraper. RG1 Catpaws Cherry Wooden Spoons Bounce ‘em between your leg and the palm of your hand. CP1 Rhythm Ring Hands-free shaker effects. RRS1 RRS1 Chicken Shakes To make a musical omelet, you gotta shake a few eggs! Plastic egg fits in palm of your hand. CKS1 CG12MS IBB561 Jaw Harps Basic JH1 (soprano) JH2 (alto) JH3 (tenor) JH2 Whitlow Stainless steel body and tongue. Can be played hard with little buzz. Lifetime guarantee. Specify LOWD, F, D#, F#, E, G, G#, B, A, C, A#, C#, High D, Low A, Low C, or Low G. JH4-(KEY) Szilagyi Handmade and precisely tuned by Hungarian master Zoltan Szilagyi. SJH1 BLACK FIRE - Stiff reeds for excellent tone and powerful low register. Specify A, E, G, D, F, C, Low A, Low G, or Low D. SJH2-(KEY) BGP15CC AZTEC MINI - Flexible, springy reeds for more tone in the mid and upper registers. Specify key of A, C, D, or G. SJH1-(KEY) Pennywhistles Generation Nickel plated with blue plastic mouthpiece, or plain brass with red plastic mouthpiece. Made in England. KEY G F RG1 Eb D C Bb Whamdiddle Rhythm Bones Crafted in the USA from cherry, cedar, poplar, maple, oak, or walnut – each wood has a tone all its own. Sold in pairs, instructions included. WBD-(WOOD) CKS1 CP1 Shaw WBDCHERRY It’s back – and better than ever! Porchboard Bass An amplified low frequency rhythm instrument that uses the natural technique of foot tapping to produce playercontrolled bass beats – more percussive than bass guitar and more resonant than bass drum. When combined with an accompanying guitar, the Porchboard gives the impression that the bass notes are changing. A quality bass amplifier is recommended. Micro Model Composite board with an embedded low frequency sensor. Measures just 10” x 8” x 3” – a perfect size for one foot. 1/4” and XLR outputs may be used simultaneously. PBMICRO2 RP Model Larger version. 181 for two feet. RPPB2 See our selection of bass amps in this catalog, and more online /2” x 101 /4 ” x 3” – plenty of room Lots of assorted hand percussion in stock– cajons, djembes, maracas and more! Shop from our complete inventory online now at elderly.com Handmade in England by Dave Shaw. Solid nickel, conical bore, carved wood mouthpiece, breathy sound. STOCK # STW-E STW-D STW-C STW-A STW-G KEY E D C A STW-LOWD low G low D NICKEL GTW1 GTW2 GTW3 GTW4 GTW5 GTW6 BRASS GTW7 GTW8 GTW9 GTW10 GTW11 GTW12 JH4

ACOUSTIC PICKUPS AND PREAMPS MatrixTM Platinum EQ Perfect EQ for all instruments. Platinum Pro EQ / DI Preamp, EQ, electronic tuner, direct box and volume boost housed in a rugged stompbox design. Features include a high-headroom preamp, 5band EQ with mid and low frequency filters, phase control and notch filter for feedback control. Adjustable compressor, foot-switchable chromatic tuner with high-contrast display, foot switch activated adjustable volume boost. 1/4” input and output, balanced XLR DI output and effects loop. Runs on a single 9-volt battery or Fishman 910-R AC-adapter (not included). FPPEQ Platinum Stage EQ Great belt-clip preamp / EQ features 4-band EQ with mid and low frequency filters, phase control, volume boost switch with level control. 1/4” input and output, balanced XLR DI output. Belt clip included. Runs on a single 9-volt battery, 48-volt phantom power or Fishman 910-R AC-adapter (not included). FPSEQ Aura® Acoustic Imaging Extremely versatile, fully programmable Aura® 16 Pedal Based on Fishman’s award-winning Aura technology to eliminate intrusive stage noise and expensive microphone setups. Pre-loaded with 16 dreadnought images, but can be easily replaced with 16 images from the ever-expanding library of over 800 Aura Images using the Aura Image Gallery, your computer and the included USB cable. FAP16 Aura® Spectrum DI The complete tone solution for acoustic musicians. Loaded with 128 images and features 16 userconfigurable presets, built-in 3-band EQ, compressor, and chromatic tuner. Access an expanding list of instruments recorded using world-class studio mics and techniques with the Aura Image Gallery software included. FASDI FGII Basic Belt-Clip Preamps Acoustic Preamp II Lightweight, clean and transparent sound. Active bass and treble controls. Specify for guitar or bass. FGII (for guitar) FBII (for bass) FPEQII Pro-EQ II Guitar Preamp Advanced version of the Model GII. 4-band EQ, brilliance, bass trim, phase and gain controls. FPEQII FMP300 V200 Violin Family Pickups PRO VIOLIN 1/4” jack attaches to violin like a chinrest; pickup attaches to bridge. V200 BASS Brass clips hold two transducer elements to bridge. Output jack attaches to D and A strings near tailpiece. Includes cable. BP100 BP100 FMI MatrixTM Infinity Pickup The popular under-saddle element coupled with a preamp endpin jack, and soundhole mounted volume and tone controls. Two switchable voice settings for different acoustic guitar styles. Specify 1/8” or 3/32” saddle width. FMI 55 Ellipse MatrixTM Blend System The Ellipse Blend – a combination preamp and control unit which mounts conveniently inside the edge of the soundhole, with an attached soundhole microphone – plus the Matrix under-saddle element. The two signals can be blended onboard to create the perfect acoustic sound. Professional installation recommended. Specify 1/8” or 3/32” saddle width. FEMB FEMB Rare Earth Active Soundhole Humbucker Incredible tone and sensitivity. Neodymium element forms the magnets. Padded clamp installs securely and quickly. Stacked coil with volume control added. FREP2 Archtop Bridge Pickup Multi-piezo element. Natural acoustic sound, requires no modification to your instrument. AT100 Rare Earth Banjo Active humbucking stacked coil pickup clamps onto the coordinator rods and senses the movement of a metal shim which is attached to the underside of the head. FREP6 FREP6 Mandolin Pickups Complete traditional-style replacement bridges with embedded piezo-ceramic element. 1/4” jack included. Reproduces your mandolin’s natural acoustic tone. ADJUSTABLE EBONY FOR ARCHTOPS FMP300 FIXED ROSEWOOD FOR FLATTOPS FMP400 FREP2 AT100 www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890

www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890 56 ACOUSTIC PICKUPS AND PREAMPS Pure Mini DYNM For steel string acoustic guitars, three mini transducer discs which are glued to the bridge plate. Preamp recommended. KK3 PURE MINI WITH VOLUME CONTROL KK3V with volume control PURE MINI WITH VINTAGE JACK Install without altering your instrument. Specify brass or steel jack. KK3VJ KKDS1 Definity System Designed for acoustic instruments with a floating bridge – especially good for Maccaferri and Selmer style guitars, bouzoukis, even cellos. Ultra thin compression pickup for wedged applications under a bridge foot. Features an outboard preamp that focuses and strengthens the output signal and includes an internally or externally mounted endpin jack. KKDS1 Mandolin Twin Two small disc transducers attach to the underside of the top with peel-and-stick tape. Specify internal or external jack. KK8-INT KK8-EXT Banjo Pickup Two mini transducers mount to the underside of the banjo head beneath the bridge. KK5 KKP1 Pure Preamp Small, rugged, belt-clip preamp with volume, gain, bass, mid and treble controls, 1/4” input and output. Runs on 9V battery. KKP1 FLATTOP ACOUSTIC GUITAR GF30 Great natural sound – for all stringed instruments Includes endpin jack and mounting instructions. Professional installation recommended. SRS2 SRSB1 Soundhole Microphone Mini Condenser Mic Adjustable pole pieces Sunrise Soundhole Pickup Premier acoustic guitar soundhole pickup. Includes installation kit of endpin jack and mini-jacks, which allows for easy removal. SRS2 Sunrise Soundhole Pickup – “Long-Wire” With Jack 22” lead wire with a 1/4” jack attached – use when you prefer not to structurally alter your guitar. SRS1LWJ Sunrise Buffer Box / Preamp Compact outboard line matching buffer box. Mono 1/4” input and output. SRSB1 Nice quality unidirectional mic minimizes feedback. Microphone is attached to a thin gooseneck and wired to a 1/4” mono endpin jack. Professional installation recommended. A137 A137 RESONATOR GUITAR BRF50 biscuit bridge SRF40 spider bridge MANDOLIN MF200 BANJO BF60 KK5 DYN-M Electro Dynamic Mic Top quality dynamic contact microphone disc transducer, attaches to the soundboard with special adhesive putty. Balanced low-Z signal, integral 6-foot cable with XLR plug. For external installation only. DYNM for mandolin DYNG for guitar Reso-Coil Internal Pickups The noteworthy Schertler DYN series technology. Contact microphone prewired in a package designed for permanent internal installation. Strong natural response. Professional installation recommended. BANJO Sensor attaches to the underside of the banjo head with double-sided adhesive and. Prewired to KK8-EXT an XLR jack which mounts on the flange for resonator banjos or on the inner edge of the rim on open-back banjos. Use a standard mic cable or an XLR-to-1/4” conversion cable. SRCB1 GUITAR Pickup prewired to a standard 1/4” endpin jack. Low-Z output SRCMG1 GF30 SRCB1 Artist Transducer Small, round, stick-on piezo pickup, constructed out of maple. Includes cord pre-wired with 1/4” plug. Easy to use, good sounding basic pickup. DMAT

ACOUSTIC PICKUPS AND PREAMPS LRBM80 M80 Electromagnetic pickup with enhanced 3D body vibration sensors. Features an active/passive mode switch, adjustable pole pieces, battery check light, built in gold plated 1/8” jack, prewired 1/4” strapjack. Great sounding and easy to use. Uses 3V lithium battery. LRBM80 M1 Great sounding passive pickup with body sensors. Quiet, hum-free and feedback resistant with adjustable pole pieces, built-in gold plated 1/8” jack. LRBM1 M1 Active Active version of the M1 above with internal preamp/line driver and built-in volume control. LRBM1A Element Active System System includes Element undersaddle transducer, a pre-contoured all-discrete Class A endpin preamp, and small battery bag. Uses single 9 volt battery. BEAS BEAS2 . . with volume control BATTERY BAG Holds 9V battery. BBAG GOLD BUTTON FOR ENDPIN JACK BGJB Three Dimensional Violin Pickup Pickup element cast into a high quality bridge senses all three dimensions of bridge motion for warm, sensitive, balanced sound. 1/4” carpenter jack included. LBV Radius Mandolin Pickup Passive thin film sensor features simple stick-on installation. Carpenter jack included. RADM LBV BEAS2 LRBM1 Tru-Mic Systems Exceptional microphone sound without feedback. ANTHEM - Combines the LRBA popular Baggs undersaddle element with a low-profile mic. Soundhole mounted preamp module ives you control over volume, mix and phase. A ANTHEM SL - Simplified version of the Anthem with a preset barrel preamp/endpin jack and simple soundhole mounted volume control. LRBASL . . . . . . . . for steel string LRBASLC . . . . for classical nylon string L. R. Baggs Pickup Accessories BUFFER (STEREO) JACK Combines two signals. BBJ1 STRAPJACK PLUS 4-pin jack. LBJ2 LYRIC - Optimized stand alone TruMic microphone for acoustic guitar. Easily mounts on the underside of the bridge plate with the signal routed through a barrel preamp-endpin jack. Features a presence control to optimize high-frequency response and a soundholemounted volume control. LYRIC1 for steel-string guitar LYRIC2 for classical guitar We have L. R. Baggs for ukulele, too! See the ukulele section of this catalog Never run out of batteries on the bandstand again – charges in 60 seconds for hours of worry-free playing MI-SI Acoustic Trio RADM Guitar and Ukulele Incorporates the L. R. Baggs Element undersaddle pickup with the Mi-Si batteryfree (rechargable) active preamp/endpin jack. Charger included. MSAT1 . . . . guitar MSAT5 . . . ukulele MI-SI VOLUME AND TONE CONTROL - Add-on module for the Mi-Si Guitar pickup above. Mounts on edge of the soundhole. MSVTC VENUE PADI Venue D.I. Preamp, EQ, electronic tuner and direct box all in one portable box – perfect for all acoustic instruments. Features 5-band EQ with tuneable low and high mid controls and adjustable gain. Footswitchable chromatic tuner, solo volume boost, and effects loop. VENUE Para Acoustic D.I. Studio quality with 5-band EQ and low-cut filter. PADI Gigpro Belt clip preamp with adjustable gain. Volume, bass, and treble controls. GIGPRO New! Mi-Si Magpie Soundhole Guitar Pickup Fine active soundhole pickup with built-in volume and tone controls, rechargeable preamp and Mi-Si power charger. Magnetic single-coil pickup designed to minimize hum while providing a broad frequency response. Easily clamps in soundhole, mini-jack in pickup allows you to use a patch cord externally or easily connect a standard 1/4” strap button jack harness (included). MSMAG GIGPRO Violin and Mandolin Kremona element with the Mi-Si batteryfree (rechargable) active preamp jack. Charger included. MSAT3 . . . mandolin MSAT4 . . . . violin We have Mi-Si for ukulele, too! See the ukulele section of this catalog MSAT3 MSAT1 57 www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890

www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890 58 ACOUSTIC PICKUPS AND PREAMPS Stereo Vintage Jack Nicely designed – replaces most taper fit endpins. Stereo wired and ready to solder to your pickup. 1/8” output, includes high quality right-angle plug to replace one end of your own cable or use the Vintage Jack Cable Adapter below (sold separately). GUITAR GVJ1-(BRASS or STEEL) GVJ1-EBONY MANDOLIN MVJ1-(BRASS or STEEL) MVJ1-EBONY VINTAGE JACK CABLE ADAPTOR 6” cable converts the 3.5 mm Vintage Jack plug to use a standard 1/4” guitar cable. VJCA1 Endpin Jack Strap Locks STRAP-KEEPER Leather straplock with nylon clip attaches to your strap. Fits most standard-size endpin jacks. SK1 SMALL STRAP-KEEPER For Yamaha, Takamine, Ovation, Taylor. SK2 STRAP-JACK Use playing “unplugged.” Plastic plug attaches your strap and is inserted into the endpin jack. Specify Black or Clear. SJ1 Hot Plate Pickup Assembly Simple solution for adding a pickup to your resonator guitar. Includes a 10” diameter sieve-style coverplate with a Lollar single-coil pickup, 1/4” jack and volume and tone controls built in. Just replace the coverplate on your guitar, plug-in and play. Fits most new and old National guitars. NRHP1 polished nickel-plated brass NRHP2 rubbed (dulled) nickel-plated brass NRHP3 aged brass Slimline Pickup A joint effort of National Reso-Phonic Guitars and Villex Electronics. Thin dual-coil magnetic pickup attaches to the top just below the fingerboard with double-stick tape. Nickel plated engraved cover. NSLP1 An Elderly Instruments Exclusive! For violin and upright bass TRVP18 TRBP Realist Passive Piezo Developed by inventor Ned Steinberger in collaboration with luthier David Gage. Efficiently captures top vibration and produces a strong signal that requires no preamp. Fully shielded to eliminate hum. TRVP18 . . . . . . . . . for violin TRBP . . . . . . . . . . . for bass Realist Docking Station Universal volume control for pickup systems. Easily and securely mounts to the bass tailpiece. Extremely versatile and effective. Works with any pickup system. TRBDS Realist SoundClip High quality upright bass pickup endorsed by jazz bassist Ron Carter. Solid brass, clamps to the bridge foot. Adjustable weights alter the tonal response. Onboard volume control. TRBSC Electric Biscuit Excellent sounding system designed by Elderly Repair Shop resonator guitar guru Steve Olson. This replacement bridge has a thin element laminated into the biscuit, with the element extending down onto the cone – successfully capturing the sound coming off the cone itself. Passive system; no battery needed. Installation instructions included. CTONE1 CTONE1 ABS Mic System Spider Bridge Pickup Dual hard maple saddles for a spider bridge, with piezo-ceramic pickup elements attached to each. 1/4” jack included. FRGP5 Designed for banjo and resonator guitar. Jerry Douglas Aura® Pedal Compact tone solution with 16 microphone sound images created and used by Jerry Douglas. Uses 9V battery or AC adapter. FAP7 FAP7 FRGP5 Reso Guitar Pickups GVJ1BRASS NRHP1 Not sure which pickup is best for your resonator guitar? Give us a call – we’re always happy to help 888-473-5810 Gooseneck mounted mic attaches easily to banjo hooks or a resophonic guitar tailpiece. Stompbox-style EQ included with optional belt clip operates on 9v battery, included. ABS2MIC Biscuit Pickup For National style biscuit bridge resonator guitars. Pickup element is embedded in the biscuit. Requires boring a hole through the end of the body. Professional installation is highly recommended. Battery mounted externally in a box which connects back to the guitar with a special stereo cord (included). IP-1XBIS Violin Transducer Attaches to bridge with nylon screw clamp, jack attaches like a chinrest. BB3100 We install them, too! Call our shop toll-free (USA) at 888-473-5810 or 517-372-7880 outside USA Magnophonic Tricone Pickup Unique barrel-shaped sensor positions directly beneath a metal clip that has been attached to the bottom of the bridge. Signal is passed along to an internally mounted preamp. Preamp is powered by a 9V battery in an external box with special cord. IP-MAGX

DIGITAL RECORDING Digital Pocketstudios Simple recording anywhere DP-006 Six tracks of CD-quality (16-bit) recording with a dedicated stereo mixdown track. Incredibly small (6.1” x 1.3” x 4.2”) and packed with features including two built-in omni-directional condenser mics, USB 2.0, and more. 2GB SD card included. DP006 DP-008EX The big brother of the DP-006 above, with eight tracks and XLR inputs with phantom power, 2-band EQ on each channel, plus built-in tuner, metronome, and stereo reverb. Records to the included 2GB SD card; expandable to optional 32GB SDHC card. USB 2.0 connection, powered by 4-AA batteries (included) or optional power supply. DP008EX Digital Portastudio DP-03 Compact but powerful 8-track recorder with on-board CD burning, effects, stereo condenser microphones. Features two high-quality mic preamps with phantom power for external mics, XLR and 1/4” inputs with a handy instrument level switch that allows you to record a guitar or bass without a direct box, built-in chromatic tuner, metronome and more. Records to SD cards. 2GB card and power supply included. DP03 Practice and recording tools CD-GT2 Guitar Trainer Slows down the speed of a CD without changing the pitch, allowing you to learn fast licks, rhythm parts and solos from your favorite artists. Ultracompact design and the most userfriendly trainer ever. Um-One MK2 USB Midi Interface Single USB bus powered highperformance MIDI interface. Low latency, compatible with Mac, PC, and iPad (connection kit required). Super compact, and easy to use. UMONE CDGT2 Professional headphones SRH240A For general listening. Excellent sound with deep bass, clear mids and highs. Calibrated for use with consumer audio, but works well for monitoring professional audio. SRH240A CD-ROM – Mixcraft 6 Powerful yet easy-to-use multi-track recording studio that enables you to record audio, arrange loops, remix tracks, compose with virtual instruments, score and edit video, and add effects to create stunningly professional compositions. Easy enough for everyone and powerful enough for the pros. Get a studio for a song with Mixcraft 6! (Windows XP, Vista or 7). 495-CDR22 SRH440 For studio recording. Exceptional sound with a powerful extended range optimized for studio recording and professional mixing applications. 10’ detachable cable and carrying bag included. SRH440 ATH-M20X Closed-back headphones for recording, mixing and personal listening. 10’ cable, with 1/8” plug and 1/4” adapter. ATHM20X Handheld Recorders Serious audio quality that fits in your pocket DR-40 Four-track recording. Adjustable external and two internal condenser mics plus two XLR/line inputs allow you the flexibility to record 2-tracks stereo anywhere. 96kHz/ 24-bit resolution. Peak reduction meter, limiter, low cut filter, reverb, overdub feature, built-in speaker and more. 17.5 hour battery life (optional power supply not included). DR40 DR-07MKII Clear sound quality and a great design. Built-in adjustable condenser mics. Records MP3 or WAV formats to microSD or microSDHC media cards. 1/8” mic/line input, 1/8” headphone output and built-in speaker. Slow-down and looping features (during playback) are great for transcribing and learning new music. DR07MKII DR-05 Built-in CD burner Stereo recording powerhouse. Records MP3 or WAV format to microSD or microSDHC media. Nice quality mics capture every detail. Features include Peak Reduction and Quick Menu. Powered by 2-AA batteries or USB. DR05 59 TH-02 Closed-back dynamic design with clean sound, rich bass response and crisp highs. Foldable for easy transport. Includes 1/8” to 1/4” adapter. TH02-BLK www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890

www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890 60 MICROPHONES, STANDS AND ACCESSORIES AT2021 Cardioid Condenser Ideal for home studio and live performance. Offers an extended frequency response, high maximum SPL and wide dynamic range. Outstanding for acoustic guitar, piano and group vocals. Its low mass element offers a superb transient response making this mic perfect for overhead applications. 30-20,000 Hz frequency response, requires 48V phantom power. Mic clip and protective pouch included. AT2021 6” Studio Pop Filter Controls unwanted noise in your studio recordings. Clamp/bracket and gooseneck included. SPF1 AT-2020 Condenser Side-address cardioid condenser studio microphone, 20Hz to 20kHz frequency response. Low noise and wide dynamic range at an affordable price. Dimpled charcoal black finish; mic clip included. Requires 48V phantom power. AT2020 ATM-350 Mini Clip-On Condenser Outstanding instrument microphone and an excellent solution for amplifying acoustic bass, violin, and wind instruments. Gold-plated XLRMtype connector, permanently attached power module. Includes both clip-on and velcro-style microphone mounts, and soft protective pouch. ATM350 Mic Stands STAGELINE MIC STAND - 10” round base. Extends from 35” to 63” high. MS603B ON-STAGE MIC STAND - Standard-size tripod base and boom with cable clip. MSTB We have more mics, stands, and accessories at elderly.com ON-STAGE SMALL TRIPOD BOOM STAND - Ideal for use on amps and drums. MS7411B MS7411B elderly.com Mic Stand Extensions The industry standard SM58 The favorite of singers and sound techs everywhere! Rugged and dependable, with wide pickup pattern, built-in wind “pop” filter. 50Hz-15KHz. SM58 SM58 SM58 WINDSCREEN - Black foam. WS58 SM57 Uni-directional – great for most instruments, and for vocalists who want higher monitor levels without feedback. 40Hz-15KHz. SM57 SM57 WINDSCREEN - Locking, black foam. A2WSB PG Series Genuine Shure quality at an incredibly low price. Onoff switch, protective pouch and 15’ XLR cable included. PG58 - For vocals. 60Hz-15kHz frequency response. PG58 PG57 - 50Hz-15kHz frequency response – best for instruments. PG57 Beta Series High output, supercardioid versions of Shure’s original SM57 and SM58 designs with a neodymium element and 50Hz-16KHz range. Includes carrying bag and mic clip. BETA58 (vocal) BETA57 (instrument) BETA58 BETA57 Hohner and Shaker Harmonica Mics See our web site at elderly.com PG58 PG57 SM57 Microphone Holders SLIP-IN EXPANDABLE - Rubber slip-in style expands to fit large wireless hand-held mics. SRMCW SLIP-IN MH1 CLOTHESPIN TYPE MH2 MSA5050 Mic Stand Accessories ON-STAGE CLAMP-ON DRINK HOLDER - Made of Neoprene rubber material to keep your drinks hot or cold. Adjustable cup diameter. MSA5050 iKLIP2 MIC STAND iPAD ADAPTER - Multi-angle, lightweight universal iPad adapter. Holds full-sized iPad to any mic stand. Attaches in seconds. IKLIP2 MSPH DUNLOP MIC STAND PICK HOLDER - Clips on mic stand and holds six standard flatpicks. MSPH Microphone Cables QUANTUM LOW-Z MIC CABLES - Extremely reliable, noise-free cable. 24 gauge wire. Specify black, blue, green, red, violet, or yellow. LM30 (30’) LM20 (20’) LM10FT (10’ - black only) MH2 ON-STAGE 32” BOOM - Threaded, top mount, 32” black boom. Works with all types of mic stands. MS76030 ON-STAGE 7” MINI MIC BOOM - 7” heavy-duty black boom attaches to any mic stand. MB7 SMB7 (side-mount) 13” GOOSENECK - Flexible steel. KB713 (Chrome) KB713B (Black) SRMCW (top-mount) MB7 SMB7 MS603B MSTB MH1 IKLIP2 LM20

TUNERS AND METRONOMES Clip-On Tuners Chromatic Clip-On Tuners SN-8 Super Tight The best Snark yet! Brighter, easier to read display, faster response, Fully chomatic and deadly accurate. Features a built-in metronome with tap tempo. SNARK-SN8 SNARK-SN8 SN-5 – Basic Tuner Simple, bare-bones Snark without any bells and whistles – just fast, accurate and inexpensive tuning. SNARK-GBV PESC1 Peterson SC-1 Strobo-Clip The StroboClip has the renowned accuracy of all Peterson strobes, with new tunings and alternate temperaments for a wide variety of string and wind instruments, including the Buzz Feiten tuning system. Smooth, real time display, drop/capo setting, adjustable key, adjustable reference tone (400Hz to 490Hz), auto power off. PESC1 Fishman FT-2 FT2 Flip up to turn on, flip down to turn off, quickly and accurately finds the note being played and indicates if you're in tune (green), sharp (red) or flat (amber), bright backlit LCD display features a meter style pitch indicator with large readout. FT2 Planet Waves by D’Addario NS Micro Precise tuning for guitar, mandolin, banjo, basses and more. Low-profile design blends with the aesthetics of your instrument, concealing it from your audience. Highly sensitive, backlit display allows easy tuning in dim or well-lit stages. PWCT12M PWCT12M Fender® SNARK-SOS Son of Snark Super bright, fully chromatic tuner for guitar, bass and more. Tiny size – just over 1” square. Ultra fast and accurate (like all Snarks), bulletproof design hides behind the headstock so that you see it but your audience does not. SNARK-SOS Korg AW-2G Fits the thickest headstocks. Double ball-joint attachment for greater display positioning. Low power mode, switchable internal mic. AW2G ST-200 Stomp Box Strobe Tuner A true strobe tuner in a stomp box. True bypass, muted output, chromatic and bass / guitar modes. Fully programmable for alternate tunings and temperaments, extremely accurate. Rugged aluminum case, made in the USA. SRST200 F-Zone FT-2001 Compact size, bright LCD display changes color when you are in tune. Simulated needle meter, 8-octave range. Very simple to use and accurate. FT2001 Yamaha GCT1 Clip-on chromatic instrument tuner for guitar, bass, ukulele, and more. YGCT1 YGCT1 Even more tuners and metronomes at elderly.com Metronomes Matrix MMR-500 TU-3 Stomp Box Tuner Pedal Newly updated version of the widely popular TU-2 tuner can also double as a power supply for up to seven effect pedals. Housed in a tank-tough chassis, and features a smooth 21segment LED meter with a High-Brightness mode. Choose between chromatic or guitar/bass tuning modes. Accu-Pitch verification for quick tuning accuracy within one centitone. TU3 Simple, effective quartz metronome features an easy-to-use dial, 40-208 BPM tempo range, an A440 reference pitch, sound and LED beat display, and a personal earphone. Three-way switch for sound and light, light only, and off. Folding stand, uses 9V battery (not included). MMR500 Planet Waves MT-02 Metronome/Tuner combo. Full featured metronome includes loud woodblock tone, tempo, beats per measure, and time divisions. A precision meter-style chromatic tuner, pitch pipe and easy-to-navigate menu make this an essential practice tool. Built-in microphone and 1/4” input jack. PWMT02 FT2001 AW2G FT004 FT-004 Accurate tuning even in the noisiest of places. Large, easy-to-read needle shows white when out of tune and bright green when in tune. Tuning modes include Guitar, Bass, Ukulele, Violin and Chromatic. FT004 61 www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890

www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890 62 HUMIDIFIERS AND MORE Protecting your instrument from wood and finish cracks is essential, particularly during the winter when your furnace dries the air indoors. Low relative humidity (below 30%) is common during the winter months. Humidity this low can cause shrinkage in the wood of your instrument. As the wood shrinks, a variety of problems can result, including low action, warps, cracks, protruding fret ends, weakened glue joints, and loose braces. The best way to maintain a proper and consistent humidity level (50% RH @ 70O F) is to use a full-house or room humidification system. Next best is to keep the instrument in its case when you’re not playing it and supplement the room moisture with an in-case humidifier. PWHCS HUMISTAT #1 - For small instruments including ukulele, mandolin, Autoharp® TWO-WAY HUMIDIFICATION SYSTEM - Two-way humidity control maintains a constant 45-50% relative humidity level. Includes one headstock pouch (holds one Humidipak packet), and soundhole pouch (holds two Humidipak packets). Automatically corrects humidity issues in any season. PWHCS HUMIDIPAK REFILLS (3-PACK) - For use with Planet Waves Humidipak Automatic Humidity Control System. PWPAK3 HUMIDITY CONTROL SENSOR - Monitors the humidity of your practice room yet small enough to use inside most cases. Indicates when it is time to add humidity to your instrument’s environment. HCS Dampit Humidifier Flexible tube with sponge inside, inserts in soundhole. Guitar versions include soundhole cover with built-in humidity indicator. D1 . . . . . . . . . . . . violin D2 . . . . . . . . . bass violin D3 . . . . . . . . standard guitar D4 . . . . . . . . . large guitar GH Kyser Lifeguard Guitar Humidifiers Sponge inside a flexible, black soundhole cover. SMALL - Fits soundholes from 33 /8” to 33 D1 /4” in diameter LG100S . . . . . . . . . . . small LARGE - Fits soundholes from 33 ” to 41 LG100L . . . . . . . . . . . large /4 /8” in diameter. OGH2 Climate controlled guitar display case Acoustic Remedy Climastand Display your guitar while protecting it from pets, dust, low humidity, or children. Handmade in the USA by Amish craftsman and uses the Humidipak humidity control system. Spring loaded stainless steel latches, double strength glass, String Swing cradle to hang the guitar inside the case, and showcase-style battery powered LED lighting. Some assembly required. 50”h x 22”w x 21”d. Each case is shipped directly to you in 6 to 8 weeks from the manufacturer. Shipping to lower 48 states is included in the price. ACSFC1 . . . . cherry ACSFW1 . . . walnut The sliding rocking c for roc musicians Comfortable and stylish. Helps you play with a natural, relaxed posture. Hold your guitar in the proper position while you kick back and relax without worries about bumping or scratching your instrument. Beautiful ash frame with padded seat and back in Wheat, Navy, Sand or Green to complement almost any home decor. Black or brown leather also available at additional charge – please inquire. Each chair is shipped directly to you in 6 to 8 weeks from the manufacturer. Shipping to lower 48 states is included in the price. PNG-(Fabric) Custom upholstery with your own fabric! Call us for details (888) 473-5810 GUITAR SOUNDHOLE HUMIDIFIER - Plastic soundhole humidifier with a high absorbtion sponge, fits between the strings without clips or fasteners. GH HUMI HUMISTAT #3 - Like above, but designed for larger instruments including guitar, bass, dulcimer, more. HUMI3 Oasis OGH1 Humidifiers Lets you see when it needs to be refilled. The humidifier is held securely by the strings. Used in a closed case, each refill will last two weeks or longer, depending on how often the case is opened. GUITAR - Our best selling guitar humidifier. Held securely in place by the strings, hangs in the body cavity of the guitar. OGH1 LARGE - For guitars in drier environments. OGH3 UKULELE - Like the OGH1 above, but smaller for ukulele. OGH5 MANDOLIN - In case humidifier for mandolin. OGH6 OASIS DIGITAL THERMOMETER AND HYGROMETER - Small (4” long) and accurate. Ideal for keeping track of temperature and humidity in a case. OGH2 , more. Humistat Humidifiers HUMI Adjustable moisture release. Clever design, easy to use and refill. Clear barrel allows you to view the amount of water remaining in the humidifier. About 2.5 inches long, includes a Velcro patch to secure the humidifier. Use distilled water to avoid mineral buildup. Instructions included. Pick-N-Glider with Navy fabric

SLIDES AND RESONATOR GUITAR PARTS Your Slide Guitar Headquarters Glass Bottleneck DUNLOP MEDIUM - 18mm (.71”) inside dia., 72mm (2.83”) length. S202 DUNLOP LARGE - 21mm (.83”) inside dia., 68mm (2.68”) length. S203 FENDER® FGSL-FGS2 S202 Brass Bottleneck DUNLOP BRASS CONCAVE - Concave for better contact across the width of radiused fretboards. 3 ” long. /4 1” outside diameter, 25 S227 /8 FENDER® MEDIUM BRASS SLIDE - 60mm length, 1.5mm wall thickness and 19mm inside diameter. FBSL1 S227 FBSL1 Knuckle Slides /4 More at elderly.com Solid-Bullet Slide Extra short (1.1”) bottleneck slide with 3 ” inside diameter. Allows lots of freedom of movement for the slide finger. KS-GLASS KS-BRASS KS-CHROME Steels for Lap & Pedal Styles BEARD WAVE - Contoured chrome-plated steel. BWS-0000 . . . . straight ends, 5.9 oz BWS-1010 . . 10-degree end cuts, 5.5 oz BWS-2020 . . 20-degree end cuts, 5.2 oz BWS-2010 10-degree and 20-degree, 5.4 oz SHUBB/PEARSE - The familiar design preferred by many slide players. S6 SHUBB GS WOOD AND STEEL - A new concept in guitar steels. SPGS SHUBB SALLY VAN METER - Great for bluegrass – built for speed, precision, control and tone. SP3 SCHEERHORN CHROME PLATED BRASS - Based on the classic Tipton steel, with more defined flute on top. Beveled ends and sharp corner transitions for clean, sharp pull-offs. S10 SCHEERHORN STAINLESS STEEL S16 STEVENS STEEL - The old standby used by countless players worldwide. S1 CBS1 LAP DAWG TONEBAR - Large radius for great sustain and added vibrato. S926 LONG DAWG TONEBAR - Longer version of Lap Dawg above for larger hands. S927 S1 S16 SPGS SP3 NATIONAL VINTAGE ENGRAVED 3-ON-APLATE TUNING MACHINES - Nicely designed vintage-style set used on many new National guitars. Nickel plating with black or cream buttons. FOR SOLID PEGHEAD NVT2 S10 FOR SLOTTED PEGHEAD NVT1 NATIONAL VINTAGE PLAIN 3-ON-A-PLATE TUNING MACHINES - Nicely designed direct replacements for many old National ResoPhonic guitars. Nickel plating with black or cream buttons. FOR SLOTTED PEGHEAD NVT3 S926 Guitar Extension Nut Make any guitar a slide guitar. Simple metal device slips over standard guitar nut for Dobro or Hawaiian style playing. EN03 NVT2CREAM BWS-1010 NVT3BLACK BROZ-O-PHONIC STEEL - Stainless steel bullet slide designed by Bob Brozman. The original weight, dimensions, and tone of the first Hawaiian steel slides. BOPGS LARGE GLASS SLIDE - 69mm length, 1.5mm wall thickness and 22mm inside diameter. FGSL-FGS2 RESO-PHONIC BISCUIT BRIDGE - Same bridge National uses on their instruments. NBB . . . . . for reso-guitars NUBB . . . . . . . ukulele NMBB . . . . . . mandolin TRICONE SET - Set of 3 cones for Tricone. NTT3 SPUN EMBOSSED CONE - 91 ” inside diameter, /2 ”, Pre-War National style embossed swirl design. Biscuit bridge included. NR16 UKE RESONATOR CONE WITH BISCUIT - 6” diameter, swirl-pattern embossed resonator cone with biscuit bridge. This is the same cone National uses on their ukuleles. NR16U MANDOLIN RESONATOR CONE - Spun embossed “swirl-pattern” 91 /2 ” resonator cone from National Reso-Phonic. Includes small biscuit bridge. Fits old and new National mandolins and tenor guitars. NR16M NATIONAL STYLE TAILPIECE - Fits new and most old National instruments. TP1 NATIONAL 12-STRING TAILPIECE - Onepiece stamped 12-string nickel plated tailpiece. TP12 Beard Resonator Guitar Parts BC-1 RESONATOR CONE - 109 /16 ” spun aluminum cone for spider bridge style resonator guitars. BRC1 BEARD LEGEND CONE - Triple spun special aluminum alloy. Enchanced lower frequency response and bell-like tone. 109 /16 /2” to fit older Dobros® . BRC2 NC-8 - 81 /4” diameter biscuit bridge style cone for smaller resonator guitars. NC8 PLATED BRASS TAILPIECE RTT1 SCREEN RINGS - Pair. RTR1 SCREENLESS SOUNDHOLE RINGS - Pair of chrome plated brass open soundhole rings. Standard style and size. Fits most resonator guitars. RTR2 S6 SPIDER - Saddles not included. D14 ADJUSTABLE #14 SPIDER BRIDGE - The classic #14 cast aluminum 8-leg spider bridge with four set-screws added to the saddle slot channel. Produced to facilitate use of the Fishman spider-bridge pickup (our item FRGP5). ADJ14 MAPLE SADDLES - Pair of hard maple inserts for spider bridge. RTB15 MAPLE TRICONE BRIDGE SADDLES - Unslotted, need to be sized and notched. TBI1 EBONY-TIP MAPLE BRIDGE SET - Pair of ebony tipped hard maple saddle inserts for a spider bridge. RTB16 EBONY-TIP MAPLE TRICONE BRIDGE SADDLES - Bright tone, increased sustain. Unslotted, needs to be sized and notched. TBI2 Resonator Instrument Parts National Reso-Phonic Parts SCHEERHORN RESONATOR CONE - 109 /16 ” aluminum alloy, hand spun and shaped by Tim Scheerhorn. SRC1 63 ” spun aluminum cone for spider bridge style resonator guitars. Edge is trimmable to 101 www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890

www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890 64 ACOUSTIC GUITAR PARTS Acoustic Guitar Parts Bridge Pins (sold singly) GA01 . . . . . . white plastic GA02 . . . . . . black plastic GA05 . . . . . ebony, no dot GA06 . . . . ebony, pearl dot GA23 . . . . rosewood, no dot GA22 . . rosewood, pearl dot A B C D E F D MAMMOTH IVORY BRIDGE PIN - More dense than plastic or wood. Transfers string vibration better to your guitar top. 10,000 year old ivory – not from endangered species. Tapered to replace plastic bridge pins. GA25 . . . . . . . . . . . . plain GA24 . . . . . . . . with tortoise dot G H Endpins GA10 . . . . . white plastic GA12 . . . . . black plastic GA07 . . . . . . . ebony GA08 . . . ebony, pearl dot I J K L I J A B C Antique Acoustics – Replica Martin Guitar Pin Sets Authentic non-slotted replica pins like those used on original Martin guitars. Sets include six bridge pins and one endpin. Imported from Germany. STYLE 18 - Plain black. E F H AAPS1-P1 (1920-1930) AAPS1-P5 (1931-1938) AAPS1-P10 (1939-1940s) STYLE 21 - Black with ivoroid dot. AAPS1-P2 (1920-1930) G K L STYLES 28, 40, 42, AND 45 - Ivoroid with black dot. AAPS1-P3 (1925-1930) MARTIN IVORY BRIDGE MODELS -1910s -style fossil ivory with pearl dot. AAPS1-P4 M Martin Plastic Bridge Pin Sets 7 bridge pins, matching endpin. WHITE PLASTIC GA03 . . black dots GA04 . abalone dots M N “REDEYE” - Tortoise plastic dots. GA60 O BLACK PLASTIC GA21 painted white dots GA42 . abalone dots P Q Martin Ebony Bridge Pin Set Ebony with Paua Pearl dot, seven bridge pins and one endpin. Martin warns that taper does not match their plastic pins. Professional installation recommended. GA50MPS N O P Q Bridges ARCHTOP - Compensated, adjustable. 17 11 /8” string spacing. Height adjusts from /16” to 11 /4 TUSQ NUTS AND SADDLES for Martin, Taylor and others! Visit us online at www.elderly.com for more information. GRAPH TECH SUPERCHARGER KITS Includes Tusq compensated saddle and six Tusq bridge pins. KIT A - 1/8” thick saddle. SUPERCA-A KIT B - Narrow diameter bridge pins. SUPERCA-B KIT C - For guitars requiring a Martin-style 3/32” saddle. SUPERCA-C ”. SP36 . rosewood SP37 . . . ebony SP39 FLATTOP - Martin-style for 3 and 21 /8” string spacing. SP39-RO rosewood SP39-EB ebony Pickguards BASIC - Self-sticking, Martin-style. Soundhole contour varies. SP23 . . . . . . black PG28 . . . . . pearloid SP21 . . . . . tortoise HERCO - Set of two self-sticking, clear face guards. Pre-cut to fit around soundhole — half above, half below. Trim to fit. SP22 MARTIN OVERSIZED - Self-adhering. SP45 . . . . . . . black SP46 . . . . . . tortoise Oversized Martin-style Set of six grooved, plain ebony bridge pins. Diameter is slightly larger than standard to replace pins in bridges with worn holes. GA93S John Pearse Bridge Pin Sets BRIDGE PIN / END PIN SET - Set of seven bridge pins and one end pin. Specify buffalo horn with pearl dot inlays or bone with Parisian eye inlays. Hand carved and slotted. JPBHBP . . . . . . horn FAUX TORTOISE SHELL - Package of 7 bridge pins with abalone dots. The closest in appearance to the real thing – beautiful and hard wearing high-density Casein plastic. Looks great and improves sustain. JPTBP FAUX TORTOISE SHELL WITH MATCHING ENDPIN AND STRAP BUTTON JPTBPS1 JPTBPS1 D’Andrea Tone Pins Increased sustain and brighter sound. Set of 6 solid brass bridge pins with cylindrical head, fits most acoustic guitar bridges. An interesting alternative to traditional bridge pins. TPIN-BRASS . . . . . . . . . . . plain TPIN-ABALONE . . . . . abalone dot TPIN-PEARL . . . . . mother-of-pearl dot TPIN-TRADPEARL traditional shape, pearl dot JPA6 JPBHBP JPBPS GA50MPS JPA2 SP23 PG28 SP21 /32 ” saddle AAPS1-P3 STYLE 28 (BLACK DOT) (1931-1938) - Ivory white. AAPS1-P6 (1931-1938) - Aged cream. AAPS1-P7 (1939-1940’s) - Ivory white. AAPS1-P8 (1939-1940’s) - Aged cream. AAPS1-P9 We carry Antique Acoustics pin sets for vintage Gibson, too – see elderly.com SP36 SP45 John Pearse Guitar Armrests STANDARD SIZE - Stick-on armrest protects finish and allows top to vibrate freely. Instant, permanent adhesion. Specify Rosewood, Boxwood, or Ebony. JPA2 SLIMLINE - Shaped to better fit smaller body guitars. Ebony only. JPA3 JUNIOR SLIMLINE - Smaller version of above. JPA6 . . . . . . . . ebony JPA6R . . . . . . rosewood Nut Blanks Measurements are approximate. BONE N1 . . . 3 /16” x 3 MICARTA 1210 . 1 /8” x 21 /4” x 7/16” x 23 /16 /16 ” 1211 ” Saddle Blanks Measurements are approximate. BONE SD2 . . TPIN MICARTA 1211 . . SD3 . . . 3 3 ” x 3” x 3 /8” x 3” x 1 /8 3 ” x 41 /8 /32 /8 /8” x 1 ” ” /8 ” Fossil walrus ivory parts also available. Please inquire. MICARTA is synthetic material, similar to bone in hardness and density, but more consistent and a bit easier to work with. N1

TUNING MACHINES Guitar Tuners Golden Age Vintage Reproductions 6-String, 3-On-A-Plate SOLID PEGHEAD - Designed for restoration or reproduction of early 20th century steel string guitars. Plain steel plate with antiqued finish, 15:1 ratio, oval cream colored buttons, 13 /8” post spacing on center. Matching press-fit bushings and screws included. GART250 BENT TAB FOR SOLID PEGHEAD - Replica tuners with Relic® nickel finish. Plate shape and bent shape of rounded worm posts are typical of gears of the 1930’s to the 1970’s, white oval buttons, 15:1 gear ratio, 13 /8 stringpost spacing. Screws included. GART253R GTMK5 Golden Age tuners are also available for 12-string and slotted headstocks – See them all at elderly.com GTM1N Grover Style Sealed and Lubed, 3-On-A-Side GROVER ROTOMATICS - 14:1 gear ratio. Lifetime manufacturer’s warranty. GTM1N . . . . . . nickel GTM1C . . . . . . chrome GTM1G . . . . . . . gold 205C GROVER MINI ROTOMATICS - Like above, with mini buttons and housing. 205C . . . . . . . chrome 205G . . . . . . . . gold 10218C GROVER 18:1 ROTOMATICS - 18:1 gear ratio. 10218C . . . . . chrome 10218G . . . . . . gold 10218N . . . . . . nickel GTM30 GOTOH - 16:1 gear ratio. Specify 3-on-a-side chrome or gold finish. GTM30 . . . . . . chrome GTM30G . . . . . . gold GROVER VINTAGE STYLE 18:1 STATITES - Butterbean buttons, brass 18:1 gears for smooth precise tuning. Set of 6 tuners. Grover's newest and best replacement for Martin and other instruments from the ‘30s to ‘60s. FOR SLOTTED HEADSTOCKS H9718G . . . . . . . gold H9718N . . . . . . . nickel FOR SOLID HEADSTOCKS - Includes bushings. V9718G . . . . . . . gold V9718N . . . . . . . nickel Vintage Style, Open Geared GROVER STA-TITES - Simple, functional. GTM5C . . . . chrome GTM5N . . . . . nickel GROVER “VINTAGE-STYLE” 14:1 STA-TITES - Individual tuners with brass gears. V97C . . . . . . chrome V97N . . . . . . . nickel WAVERLY VINTAGE - Replace vintage tuners on old Martins and Gibsons without re-drilling. Work better than the originals! 16:1 gear ratio, stainless steel worm with nylon bushings for smooth action, butterbean buttons, tapered string posts. Nickel-plated. W16 V97C H9718N TK0735-GOLD ” ST6K GART250 GART253R TK977 Unless otherwise noted, all guitar tuners listed on this page are packaged in sets of 6, include bushings and screws, and are designed for solid headstocks. Vintage Replica Individual ST66 3-on-a-side unless noted. SCHALLER CBS FENDER® REPLACEMENT - 6-in-line enclosed older-style tuners. ST66 . . chrome GOTOH - Nickel with oval white plastic buttons. 15:1 gear ratio. TK977 SCHALLER - Similar to old Gibsons, covered but not sealed. Requires 3/8” holes. Double ring plastic keystone buttons. ST6K . . . . nickel GOTOH - Like Schaller vintage style. Requires 11/32” holes. Single ring pearloid plastic keystone buttons. GTMK5 . . . nickel Vintage Replica Locking Tuners Direct replacement for most vintage style tuners. 15:1 gear ratio. GOTOH 3-ON-A-SIDE - Green plastic Keystone buttons. TK0735-NICK . . . . . . . nickel TK0735-GOLD . . . . . . gold GOTOH 6-IN-LINE TK0779-NICK . . . . . . . nickel TK0779-GOLD . . . . . . gold GOTOH ADJUSTABLE 6-IN-LINE - Like above with height adjustable posts. TK7679-NICK . . . . . . . nickel TK7679-GOLD . . . . . . gold Guitar Tuner Replacement Buttons IVOROID - Convex-sided, small oval, fits round 3/32” shaft. GB12 WHITE PLASTIC - Concave-sided small oval, fits rectangular 3 /32” x 5 /32” shaft. The best replacement for old deteriorating buttons. GB13 V9718N ANTIQUE ACOUSTICS AUTHENTIC ‘40SSTYLE BUTTONS - Black or cream. AAB1-(color) Basic Tuners Sets GTM5C INDIVUDUAL - Chrome buttons, removable covers, needs GTM46 bushings above. 3-ON-A-SIDE GTM41 6-IN-LINE GTM41L GTM35 INDIVUDUAL - Open gear PLASTIC BUTTONS GTM21 METAL BUTTONS GTM22 3-ON-A-PLATE - For solid or slotted pegheads. 13 /8 W16 Kluson, Gotoh, National, Sperzel More tuners online at elderly.com ” between post centers, needs GTM46 bushings above. GTM35 12-STRING - Nickel plated, 6-on-a-plate. 14:1 ratio. TK798 GTM10G SCHALLER - Gold plated with pearloid buttons. Very nice quality tuners. HAUSER STYLE PLATE GTM10G LYRA STYLE PLATE GTM9G AAB1 GB12 TK703 TK702 GTMK8 3-On-A-Plate ALLPARTS VINTAGE STYLE - Accurate repro with oval metal buttons. 15:1 gear ratio, “Deluxe” stamped on nickel covers. TK703 ALLPARTS VINTAGE STYLE DELUXE - Same as above, but with longer posts for slotted pegheads, white oval plastic buttons. TK702 VINTAGE STYLE DELUXE - Exact copies of gears on old Gibsons, lap steels, others, for solid pegheads. Nickel with plastic buttons. 15:1 gear ratio. “Deluxe” stamped on covers. GTMK8 Fender® is a registered trademark of the Fender Musical Instruments Corporation. Products described on these pages are manufactured by companies which have no connection with Fender Musical Instruments Corporation, and are not approved or licensed by Fender. Some tuners may be difficult to obtain – availability may vary. See our current inventory at elderly.com Bushings GTM46 - Metal bushing. GTM46 GB13 ADAPTER BUSHINGS - Set of six nickel-plated bushings allows you to use vintage-style tuners. Get back the original look! TK900 VINTAGE-STYLE NICKEL - Set of six. TK902 WAVERLY CONVERSION - Set of six press-fit bushings with heavy wall fit 3 /8” hole. Convert to Waverly tuners from Grover or Schaller without plugging and re-drilling peghead holes. WCB1 GTM41 GTM27 GTM21 Classical Guitar BASIC 3-ON-A-PLATE - For nylon string, slotted peghead guitars. Gold color with plastic rollers and white plastic buttons. 13 post centers. /8 ” between GTM27 65 www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890

www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890 66 MANDOLIN PARTS, UKE TUNERS AND MORE Mandolin Parts Tone-Gard Get a bigger sound from your instrument. Attaches to the back of most A- and F- style mandolins. Holds your mandolin securely away from your body – opening up the sound and improving projection. Used by David Grisman, Ricky Skaggs, Mike Marshall, and many more of today’s mandolin masters. STANDARD - Fit traditional-size mandolins with 93 /4” to 915 /16” body width. TGM1 sunrise pattern TGM3 . deco pattern LARGE - For 10” to 103/16” body width. TGM4 sunrise pattern WEBER WOOD NYMPH - Elegant, innovative design from Vern Brekke at Weber mandolins, this small device suppresses unwanted harmonics generated by the strings between the bridge and the tailpiece. Installs easily – great for recording. WWN1 . . . . . mandolin WWN2 . octave & mandocello An Elderly Instruments exclusive … Hennig Banjo-Mandolin Bridges elderly.com Basic Tailpieces TRADITIONAL-STYLE MA11G . . . . . . . gold MA11N . . . . . . . nickel SCALLOP SHELL - Coverless tailpiece for A-style or roundback mandolin, hooks hold loop-end strings. Nickel-plated brass with hole for endpin, 3 attaching screws included. MA8 Professional Quality Tailpieces ALLEN TAILPIECE - Finely cast, heavy, plated bronze. Retrofits to most mandolins. Specify nickel or gold plating. MONTELEONE-STYLE AAR2-NICKEL AAR2-GOLD TRADITIONAL-STYLES ATR3-NICKEL ATR3-GOLD JAMES TAILPIECE - Classic looking design with flip-up cover for easy string changing. Strings and cover are fully dampened against vibration. Specify silver, gold or nickelplated finish. JMT1 ORRICO TAILPIECE - Heavy cast bronze with elaborate art noveau design with Florentine ornamentation. Specify unplated or nickel-plated finish. OMT1-BRONZE OMT1-NICKEL WEBER TAILPIECE - Universal design is a direct replacement for many vintage mandolins. Cast in heavy bronze. WMT1-NICKEL WMT1-GOLD Mandolin Armrest EBONY ARMREST - Attaches with a violin chinrest clamp. Nickel hardware, wrench included. CU61-NKL WMT1 MA11G MA21 Mandolin Tuners Spacing of 29/32” between string posts. Vintage-Style Bridges Vintage-style ebony bridges. Excellent intonation. Height-adjustment wheels are stamped “PAT’D JAN 18-21.” Antiqued Silver or Gold-look wheel finish. STANDARD - Low arch base to fit older mandolins, including Gibsons and some newer models. MA21 HIGH-PROFILE - High arch base to fit modern Gibsons and Flatiron instruments. MA22 MANDOLA - Arched base fits older Gibsons. Now with larger base, compensated for mandola. Antiqued Silver only — Gold available by special order. MA23-SIL Cumberland Bridges Compensated bridges made to same specs as current Gibson bridges. Specify Nickel or Gold adjustment wheels. FLAT SADDLE - For use with flat fretboards. CU71 RADIUSED - For use with radiused fretboard. CU72 Basic Bridges ROSEWOOD - For flat tops. MA4 EBONY - With white plastic insert; for flat tops. MA5 ADJUSTABLE ROSEWOOD - For archtops. Compensated. MA6 ADJUSTABLE EBONY - For archtops. Gibson-style, compensated. Large wheels. MA7 . . . nickel wheels MA7G . . gold wheels MA8 Ukulele Tuners GUKNW GOTOH STANDARD - Set of 4. Nickel with white buttons. GUKNW STANDARD UKE - Set of 4. Screw adjustment. Available with black or cream buttons. UP1 (black) UP26 (cream) AAR2 ATR3 JMT1 GROVER STA-TITE - Set of 4. Screw adjustment, black buttons. For pegheads up to 7/16” thick. UP3 GROVER DELUXE UKE - Friction pegs. Nickel finish. 4WN (white) 4BN (black) UPTCWWB Stop uke tuner slippage forever GOTOH PLANETARY UKE TUNERS - Set of 4. Smooth and stable tuning while maintaining the classic look of friction pegs. 4:1 gear ratio. Chrome white (satin chrome) finish with white butterbean-style buttons. All mounting hardware included. Fits pegheads from 10mm to 12mm thick. UPTCWWB OMT1 The look of ebony friction pegs with a micro-planetary gear system in the shaft PegHed Classic Old-Time Pegs PEGHED UKULELE SET - Set of 4. 4:1 gear ratio, 23 /16 diameter. PHUP1 ” long with a 7mm PHUP1 PEGHED BANJO SET -Set of 4. 4:1 gear ratio, 25 /8 with an 8mm diameter. 5th string tuner sold separately. PHBP2 SINGLE 5TH-STRING PEGHED BANJO TUNER - Great upgrade for any oldtime banjo. 7mm dia., 21 long, 5/8” insertion length. /4 PH5PL ” ”long UP1 4WN UP3 MA1 - Inexpensive, geared A-model tuners, nickel-plated, white plastic buttons. MA1 SCHALLER A-MODEL - 16:1 gear ratio. German made. MANN13 . . . . . . . . . . . . . . . nickel MANG3 . . . . . . . . . . . . . . . . gold SCHALLER F-MODEL - 16:1 gear ratio, German made reverse tuners with the gear above the worm. MANN14 . . . . . . . . . . . . . . . nickel MANG4 . . . . . . . . . . . . . . . . gold GOLDEN AGE LOAR-STYLE - Bright nickle finish on engraved steel plate, 15:1 gear ratio, worm below gear, nylon worm bearings for smooth motion. Removable black buttons. Screws and bushings included. 21/64” diameter peg holes required. MA251A-BK . . . . . . . . . . . A-style MA251F-BK . . . . . . . . . . . F-style MA1 MANN13 MANN14 MA251F-BK

BANJO HARDWARE AND BRIDGES Banjo Hardware Resonator Parts RECORDING KING BANJO ONE-PIECE FLANGES - Prewar-style, 24 hook pattern. PB600 ‘50s era, nickel PB650 ‘30s era, nickel PK ONE-PIECE BANJO FLANGE - Very high quality classic pre-war style 1-piece flange for resonator banjos. Die cast, nickel plated. 1012 rims), 1015 131 /8 /16” inner diameter (will not fit vintage ” at the lip. Outside diameter is /16 ” for 24-hook pattern. PKFL1 ATTACHING HARDWARE - Set of four thumbscrews, wall lugs and brackets. P91 RESONATOR THUMBSCREW AND WALL LUG - Set of one screw and one lug. (Most banjos require four.) BA950 RESONATOR ATTACHING BRACKET - Lshaped bracket, needs two screws to attach to resonator. BA951 GROVER 30 TENOR - Maple with two legs and ebony top. G3012 . . 4-string, 1/2" G3058 . . 4-string, 5/8" PB600 SCORPION 5-STRING BRIDGES - Handmade in Italy from aged Slovakian maple. Slotted ebony top. Crisp, clean, warm tone. Specify Standard or Crowe spacing, and 5/8”, 21/32” or 11/16” height. SC58 . . . . . . . . . 5/8" SC656 . . PKFL1 21/32"(.656") SC1116 . . . . 11/16" P91 BA950 BA951 KAT EYZ OLD WOOD BRIDGE - Three- legged aged maple with ebony top. Nicely crafted. Specify Standard or Crowe spacing, 5/8”, .656”, or 11/16” height. KEBB1 SAMPSON - Handcrafted with compensated tip. Wide base transmits full, rich sound. Specify walnut, maple, mahogany, or rosewood with ebony tip or koa with purpleheart tip. Each available with Standard or Crowe string spacing, and 1/2”, 5/8”, or 11/16” height. SBB SAMPSON COMPENSATING BRIDGE - Made of old growth wood salvaged from the depths of the Great Lakes, compensated rosewood with ebony tip. Small feet and wide arches for power and clarity. Specify birch or maple, and 1/2”, 5/8”, or 11/16” height SNBC MOON COMPENSATED - Shaped like a crescent moon. Improves intonation without loss of volume or tone. Hard rock maple with synthetic ebonex top. Three heights and three weights (light for brighter sound; heavy for more bass). Specify weight and height. BA93L1 . . light, 1/2" BA93L5 . . light, 5/8" BA93L11 light, 11/16" BA93M1 . . med., 1/2" BA93M5 . . med., 5/8" BA93M11 . med., 11/16" BA93H1 . . heavy, 1/2" BA93H5 . . heavy, 5/8" BA93H11 heavy, 11/16" Banjo Bridges THREE LEGGED, MAPLE - Ebony top. Inexpensive and popular. BA1 . . . . 5-string, 1/2" BA2 . . . . 5-string, 5/8" BA6 . . . 5-string, 11/16" BA5 . . . . 5-string, 3/4" BA4 . . . . 4-string, 1/2" BA3 . . . . 4-string, 5/8" Ebony top with white plastic inserts BA8 . . . . 5-string, 1/2" BA9 . . . . 5-string, 5/8" BA10 . . . 4-string, 1/2" BA11 . . . 4-string, 5/8" BART VEERMAN TEAK WOOD BRIDGES - Meticulously handmade in Canada. Uncompensated three-legged bridge. Beautiful teak wood with an ebony tip. Unleash the true tonal clarity, dynamic range, volume and sustain of your instrument. Specify Standard or Crowe spacing, 1/2”, 5/8”, 11/16” height, and light or medium weight. BVBE BART VEERMAN MYSTERY WOOD BRIDGES - Fine grade wood with ebony tip. Specify Standard or Crowe spacing, 1/2”, 5/8”, 11/16” height, and light or medium weight. SBVBME . Standard BVBME . . . Crowe We have more banjo bridges by these and other makers. Shop from our complete inventory at elderly.com GROVER NON-TIP - All maple with two legs and supporting centerpiece. BA12 . . . 5-string, 1/2" BA14H . . 4-string, 1/2" NECHVILLE ENTERPRISE - Maple with compensated ebony top for accurate intonation. Top edge has more mass to prevent sagging and slight arch to distribute string weight evenly and to prevent tipping. Shorter bridges are stout; tall bridges thin to maintain optimum mass. Slotted for 13 /4 FARQUHAR 4-STRING – Three-legged bridge with taqua (vegetable ivory) inserts for improved balance, clarity and volume. Standard spacing, specify 5/8” or 1/2” height. F4B 67 ” spacing (unslotted by special order.) Specify 5/8”, R5/8 (radiused) 21/32”, 11/16”, R11/16 (radiused) 23/32” or 3/4”. NEBS . . . . . slotted SOSEBEE 5-STRING BRIDGES - Aged maple with ebony top. Deep, well rounded tone. Specify Standard or Crowe spacing, and 5/8”, 21/32” , or 11/16” height. GSB58 . . . . . . 5/8" GSB656 . 21/32”(.656") GSB1116 . . . 11/16" Tone Enhancer LITTLE MOUNTAIN MUSIC BANJOMATE - Brass or nickel plate mounts on the inside back surface of your resonator with Velcro included. Increases volume while enhancing the tonal qualities of your banjo. BMTE (brass) BMTE-NKL (nickel) SNUFFY SMITH NEW GENERATION - One of the best selling bridges of all time is back. Excellent quality aged maple with a noncompensated ebony tip. Specify Standard or Crowe spacing, 5/8”, .656”, or 11/16” height. SSNG HUBER BRIDGES - Vintage Grover-style 5string bridge design. Select aged maple with ebony tip. Specify Standard or Crowe spacing, and 5/8”, 21/32” , or 11/16” height. SH58 . . . . . . . 5/8" SH2132 . 21/32"(.656") SH1116 . . . . 11/16" LAMSON BALANCED BRIDGES - A new design in 5-string compensated bridges! Each string is centered over its own hole directing vibrations through the same amount of wood resulting in even volume, tone, and sustain. Specify rosewood or ebony, and 9/16”, 1/2”, 5/8”, or 11/16” height. LBB Banjo Mutes FIELDING - Handcrafted of walnut with Vermont ironwood top. Continuous 5-hole design effectively transfers sound to the head while maintaining balance. Specify 9/16” or 11/16” height. FBB BILL MORRIS MINSTREL-STYLE - Handmade copy of the Cole banjo bridge for nylon or gut string banjos. All maple, 4 arches. BA82 . . . . slotted 5/8” BA83 . . unslotted, 5/8” BA82T . . . slotted 3/4” BA83T . unslotted, 3/4” THE KILLER BANJO MUTE - Heavy metal mute fits loosely over straight bridges. P180 GOLD TONE ULTIMATE BANJO MUTE - U-shaped brass bar slides on bridge under the strings. BA74 www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890

www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890 68 BANJO PEGS AND HARDWARE Banjo Parts Banjo Pegs – Sets and Singles WAVERLY V-2 REISSUE PEGS - Great reproduction of the classic “2-band” pegs used on Gibson banjos and Martin OM guitars from the 1920s and ‘30s. Nickel-plated with ivoroid buttons, offset gear casing design with two bands, 4:1 gear ratio. Sold as a set of four or individually. BP35 . . . . . . . . . . set of 4 BP35S . . . . . . . . . single FIVE STAR PLANET PEGS - 4:1 gear ratio, 3/8” shaft diameter. Excellent U.S.-made quality. Nickel, with pearloid buttons. Sold as a set of 4 or individually. BP7N . . . . . . . . . set of 4 BP7NS . . . . . . . . single GROVER STA-TITE FRICTION PEGS - Old style, easy to install. Black plastic buttons. Fits pegheads up to 5/8” thick. Sold as a set of four only. BP1A PRE-WAR GROVER STYLE PANCAKE TUNERS - Set of 4. Excellent European version of Grover pancake tuning pegs with 3.5:1 gear ratio. Requires 3/8” mounting holes. Nickel or gold finish. BP34-NICKEL BP34-GOLD D-Tuners KEITH SCRUGGS D-TUNERS - Set of 2 pegs (for 2nd and 3rd strings), pearloid buttons. Specify Brushed Steel or Gold finish. Inquire for 1st and 4th set. BP16 . . . . brushed steel BP17 . . . . . . . . . gold KEITH STAINLESS BANJO PEGS - Designed to match the Keith Scruggs D-tuners (above) with the same top grade quality. Stainless steel, 4:1 ratio, fits 3/8” diameter peg holes. Set of two for 1st and 4th strings. BP16R BP14 Banjo 5th-String Pegs FIVE STAR - Right angle, geared peg. Pearloid button. Matches BP7 sets. 8:1 ratio. BP14 . . . . . . . nickel BP14G . . . . . . . gold FRICTION - Old-style mechanical peg with cream color button. BP8 WAVERLY PLANETARY GEARS - Nickel plated casing with 2-band engraving. Straight peg design, insert string end between gear housing and neck. 4:1 gear ratio. BP37W See even more BANJO PARTS at elderly.com Banjo Neck Parts DOWEL STICK FERRULE - Square nickel-plated sleeve for tailpiece end of banjo dowel stick. BA53 VEGA-STYLE DOWEL STICK NECK BRACE - For open back banjos with dowel stick (vs. coordinator rod). Nickel plated. BA54 . . . . . . polished END BOLT - Anchors wood dowel stick to rim and is bracket shoe for tailpiece bolt. Nickel-plated, round ball lug. BA52B BA52B BA53 BA54 BP16 BP16R BP35 BP7N Banjo Armrests For 11” rim with standard 24 bracket spacing. PREWAR VEGA WIRE-STYLE ARMREST - For 11” and 12” rims with a variety of hook spacings. Mounts on hooks between the bracket shoe and hex nut. SARM10 . . . . . . nickel SARM10B . . . . brass GT102 VEGA-STYLE ARMREST - Simple and elegant, similar to those on old Fairbanks-Vega banjos. P101 20 BP1A BP34-GOLD NARM1 DEERING VEGA-STYLE ARMREST - Nickel plated. Fits a variety of hook spacings. Flatter than original Vega, about 1/2” wide top surface and sits closer to the head. GT102 ONE-LEG ARMREST - Attaches to brackets, fits most 24 bracket banjos. BA20 NECHVILLE COMFORT BEVEL - Polished tropical hardwood. Small metal L-brackets hook under tension hoop. NARM1 GTB121 GOLD TONE SINGLE LEG - Fits multiple hook spacings. GTB121-NKL nickel GTB121-CHR chrome Banjo Tailpieces OME SWEETONE - Simple tension tailpiece. Loop end strings hook securely, then pass through holes which space them for nearly a straight pull over the bridge. Attachment bolt included. Specify Nickel or Aged-Brass finish. OTP15-N nickel OTP15-B aged brass PRICE SL-5 STRAIGHT-PULL - Spreads the strings out so they pull straight from the tailpiece to the bridge for improved tone. Machined brass, nickel plated. BA21 COLBY - Early 20th century reproduction of the Fred Van Eps design, later modifed for 5string banjo by Peter Colby. CBT KERSHNER STYLE - Patented in 1916 by Benjamin Kershner. Nickel-plated heavy brass. Uniform tension. P113 P117 BP8 BP37W WAVERLY-STYLE - One screw adjusts tension. Nickel-plated brass. P117 FIELDING - Similar to the old talon tailpiece, but with better downward tension. Jewelry quality plating on heavy brass. Hex head bolt and nut included. P119 . nickel plated P119B polished brass P110 TENSION - Tension on all strings adjusts with one screw. Nickel-plated hinged cover. P110 P115DLX NO KNOT TAILPIECE DELUXE - Original turn-of-the-century design. Strings wrap around swinging cams instead of stationary posts. Will enhance your open back banjo. P115DLX NO KNOT - Similar to those on old Fairbanks Vega and other turn-of-the-century banjos. Accepts loop or ball end strings. P115 . nickel plated P115B unplated brass MODEL A - Inexpensive, non-adjustable tailpiece accepts loop or ball end strings. BA18 STRAIGHT LINE - Spreads the strings out so they pull straight from the tailpiece to the bridge. Lightweight, chrome-plated. BA77C BA77 P119 Unless otherwise noted, all are for 5-string banjo, designed to accept loop end strings and include the attachment bolt. BA21 OTP15-N P113 CBT P115 BA18 TAILPIECE BRACKET - Nickelplated, fits over lower rim rod. Hole for tailpiece bolt. BA955

BANJO HEADS AND HARDWARE Banjo Heads The industry standard High crown heads available in all sizes, plus we stock the most common sizes for low and medium crowns. See our web site at www.elderly.com for current stock. Some crown heights and finishes are available by special order only and require 3-5 months for delivery – please inquire! Ordering banjo heads by stock # B+ 1 + 2 + Diameter Code Crown Height (H, M, L) 3 Example – 11” high crown head with frosted top: B 1100 - H - FRT 1 Style Code Measure For Proper Size Remove the old head. Measure the rim of the banjo (not the rim of the head) from outside edge to outside edge straight across, to the nearest 1/16 of an inch. You should measure at 3 or 4 different places — especially on old banjos — because the rim can warp out of shape slightly and may not be perfectly round. Provided the rim is not severely warped, take the average of those measurements and order that size head. Diameter Code 10" 1000 10-1/16" 1001 10-1/8" 1002 10-3/16" 1003 10-1/4" 1004 10-5/16" 1005 10-3/8" 1006 10-7/16" 1007 Diameter Code 10-1/2" 1008 10-9/16" 1009 10-5/8" 1010 10-11/16" 1011 10-3/4" 1012 10-13/16" 1013 10-7/8" 1014 10-15/16" 1015 Diameter Code Diameter Code Most common size! 11" 1100 11-1/16" 1101 11-1/8" 1102 11-3/16" 1103 11-1/4" 1104 11-5/16" 1105 11-3/8" 1106 11-7/16" 1107 11-1/2" 1108 11-9/16" 1109 11-5/8" 1110 11-11/16" 1111 11-3/4" 1112 11-13/16" 1113 11-7/8" 1114 11-15/16" 1115 12" 1200 More sizes in stock or available by special order – please inquire Head Tensioning Tools GBW1 BA38 GTT6 BTW Nut Wrenches TRADITIONAL-STYLE BA38 . . . . . for 1/4" nut BA40 . . . . . for 5/16" nut GOLD TONE VEGA-STYLE GTT6 . . . . . for 1/4" nut GTT9 . . . . . for 9/16" nut GROVER TWO-HEADED - 1/4” and 5/16” on one sturdy key. GBW1 MYBANJO THREE HEAD TUNING WRENCH - Nicely done banjo nut wrench with three heads on one tool – 1/4”, 9/32”, and 5/16”. Sturdy and ergonomic. BTW DDIAL DRUM DIAL HEAD TENSION METER - Measures banjo head tension directly from the head for accurate tap-tuning. DDIAL DRUM DIAL DIGITAL - Same as above, but with a digital display. DIGIDIAL NDTW REGAL TORQUE WRENCH - Use along with your existing wrench for precise tensioning of banjo heads. Ensures even tension on every bracket hook. Practical and effective. Has adaptor that slips over winged banjo wrench. NDTW 2 Determining crown height Note: We have changed our crown height (collar height) measurement system to match Remo’s. We no longer include the 1/8” tall mounting band in the measurement. There are three standard crown heights for banjo heads. Approximate measurements are: • Low = 3/8” • Medium = 7/16” • High = 1/2” • The crown height of a banjo head is best determined by looking at the relationship between the neck, the rim, and the tension hoop. The crown should be high enough for the tension hoop to sit on a plane below the level of the fretboard, but not so high that the mounting band bottoms out in the neck pocket before the head is tight. High and medium crown are the most common. Low crown is used mostly on banjos with archtop tone rings. WEATHER KING FROSTED OUTSIDE Head Brand and Style 3 Code FRT FRT Size 11” All Others WEATHER KING FROSTED UNDERSIDE Code FRB FRB Size 11” All Others WEATHER KING CLEAR MYLAR Code CLR CLR Size 11” All Others WEATHER KING CLOUDY MYLAR Code CDY CDY Size 11” All Others FIBERSKYN Looks and sounds like calfskin, but the specially textured mylar-backed material won’t stretch or sink in high humidity. Recommended for frailers and clawhammer players. Great old-time sound. Code FIB FIB Size 11” All Others RENAISSANCE Translucent “skin look” head from Remo with a tone somewhere between frosted top and Fiberskyn. Code REN REN Size 11” All Others FIVE STAR Made from .007" mylar plastic. Hoop resists pulling apart under tension. Medium crown height, 11" size only. BA45 . . . . . . . . . . . . . . . . . . . frosted BA46 . . . . . . . . . . . . . . . unfrosted white BA44 . . . . . . . . . . . . . . . . . . . . clear GENUINE SKIN HEADS Unmounted — you must have your own mounting hoop. Instructions included. We offer medium thickness most of the time and thin when available. Other sizes and thicknesses may be available – please call. Economy Goatskin GT14 . . . . . . . . . . . . . . 14", for 11" rim GT16 . . . . . . . . . . . . . . 16", for 12" rim Economy Calfskin CF14 . . . . . . . . . . . . . . 14", for 11" rim CF16. . . . . . . . . . . . . . 16", for 11" rim Good Quality Goatskin GT27 . . . . . . . . . . . . . 18", for 12-13" rim Head Tensioning Hardware Bracket Hooks BA32 Nickel-plated steel. (Hex nuts are sold separately.) 8-26 thread size. ROUND HOOK - 21 /2”, usually used on notched tension hoops. BA32 FLAT HOOK - Nickel-plated steel. 21 grooved tension hoops. BA31 FLAT HOOK AND NUT SET - 23 ” hook with 1 /8 /4 ” nut. Other hex nuts listed here will not fit this hook — the threads are a different size. P44 L-Shaped Bracket Shoe Set Nickel-plated shoe with stainless steel bolt (12-24 thread) and washer. Hex head bolt fits 5/16” nut wrench. LBS34 . . . . . . 3/4” bolt LBS100 . . . . . 1” bolt Hex Nuts Nickel-plated brass, fits BA31 and BA32 hooks. 8-26 thread size. STANDARD OPEN-END 5/16” BA33 PRE-WAR GIBSON-STYLE 1/4” BA35 VEGA-STYLE OPEN-END 5/16” BA59 LBS34 /2”, usually used on Installing a new synthetic banjo head Tighten that head just a little at a time! Work your way around the rim, starting at one bracket and following it with the bracket on the opposite side. Don’t tighten brackets more than 1/4 or 1/2 turn at a time — be patient and make several trips around the rim. Head tightness can make a huge difference in tone, so experiment to get the sound you like best. More Banjo Heads REMO BLACK SUEDE AND WHITE SUEDE Textured mylar. Medium crown height, 11" size only. B1100-BKSUEDE B1100-WTSUEDE TAIWAN-MADE REMO WEATHER KING WITH HEAVIER FROSTED COATING Coveted by many banjo players for their sound quality. These are the same heads as featured on Recording King banjos. High crown height, 11” size only. B1100-H-TAI DEERING PRISMATIC Patterned iridescent head reflects light in all shades of a rainbow. Medium crown height, 11" size only. BH18M 69 BA33 BA35 BA59 www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890

www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890 70 VIOLIN PARTS AND ACCESSORIES PVP1 Violin Pegs PERFECTION GEARED VIOLIN PEG SET At last, effective planetary geared violin pegs! Smooth precise tuning without any need for fine tuners. Maintains the traditional look of ebony friction pegs. PVP1 . . . . . . . 4/4-Size VP11 SINGLE EBONY FRICTION PEGS Must be taper-fit to your violin. Reamers and shapers are required. GOOD QUALITY EBONY VP10 . . . . 4/4-Size VP10T . . . 3/4-Size FINE QUALITY EBONY VP11 . . . 4/4-Size CHAMPION FRICTION PEGS SET Plastic button, chrome shank, screw for tension adjustment. Ultra heavy. Set of 4. VP18 PEG COMPOUND VP18 Allows smooth tuning without slippage. HILL PEG COMPOUND V403 HIDER PASTE V404 Chin Rests PLASTIC WITH METAL FASTENERS VC81 EBONY DRESDEN MODEL VC84 VC88 VC84 WITTNER HYPOALLERGENIC Anatomically designed and allergy tested. Ebonylook composite cup and fittings. VC88-44 (4/4 size) Mutes VM205 ULTRA PRACTICE MUTE - Large, secure rubber mute. VM205 TOURTE - The popular fiddleshaped hard rubber mute. VM204 CHROME - Heavy metal mute sits directly on bridge. VM50 VM50 FINE EBONY WITH PARISIAN EYE VT31 SACCONI NYLON TAILGUT - Tailpiece attachment installs easily without tools. Works for 4/4 and 3/4 size. TA20 Meisel Tuner/ Metronome VM204 Chromatic clip-on tuner/metronome combo features a specially shaped clip for use on the scroll of a violin or viola. Switchable mic, adjustable reference pitch, tap tempo. Bright display, battery included. COM250 Shoulder Rests BON MUSICA - Comfortable and built to last. Fits 4/4. VS91 VS101 KUN COLLAPSIBLE - 4/4 size shoulder rest with foldable clasp arms. VS101 SUPER KUN - Soft, comfortable curves and edges. VS96-4/4 EVEREST - Ergonomic design for optimum comfort. Collapsible for easy storage, fits 4/4 and 3/4 size violins. EZ4 EZ4 VS96 POEHLAND - Kidney shaped pad with leather attachments. VS90 GA07 VC81 Violin Bridges Non-Fitted Bridges Professional fitting and shaping recommended. BRIDGE BLANKS BASIC MAPLE VB50 4/4-Size VB50T 3/4-Size SEMI-FITTED MAPLE - Semi-fitted for 4/4size violin. VB52 SEMI-FITTED MAPLE WITH INSERT - Ebony insert for E string. VB53 Adjustable Pre-Fit Bridges AUBERT A MIRECOURT Quality bridge with prefitted, swivel feet – designed for quick installation. VIOLIN - Branded “AUBERT A MIRECOURT — FRANCE.” Medium medullary rays. Specify size: 4/4, 3/4, 1/2, or 1/4 and height: high, med., or low. VBSA2 Aubert A Mirecourt Aubert (pronounced o-BEAR) bridges are imported from the world’s most respected violin bridge maker, producing bridges in Mirecourt, France since 1865. Aged naturally and treated to color and specially harden the wood. VIOLIN NON-FITTED MAPLE Small medullary rays, branded “AUBERT — MADE IN FRANCE.” Specify size: 4/4, 3/4, or 1/2. VBA5 Medium medullary rays, branded “AUBERT A MIRECOURT — FRANCE.” Specify size: 4/4, 3/4, or 1/2. VBA7 Tailpieces All are 4/4 size. GOOD EBONY VT30 FINE EBONY VT34 VT30 VT31 Fine Tuners VFT40 HINGELESS - Long arm style. VFT40 GERMAN - Long arm style. VFT49 . . chrome VFT50 . . . black End Pins PLAIN EBONY GA07 EBONY WITH PARISIAN EYE VE63 Bows and Bow Accessories GLASSER - Real horsehair on fiberglass stick, sturdy. Specify 4/4, 3/4, 1/2, 1/4, 1/8 size. VB7 BRAZILWOOD, ROUND STICK - Real horse hair on a brazilwood stick, ebony frog. 4/4 size only. VB2 GLASSER “CARBON” VIOLIN BOW - Real horsehair on carbon graphite fiber stick for high response. Nickel silver windings and a fully lined ebony frog with Parisian eye. 4/4 size. VB11 We have USED BOWS in stock, too! See elderly.com Bow Hair HERCO HERVEX - Synthetic. BW1 GENUINE HORSEHAIR - Double drawn, unbleached. BW2 MAATZHAARE - High-grade synthetic. Designed to simulate real horsehair. BW8 Rosin ROSIN-IN-A-TROUGH VR501 HIDERSINE #3V VR502 AB - Dark VR506 VR501 SUPER SENSITIVE CLARITY HILL VR504 light VR505 dark VBA7 VBA5

STRINGS Acoustic 6-String Guitar Long-lasting nickel-alloy blend for warm vintage tone New! MARTIN RETRO MONEL MM11 nkl alloy lt MM12 nkl alloy med BLACK DIAMOND N600L phos brz lt N600M phos brz med Black Coated N600LB phos brz lt D’ADDARIO EJ10 EJ11 EJ12 EJ13 EJ14 EJ16 EJ17 EJ19 EJ26 EXP11 EXP12 EXP13 EXP15 EXP16 EXP17 EXP19 FT16 100SS DR DSA11 DSA12 80/20 brz xlt 80/20 brz lt 80/20 brz med 80/20 brz cust lt 80/20 brz bluegrass phos brz lt phos brz med phos brz blgrass phos brz cust lt coated 80/20 brz lt coated phos brz lt D’ANGELICO 100L .011 .014 .023w .031w .041w .052w .012 .015 .025w .031w .041w .054w .012 .016 .024w .032w .042w .053w .013 .017 .026w .035w .046w .056w .012 .016 .024w .032w .042w .053w .010 .014 .023w .030w .039w .047w .012 .016 .024w .032w .042w .053w .013 .017 .026w .035w .045w .056w .011 .015 .022w .032w .042w .052w .012 .016 .025w .035w .045w .056w .012 .016 .024w .032w .042w .053w .013 .017 .026w .035w .045w .056w .012 .016 .025w .035w .045w .056w .011 .015 .022w .032w .042w .052w .012 .016 .024w .032w .042w .053w coated 80/20 brz med .013 .017 .026w .035w .045w .056w coated 80/20 brz cust lt .011 .015 .022w .032w .042w .052w coated 80/20 brz xlt .010 .014 .023w .030w .039w .047w .012 .016 .024w .032w .042w .053w coated phos brz med .013 .017 .026w .035w .045w .056w coated phos brz blgrass .012 .016 .025w .035w .045w .056w semi-flat phos brz lt .012 .016 .024w .032w .042w .053w 80/20 brz (brass) lt silk & steel lt “dragon skin” phos lt .012 .016 .024w .032w .042w .054w .011 .014 .024w .030w .040w .050w .011 .015 .022 .030w .040w .050w “dragon skin” phos med lt .012 .016 .024 .032w .042w .054w .013 .017 .026w .034w .045w .056w .012 .016 .024w .032w .042w .054w DRRP12 “rare” phos brz med lt .012 .016 .024w .032w .042w .054w DRRP13 “rare” phos brz med DRPA12 pre-alloy phos brz med lt .012 .016 .024w .032w .042w .054w DRRCA12 “sunbeam” phos med lt DRRCA13 “sunbeam” phos brz med .013 .017 .026w .034w .045w .056w EARTHWOOD EW20 80/20 brz lt EW30 11050 11102 11182 16052 16102 16077 80/20 brz med ELIXIR 11052 80/20 nanoweb lt .011 .015 .022w .030w .042w .052w .013 .017 .026w .034w .046w .056w .012 .016 .024w .032w .042w .053w 80/20 polyweb med .012 .016 .024w .032w .042w .053w 80/20 nanoweb med .013 .017 .026w .035w .045w .056w 80/20 nanoweb med .013 .017 .025w .032w .042w .053w phos brz lt phos brz med phos brz lt-med ERNIE BALL EB2568 aluminum brz lt EB2566 aluminum brz med lt GHS S315 S325 S335 TM335 WBM phos brz xlt phos brz lt phos brz std med phos brz “true” med Bright Bronze – 80/20 BB30 BB40 80/20 brite brz lt 80/20 brite brz med silk & steel lt .012 .016 .024w .032w .042w .053w .013 .017 .026w .035w .045w .056w .012 .016 .024w .035w .045w .056w .011 .015 .022w .030w .042w .052w .012 .016 .024w .032w .044w .054w .011 .014 .022w .030w .038w .050w .012 .016 .024w .032w .042w .054w .013 .017 .026w .036w .046w .056w .013 .017 .024w .032w .042w .056w Alloy “52” white brz med .013 .017 .022w .036w .046w .056w .012 .016 .024w .032w .042w .054w .013 .017 .026w .036w .046w .056w CCBB30 coated contact core lt .012 .016 .024w .032w .042w .054w CCBB40 coated contact core med .013 .017 .026w .036w .046w .056w Silk Core – Warm, soft feel and exceptional sustain 345 350 370 silk & steel med silk & brz lt 370ML silk & brz med Infinity Bronze – Coated IB30L brz lt IB40M brz med brz lt LJ40TM brz true med 85/15 brz bluegrass .010 .013 .020w .026w .034w .042w .011 .014 .022w .028w .038w .048w .011 .014 .023w .029w .039w .049w .012 .016 .024w .032w .042w .054w .012 .016 .024w .032w .042w .054w .013 .017 .026w .036w .046w .056w Signature Laurence Juber – Cryogenic bronze LJ30L Vintage Bronze – Vintage alloy VNB More strings… • Pyramid • Cleartone • Dean Markley • Optima • Wyres • Savarez • Thomastik • more …we’ve got ‘em .012 .016 .024w .032w .042w .054w .013 .017 .024w .032w .042w .056w .012 .016 .026w .036w .046w .056w Easily convert your 6-string acoustic to a 7-string … Addstring Modular System Back in 2007, Roger McGuinn teamed-up with C.F. Martin & Co. for a Signature model 7-string guitar – the 7th string being an octave G string. This allowed McGuinn to have one guitar that allowed him to capture the essence of the 12-string guitar while maintaining the clean bass runs and the high-end clarity of a 6-string guitar. Now you can have a similar setup on your own guitar. Requires an additional string slot cut into the nut, but no other permanent modifications. Watch the quick installation video on our web site. ADDS Never use strings that are heavier than the gauge recommended by the maker of your instrument. JOHN PEARSE JP200L 80/20 brz lt JP300M 80/20 brz med phos brz lt JP600L JP650 phos brz bluegrass JP700M phos brz med pure nickel lt .012 .016 .024w .032w .042w .053w .013 .017 .026w .035w .045w .056w .012 .016 .024w .032w .042w .053w .012 .016 .024w .035w .046w .056w .013 .017 .026w .035w .045w .056w JP710NM phos brz “New” med .013 .017 .024w .032w .042w .055w JP960L LA BELLA Golden alloy, silver-plated, silk & steel, and more 40PS golden alloy lt 700M 710L 710M 7GPS silver plated med silk & steel lt silk & steel med special phos brz lt MARTIN M140 M150 M175 M240 MEC12 MTR13 M540 M550 M130 80/20 brz lt 80/20 brz med 80/20 brz custom lt 80/20 brz bluegrass phos brz med silk & steel .012 .016 .024w .032w .042w .054w 71 .012 .016 .022w .031w .041w .052w .013 .017 .026w .035w .046w .056w .011 .014 .023w .031w .041w .051w .012 .016 .025w .033w .046w .056w .012 .016 .022w .031w .041w .052w .012 .016 .025w .032w .042w .054w .013 .017 .026w .035w .045w .056w .011 .015 .023w .032w .042w .053w .012 .016 .025w .035w .045w .056w phos brz lt “Eric Clapton” .012 .016 .025w .032w .042w .054w monel-nkl med “Tony Rice”.013 .016 .026w .034w .044w .056w phos brz lt .012 .016 .025w .032w .042w .054w .013 .017 .026w .035w .045w .056w .0115 .014 .023w .028w .038w .047w FX – Flexible Core – Thinner core for great control MFX130 silk and phos custom .011 .013 .023w .028w .038w .047w MFX740 phos brz lt MFX750 phos brz med Marquis Series M1100 M1200 M1400 M2100 M2200 phos brz lt phos brz med 80/20 brz lt 80/20 brz med silk & steel .012 .016 .025w .032w .042w .052w .013 .017 .026w .035w .045w .056w .012 .016 .025w .032w .042w .054w .013 .017 .026w .035w .045w .056w .0115 .014 .023w .028w .038w .047w .012 .016 .025w .032w .042w .054w .013 .017 .026w .035w .045w .056w Studio Performance Series MSP3050 80/20 brz cust lt MSP3100 80/20 brz lt MSP4050 phos brz cust lt MSP4100 phos brz lt MSP4150 phos brz lt-med MSP4200 phos brz med MSP4250 phos brz bluegrass .011 .015 .023w .032w .042w .052w .012 .016 .025w .032w .042w .054w .011 .015 .023w .032w .042w .052w .012 .016 .025w .032w .042w .054w .0125 .0165 .0255w .0335w .0435w .055w .013 .017 .026w .035w .045w .056w .013 .017 .026w .036w .046w .056w Studio Performance Lifespan Series – Cleartone Treated MSP6050 80/20 brz cust lt MSP6100 80/20 brz lt MSP6200 80/20 brz med MSP7100 phos brz lt MSP7200 phos brz med Folk Guitar Wound bass, nylon trebles – designed for steel string acoustics D’ADDARIO – 80/20 Bronze wound J33 LA BELLA – “Golden Alloy” wound L830 MARTIN M1400 M260 Wound basses, nylon trebles M160 silver-plated 80/20 brz clear nylon trebels .028 .032 .040 .031w .037w .045w black nylon trebels .028 .032 .040 .031w .035w .044w Marquis silk & steel .0115 .014 .023w .028w .038w .047w .028 .032 .040 .030w .035w .043w .028 .032 .040 .030w .035w .043w .011 .015 .023w .032w .042w .052w .012 .016 .025w .032w .042w .054w .013 .017 .026w .035w .045w .056w .012 .016 .025w .032w .042w .054w .013 .017 .026w .035w .045w .056w www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890

STRINGS Acoustic 12-String Guitar D’ADDARIO EXP38 EJ38 EJ41 coated phos brz xlt .010/.010 phos brz lt phos brz xlt D’ANGELICO 500M DA500PBL phos brz lt DEAN MARKLEY DMP22 brz lt DMP42 brz med lt 80/20 brz med .013/.013 .030w/.012 .039w/.018w .047w/.027w .010/.010 .014/.014 .014/.014 .030w/.012 .039w/.018 .047w/.027w .009/.009 .013/.013 .023w/.008 .023w/.008 .021w/.008 .029w/.011 .036w/.016 .045w/.026w .036w/.017 .046w/.026w .058w/.036w .012/.012 .017/.017 .016/.016 .009/.009 .012/.012 .014/.014 .014/.014 .018/.018 .026w/.012 .024w/.010 .032w/.016 .042w/.024w .054w/.032w .026w/.011 .036w/.018 .046w/.024w .011/.011 .020w/.009 .024w/.010 .030w/.014 .040w/.022w .050w/.030w DR DRRP/12 “rare” phos brz .010/.010 C12BA phos brz (low tune) .014/.014 phos brz (baritone) .012/.013 11150 Nano brz lt Poly brz lt heavy .024w/.009 .030w/.012 .039w/.018w .048w/.028w ELDERLY CUSTOM SETS from La Bella LBGS ELIXIR 11152 .025w/.025w .036w/.016 .045w/.019 .064w/.014 .018w/.018w .026w/.011 .034w/.016 .047w/.023w .070w/.034w .010/.010 GHS LOW TUNED GLK12 JOHN PEARSE JP1300L 80/20 brz lt LA BELLA 7GP12XL phos brz xlt MARTIN Standard Series M180 Marquis Series M1600 M2600 80/20 brz xlt Flexible Core Series MFX700 phos brz light 80/20 brz xlt phos xlt .030w/.012 .039w/.018 .047w/.027w .010/.010 .014/.014 .023w/.009 .014/.014 .023w/.009 .030w/.012 .039w/.018 .047w/.027w .013/.013 .010/.010 JP1450H phos brz (low-C#) .013/.013 .009/.09 .017/.017 .014/.014 .030w/.013 .040w/.017 .048w/.028w .056w/.039w .030w/.012 .039w/.018w .047w/.027w .017/.017 .023w/.010 .030w/.014 .039w/.018 .045w/.027w .056w/.035w .012/.012 .020w/.008 .028w/.012 .038w/.020 .048w/.026w .010/.010 .010/.010 .010/.010 Studio Performance Series MSP4600 phosbrz xlt .010/.010 MSP7600 coated phos xlt pure nkl lt .014/.014 .014/.014 .030w/.012 .039w/.018 .047w/.027w .010/.010 .014/.014 .014/.014 .023w/.008 .023w/.008 .030w/.012 .039w/.018 .047w/.027w JOHN PEARSE .030w/.012 .039w/.018 .047/.027 .010/.010 .030w/.012 .039w/.018 .047/.027 PYRAMID GOLD-SERIES FLATWOUND PG12 .010/.010 .012/.012 Classical Guitar With few exceptions, nylon string sets have plain nylon treble strings, bass strings of metal wound over silk. Except where indicated, the classical guitar strings we carry have traditional tie ends. AQUILA – Synthetic gut AALAN AALAS AALCS 700 900 J27H J45 J46 J44S EJ45C EJ46C EJ49 EJ50 EXP46 Alchemia - superior tension AUGUSTINE 500 D’ADDARIO J27N black low tension red high tension blue superhi tension silver plated bass, normal tension silver plated bass, hard tension normal tension hard tension extra-hard tension composite, normal tension composite, hard tension black nylon, normal tension Pro-Arte hard tension coated silver plated, hard tension Alabastro - normal tension Alabastro - superior tension .019w/.010 .030w/.013 .035w/.019 .0465w/.030w GHS 2050W 2390 2300 H815M H728M H728H 2001H 2001M 2001MH 10PH 520R 520P 520P3 540R 540RH tynex ball-end high med-high tension rollerwound basses med-high tension silverwound basses HANNABACH – Silver plated H815H high-tension med-tension med-tension high-tension LABELLA 411A silver-plated basses, gut trebles “Antique Set” hard tension med tension med/hard tension high tension “Professional Series” SAVAREZ 520B low tension high tension wound 2 and 3 high tension wound 3 high tension SAVAREZ ALLIANCE 540J superior high tension high tension polished brass high More classical strings in stock by Galli, Oasis, Sevilla, Ramirez and Thomastik – See them all at elderly.com .0014/.014 .023w/.008 .0014/.014 .023w/.010 C6 Tuning – 8-String JP7650 nickel .011 .014 .018 .024w .030w .036w .046w .056w D Tuning – 6-String Weissenborn JP3150H phos .017 .022 .027w .045w .054w, .068w .023w/.010 .030w/.012 .039w/.018 .047w/.027w .025w/.010 .032w/.012 .042w/.018 .054w/.027w Lap Steel Guitar ASHER – Open tuning lap steel AH614 EH615 GHS – Nickel roundwound GLSE GLSC6 GLSG GLS8 E9 tuning C6 tuning phos brz med .014 .017 .028w .036w .046w .056w nickel med .014 .018 .022. 034w .046w .058w 015, 017, 022, 026, 030w, 036w G tuning 6-string .016 .018 .026 .040w .050w .058w G tuning 8-string .012 .016 .018 .022w .028w .032w .038w .050w .015 .018 .028w .038w .048w .058w Resonator Guitar BEARD – Special thick core 3rd string BR78 BR79 BR80 phos brz phos brz BLACK DIAMOND N780 phos brz N780FS Ferrell Stowe D’ADDARIO EXP42 FT13 J42 DUNLOP DLP3207 phos brz GHS G Tuning – 6-String GCRS GCRS2 1600 stainless steel stainless steel SH1600 coated brz TS1600 Scheerhorn PL1650 Phil Ledbetter .018 .020 .030w .038w .048w .056w .018 .020 .030w .036w .046w .056w semi-flat, blgrass .016 .018 .028w .036w .046w .056w .017 .019 .028w .036w .046w .056w .017 .019 .028w .036w .046w .056w .016 .018 .028w .036w .044w .056w PB1650 phos brz round .016 .018 .028w .036w .046w .056w SF1650 phos brz semi-flat .016 .018 .028w .036w .046w .056w JOHN PEARSE G Tuning – 6-String JP3000 nickel acou/elec .016 .018 .028w .038w .049w, .059w JP3050 nickel acou/elec .018 .018 .026w .038w .048w, .059w JP3100 phos brz .016 .018 .027w .039w .049w, .059w Roundneck – Spanish Style JP790 phos brz MARTIN M980 .013 .017 .026w .036w .046w .056w nickel, bluegrass .016 .018 .026w .036w .046w .056w .017 .019 .028w .036w .045w .056w .018 .020 .029w .036w .045w .056w G tuning 8-string .016 .018 .028w .032w .035w .045w .056w .060w .016 .018 .028w .036w .046w .056w .017 .019 .028w .036w .044w .056w phos brz coated .016 .018 .026w .035w .045w .056w phos brz semi flat .016 .019 .028w .036w .044w .056w phos brz .016 .018 .026w .035w .045w .056w .016 .018 .028w .036w .046w .056w ELIXIR – Polyweb coating 11125 .016 .018 .028w .035w .045w .056w 73 www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890

www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890 74 STRINGS Electric 6-String Guitar BLACK DIAMOND BD477L BD200L light, nickel alloy pure jazz light D’ADDARIO EXL1103D EXL115 EXL120 EXL1203D EXL120P 3 SETS nickel lt nickel jazz/rock EXL115W nickel blues/jazz EXL1153D 3 SETS nickel xlt nkl, super lt plus nickel lt reg lt EPN115 Hex core J21 J22 blues/jazz rock nickel, lt nickel, jazz med nickel, reg lt steel, lt lt jazz .010 .013 .017 .026w .036w .046w .012 .016 .024w .032w .042w .052w .010 .013 .017 .026w .036w .046w .011 .014 .018 .028w .038w .049w .011 .014 .021w .028w .038w .049w 3 SETS nickel jazz/rock .011 .014 .018 .028w .038w .049w nickel xlt Coated EXP – tin-plated plain steels EXP110 Pure nickel EPN110 .009 .011 .016 .024w .032w .042w .009 .011 .016 .024w .032w .042w .0095 .0115 .016 .024w .034w .044w .010 .013 .017 .026w .036w .046w .010 .013 .017 .025w .035w .045w .011 .014 .018 .027w .037w .048w .012 .016 .024w .032w .042w .052w .013 .017 .026w .036w .046w .056w Soldered Twists – reinforced for vibrato tailpieces EKXL110 Heat-Treated Half-Wound EHR370 Flatwound Chromes for smooth jazz tone CG24 NYXL1046 super lt reg lt reg lt .010 .013 .017 .026w .036w .046w .011 .014 .018 .028w .038w .049w .011 .015 .022w .030w .040w .050w New! NYXL Flexsteel high-carbon steel core NYXL0942 .009 .011 .016 .024w .032w .042w .010 .013 .017 .026w .036w .046w Prosteels – Special alloy, D’Addario’s brightest and most magnetic EPS510 .010 .013 .017 .026w .036w .046w DEAN MARKLEY – Roundwound nickel DME17 DME20 DM2552 DM2562 DR DRE10 DRE11 DRPHR10 DRPHR11 DRBB10 DRNWE10 regular lt med nkl “Blue Steel” lt .010 .013 .017 .026w .036w .046w .011 .013 .020w .030w .042w .052w .009 .011 .016 .024w .032w .042w nkl “Blue Steel” med .011 .013 .020w/.018 .030w .042w .052w nickel lt nickel extra hvy Pure Blues med .010 .013 .017 .026w .036w .046w .011 .014 .018 .028w .038w .050w .010 .013 .017 .026w .036w .046w Pure Blues heavy .011 .014 .018 .028w .038w .050w Black Beauties med .010 .013 .017 .026w .036w .046w Neon White med .010 .013 .017 .026w .036w .046w ELIXIR — Thin coating for long life, bright tone 12002 12052 12102 Nanoweb ex-light Nanoweb light Nanoweb med ERNIE BALL SLINKY 2215 nickel lt-hvy 2251 EB20 EB21 EB22 EB23 EB2626 EB2723 classic nickel reg hybrid nickel super nickel reg slinky .009 .011 .016 .024w .032w .042w .010 .013 .017 .026w .036w .046w .011 .014 .018 .028w .0385w .049w .010 .013 .017 .030w .042w .052w .010 .013 .017 .026w .036w .046w power nickel med .011 .014 .018 .028w .038w .048w reg nickel .010 .013 .017 .026w .036w .046w .009 .011 .016 .026w .036w .046w .009 .011 .016 .024w .032w .042w custom for detuning .012 .016 .024 .032w .044w .056w Iron/cobalt alloy – stronger magnetic properties EB2721 super slinky FENDER® 150M 150R 150L 250R 3150L 3150R 3250L 3250R .010 .013 .017 .026w .036w .046w .009 .011 .016 .024w .032w .042w pure nickel med .011 .014 .018 .028w .038w .049w pure nickel lt nickel reg lt Dynamax reg nickel lt nickel reg nickel steel lt nickel steel reg GHS Boomers – nickel roundwound GBXL x-light GBCL GBL GB105 GBM GBH CBGBM CBGBTNT CRGBL BNRL custom lt light light plus med heavy custom lt med .009 .011 .016 .024w .032w .042w .009 .011 .016 .026w .036w .046w .010 .013 .017 .026w .036w .046w .0105 .0135 .017 .026w .038w .048w .011 .015 .018 .026w .036w .050w .012 .016 .019 .028w .038w .052w Coated Boomers – nickel roundwound CBGBCL thin-thick extra light light .009 .011 .016 .026w .036w .046w .011 .015 .018 .026w .036w .050w .010 .013 .017 .030w .044w .052w Sub-Zero Boomers – cryogenically treated CRGBXL Burnished Nickel BNRXL .019 .011 .016 .024w .032w .042w .010 .013 .017 .026w .036w .046w extra light, polished .009 .011 .016 .024w .032w .042w light, polished .010 .013 .017 .026w .036w .046w David Gilmour Custom Gauge Boomers DGF Blue, Strat® light Nickel Rockers – semi-flat RRL RRM medium Brite Flats – Alloy 52 720M light nickel medium Nickel Precision Flatwound 800S extra light 710S JP2500 brite flat light jazz medium medium set, lt .010 .012 .016 .028w .038w .048w .010 .013 .017 .026w .036w .046w .011 .015 .018 .026w .036w .050w .011 .014 .022w .028w .038w .050w Progressives “Alloy 52” nickel PRL .010 .013 .017 .026w .036w .046w .011 .014 .022w .028w .036w .046w .010 .013 .017 .026w .036w .046w JOHN PEARSE – EZ Bend nickel-plated steel JP2700 LA BELLA Roundwound – bonus sets with extra 1st and 2nd strings LELR LELJL 800M HRSMB HRSLTHB nickel regular nickel jazz Black Nylon Tape Wound 800L light medium regular medium blues .010 .013 .017 .026w .036w .046w .012 .016 .024w .032w .042w .052w .012 .015 .028w .038w .048w .056w .014 .018 .036w .046w .056w .067w HRS Series – hand-wound nickel HRSR PYRAMID Nickel Classics – silvered trebles P450 light P451 P451/5 P453 P454 P455 PMPRM PG12 medium regular special med/heavy jazz special light med light .010 .013 .017 .026w .036w .046w .011 .014 .018 .028w .038w .052w lt top / hvy bottom .010 .013 .017 .030w .042w .052w .012 .016 .024w .032w .042w .052w .010 .013 .017 .026w .036w .046w .019 .012 .016 .022w .032w .042w .010 .013 .017 .026w .036w .046w .010 .013 .017 .028w .038w .048w .010 .013 .017 .030w .042w .052w .012 .016 .022w .032w .044w .054w .011 .014 .018 .028w .038w .048w Max Performance – silver-plate trebles PMPRL Pyramid Gold flat – German-made PG6XL 12-str elec light ROTOSOUND Nickel wound RS010 RSR11 .010 .013 .017 .026w .036w .046w .010 .013 .017 .026w .036w .046w .010 .013 .017 .026w .036w .046w .009 .011 .016 .024w .032w .042w .010 .013 .017 .026w .036w .046w .009 .011 .016 .024w .032w .042w .010 .013 .017 .026w .036w .046w Great selection and low prices Check out our web site for quantity discounts and special sales www.elderly.com SIT SS1046 SS1052 SS1252 SS942 SS946 .010 .013 .017 .026w .036w .046w .011 .014 .018 .028w .038w .048w .010 .013 .019w .030w .035w .0465w .010/.010 .012/.012 .010/.019w .013/.030w .019/.035w .030W/.0465w Yellows, regular Reds, medium Flatwound – monel steel RS200 jazz gauge nickel, light .010 .013 .017 .026w .036w .046w .011 .014 .018 .028w .038w .048w .012 .016 .024w .032w .042w .052w nickel, hvy bottom .010 .013 .017 .030w .042w .052w nickel, jazz lt nickel, x-light nickel, lt THOMASTIK-INFELD George Benson Jazz Series – brass-plated steel trebles GB112 GR112 Super Alloy IN110 Bebop BB113 Flatwound JS111 JS112 Jazz Swing Series – warm jazz tone JS113 med med Sliders Blues SL195 med med flatwound light flatwound med lt .012 .016 .020w .028w .039w .053w flatwound medium .012 .016 .020w .030w .038w .053w .013 .017 .021w .028w .039w .053w .010 .013 .017 .026w .036w .046w .010 .013 .016 .028w .037w .048w .013 .017 .021w .030w .038w .053w .011 .015 .019w .025w .035w .047w flatwound medium .012 .016 .020w .027w .037w .050w .010 .013 .017 .026w .036w .046w .012 .016 .024w .034w .044w .052w .009 .011 .016w .024w .032w .042w .009 .011 .016 .026w .036w .046w

STRINGS Electric Bass EFX170 regular light Nickel roundwound EXL170 med. light EXL1705 5-string med. light EXL165 medium 4-string med. light D’ADDARIO New! Flex Steels – Textured roundwound EFX165 lt top / med bottom .045 .065 .085 .105 .045 .065 .080 .100 .045 .065 .080 .100 .045 .065 .080 .100 .130 .045 .065 .085 .105 Half Rounds - Heat-treated nickel ENR71 ProSteels - Piano-like tone EPS165 4-string regular 4-string regular 4-string regular Tapewound - Black nylon ETB92 DR Hi Beam Steel – Roundwound DRBM medium .045 .065 .085 .105 Low Rider - Hex core, roundwound DRMH45 medium regular slinky, reg hybrid slinky, med super slinky, med-lt .045 .065 .085 .105 ERNIE BALL — Nickel, roundwound 2832 2833 2834 .050 .070 .085 .105 .045 .065 .085 .105 .045 .065 .080 .100 FENDER® 9050ML stainless steel flatwnd lt .050 .065 .085 .100 9050M stainless steel flatwnd med .055 .071 .088 .104 8250M nickel taperwound med .045 .065 .085 .110w 9120M nylon tape .058 .072 .092 .110 elderly.com Even more bass strings at Banjo BILL KEITH BKB4 BKS4 N735 J60 J60P J61 J63 J63I J57 JS57 JS60 nickel, lt. nickel, med D’ADDARIO J55 tenor lt irish tenor, nickel nickel, custom medium stainless, med stainless, lt DEAN MARKLEY DMB04 steel, med-lt lt DBMED med DBTB DBIT DB6S 11650 GHS PF135 PF140 PF145 PF150 PF155 PF160 PF170 PF175 PF180 PF185 PF210 PF220 CTB Terry Baucom DBTEN Tenbrooks DBP Irish tenor 6-string light medium J. D. Crowe, Stage lt J. D. Crowe, Studio lt stainless med phos brz 4th, lt stainless, custom lt phos brz 4th, med stainless, lt DBTENOR standard tenor plectrum phos brz, med nickel, lt nickel, lt-plus nickel med (5-string steel unless noted) bronze wound, med lt. BLACK DIAMOND N730 .011 .011 .015 .022w .011 stainless steel wnd, med lt. .011 .011 .015 .022w .011 .010 .012 .014 .022w .010 .011 .013 .015 .024w .011 .010 .012 .016 .023w .010 .009 .010 .013 .020w .009 .0095 .011 .013 .020w .0095 .010 .012 .016 .023w .010 .009 .016 .023w .030w .012 .016 .024w .036w .011 .012 .013 .022w .011 .011 .012 .013 .022w .011 .010 .011 .012 .020w .010 .010 .013 .015 .024w .010 DEERING – Durable high-grade steel DBL .010 .011 .013 .021w .010 .010 .012 .016 .024w .010 .011 .011 .013 .020w .011 .011 .012 .013 .022w .011 .010 .016 .024w .036w .010 .012 .016 .024w .012 .018w .28w .038w .010 .013 .017 .026w .034w .046w ELIXIR — Polyweb coated bronze 11600 .009 .010 .013 .020w .009 .010 .012 .016 .023w .010 .010 .011 .012 .020w .010 .0095 .011 .012 .020w .0095 .010 .012 .013 .022w .010 .010 .012 .014 .022w .010 .010 .011 .0125 .020w .010 .011 .013 .016 .026w .010 .009 .011 .013 .020w .009 S. Osborne, stainless, med-lt .011 .012 .013 .022w .011 stainless, med .0105 .012 .020w .028w .014 .024w .032w .042w extra long, almost medium .0105 .0115 .013 .020w .0105 tenor (4-str), phos brz, lt tenor (4-str), stainless, lt celtic tenor, stainless, lt .011 .013 .016 .024w .010 .009 .012 .022w .028w .045 .065 .080 .100 .045 .065 .085 .105 Flatwound Chromes - Warm, mellow tone ECB81 .045 .065 .080 .100 .050 .065 .085 .105 (long scale unless noted) GHS Boomers — Nickel roundwound L3045 light ML3045 M3045 3035 6MLDYB 5LDYB 5MDYB med-lt medium short scale, med 6-string 5-string light 5-string medium GHS Precision Flatwound 3020 short scale light M3050 Tapewound – Black nylon T3060 medium med-lt M3075 M7200 medium Pressurewound ML7200 med-lt medium med-lt, long scale plus LA BELLA light 760FS 760FHB2 760FM 7676F 750T RS66LD SIT S4500 S4505 .040 .055 .075 .095 .045 .065 .080 .100 .045 .065 .085 .105 .050 .070 .090 .107 .030 .045 .065 .080 .100 .126 .040 .055 .075 .95 .120 .045 .065 .085 .105 .130 .045 .060 .075 .095 long scale plus medium .045 .065 .085 .105 .050 .070 .090 .105 Brite Flats — Ground roundwound nickel ML3075 .052 .065 .084 .103 .049 .062 .084 .108 .044 .058 .080 .102 .044 .062 .084 .106 Super Steels – Stainless steel roundwound ML5000 .044 .063 .080 .102 Deep Talkin‘ — Flatwound 760FL standard for Hofner Beatle Bass 760FL-MUS light, for Fender® 0760M 6-string, high C Tapewound 750N black nylon light transparent nylon light ROTOSOUND RB45 Roto Bass medium Swing Bass standard Power Wound light GHS – 6-String Banjo PF120 stainless, lt MustangTM .043 .060 .082 .104 .045 .065 .085 .105 .039 .056 .077 .96 .043 .060 .082 .104 “Jamerson” set, medium .052 .073 .095 .110 medium .049 .069 .089 .109 .026 .035 .044 .56 .75 .95 .050 .065 .085 .105 .050 .065 .085 .105 .045 .065 .085 .105 .045 .065 .080 .105 .045 .065 .080 .100 Power Wound medium .045 .065 .085 .105 75 .011 .014 .018 .024w .034w .042w GHS – 5-String set with ball-ends PF130 stainless, lt JOHN PEARSE JP1700L bronze 4th, lt JP2020H tenor 80/20 heavy OME OBS5H heavy OBS5M medium OBS5L light OBST jazz (tenor) VEGA V700 V730 V720 lt med tenor (4-string) .010 .012 .014 .022w .010 .009 .010 .013 .020w .009 JP1800M nickel 4th, med xtra-long .010 .012 .016 .023w .010 JP1900 Hartford nickel G tuning .010 .012 .014 .022w .010 JP1950 Hartford nickel D tuning .012 .014 .020w .024w .012 JP2010M tenor 80/20 med .012 .016 .026w .038w .013 .020w .028w .040w .011 .013 .018 .026w .011 .010 .012 .014 .022w .010 .011 .013 .018 .026w .011 .011 .013 .22w .29w .009 .010 .013 .020w .009 .010 .012 .016 .023w .010 .009 .016 .023w .030w Synthetic gut and nylon sets AQUILA – Nylgut synthetic gut Minstrel ANGMB heavy tension, lower D- or E-tuning Classical A1BR New version 1B Nylgut set with Red Series 4th string A2BR New version 2B Nylgut set with Red Series 4th string A11B normal tension, all Red Series set Banjo Uke ANBU Standard soprano uke tuning CHRIS SANDS – Nylon, for “Classical Banjo” CS50L lt CS50M med CS50H heavy LA BELLA – Nylon, silver-plated wound L17 lt 019 022 028 025w 019 www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890

www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890 76 STRINGS Mandolin BLACK DIAMOND – Silver-plated N762 silver plated, extra light N774 N774B D’ADDARIO EXP74 EXP75 EXP77 J73 J74 phos brz, lt phos brz, med-lt JS74 J75 J62 FT74 FW74 stainless steel, med-lt phos brz, med 80/20 bronze, lt flattop phs brz, med ultra-smooth steel, med Ball-End EJ70 DR DRML phosphor bronze, light rare phos brz lt DRMM rare phos brz med DRMH rare phos brz hvy DUNLOP DLP1618 phos brz medium bronze, light 11525 GHS A240 A250 A260 A270 LS250 PF250 PF270 bronze, medium phos brz ultra lt phos brz lt LSB250 silk & bronze lt silk & steel lt bronze med-lt bronze med PFBM p.brz lt wound ball end JOHN PEARSE JP2050L phosphor bronze, light JP2100M 80/20 bronze, med JP2150M phosphor bronze, med .0095 .012 .022w .035w phosphor bronze, medium .011 .015 .026w .040w black coated phos, med .011 .015 .026w .040w coated phos brz, med .011 .015 .026w .040w coated phos brz, med-hvy .0115 .016 .026w .041w coated 80/20 brz, med .011 .015 .026w .040w .010 .014 .024w .038w .011 .015 .026w .040w .011 .015 .026w .040w .0115 .016 .026w .041w .010 .014 .024w .034w .011 .015w .026w .039w .011 .015 .026w .036w .011 .015 .024w .038w .010 .014 .024w .036w .011 .015 .026w .040w .012 .016 .028w .042w .011 .015 .026w .040w ELIXIR – Nanoweb coating for longer life 11500 .010 .014 .024w .034w .011 .015 .026w .040w .009 .013 .020w .032w .010 .015 .024w .036w phos brz Bobby Osborne .011 .016 .024w .038w phos brz med .011 .016 .026w .040w .011 .016 .026w .040w .011 .016 .026w .038w .011 .016 .024w .038w .011 .016 .026w .040w .010 .015 .024w .036w .010 .012 .024w .036w .011 .014 .025w .039w .011 .014 .026w .040w LABELLA 770L 880L MARTIN M400 silver-plated lt 770M silver-plated med bronze lt 880M bronze med bronze lt 450M 80/20 brz bluegrass .009 .012 .021w .036w .010 .014 .024w .038w .009 .012 .021w .036w .011 .015 .024w .038w .010 .014 .024w .034w .011 .014 .024w .038w SIT — The “Stay-In-Tune” Strings SM1036 phosphor bronze, light SM1140 phosphor bronze, med light medium heavy .010 .015 .024w .036w .011 .015 .026w .040w THOMASTIK-INFELD — Flat, chrome/steel 154-L 154-M 154-H 154K light / ball-end WYRES WTMP1036 coated phos brz med .010 .013 .023w .034w WTMP1141 silver-plated 80/20 brz lt .009 .012 .021w .031w Other Mandolin Family Electric Mandolin E250 J67 2250L GHS, stainless steel light .010 .015 .024w .032w , nickel-plated med .011 .016 .026w .040w Mandola FT76 J76 J72 PF280 D’Addario, nickel elec/acou, med-lt .011 .014 .025w .039w Fender® D’Addario, semi-flat phos brz .016 .024w .035w .053w D’Addario, phos brz med-heavy .015 .025w .035w .052w D’Addario, phos brz light .014 .023 .034w .049w GHS, bright bronze, light .012 .024 .034w .048w JP2250 John Pearse, phos brz .012 .024w .034w .048w 164 Octave Mandolin GOMPB GHS, phos brz .012 .022w .032w .044w J80 JP2280 John Pearse, phos brz .012 .021w .032w .045w 174L Mandocello J78 GMBS D’Addario, phos brz .012w .022w .032w .048w Thomastik-Infeld, chrome flatwound, light tension 174M Thomastik-Infeld, chrome flatwound, med tension D’Addario, phos brz .022w .034w .048w .074w Mando-Banjo GMB GHS, phos brz x-light .008 .010 .018w .024w GHS, stainless steel .008 .010 .018w .026w More thanks for 20+ years at Elderly Jill Messing Doug McWhirter John Jozwiak Anthony Marsala Employee Since 1980 Employee Since 1994 Carrie Rowe Chris Rietz Jerry Patterson Employee Since 1987 Juan Lopez Employee Since 1988 Melanie Kennicott Employee Since 1991 Paul Schotzko Thomastik-Infeld, chrome flatwound, medium tension .009 .013 .019w .028w .009 .014 .020w .031w .011 .015 .021w .034w .009 .014 .020w .031w Aaron Sawdy Employee Since 1988 Employee Since 1979 Employee Since 1987 Employee Since 1991 Employee Since 1987 Employee Since 1992

STRINGS Violin (sets and singles) BLACK DIAMOND N719 4/4 set, steel, medium N7207 4/4 set, chromium wound, medium D’ADDARIO Prelude J810 Perlon core J56 Helicore H310 H311M H312M H313M J5804 H310H H310W 4/4 set, medium tension 4/4 set medium tension 4/4 set medium tension E single, medium A single, medium D single, medium C single, medium for 5-string Violins 4/4 set, heavy tension 4/4 set, medium tension, aluminum wound E Zyex - Composite fiber core DZ310 4/4 set, medium tension EVAH PIRAZZI - Incredible life and dynamic range 4190 4/4 set, plain steel E, alum wnd A, silver wnd D and G JOHN PEARSE - Artiste (Perlon, warmth of gut) JP3500 4/4 set PYRAMID - Excellent tone and timbre PVA100 PVG108 PV113 PV116 4/4 set, Precision drawn steel 4/4 set, Ultraflex Series PRIM – Swedish chromesteel, flatwound, plain E PRIM-SET 4/4 set SUPER SENSITIVE – Steel SS100S 4/4 set, soft SS100M S101E S101A S101D S101G SS100H SS75 SS50 SS25 SS240 4/4 set, medium E single, medium A single, medium D single, medium G single, medium 4/4 set, heavy 3/4 set, medium 1/2 set, medium 1/4 set, medium Old Fiddler, 4/4 set, med THOMASTIK-INFELD – Sets and singles TRS300 TR301 TR302 TR303 TR304 TDS15 TDE15 TDA15 TDD15 TDG15 1R-100-SET 1R-01-E 1R-02-A 1R-03-D 1R-04-G 1B-100-SET 1B-01-E 1B-02-A 1B-03-D 1B-04-G Viola D’ADDARIO H410MM Helicore set, medium tension SUPER SENSITIVE S125 set, medium Bass Violin D’ADDARIO H610 LABELLA 1006 LB7710 Orchestral set, nickel wound Helicore set, Supernil, nylon core, 3rd and 4th silver-plated set, Tapewound, black nylon ropecore ROTOSOUND RS4000 set, nylon on nylon, monel (nickel alloy) on nylon SUPER SENSITIVE SS8107 set, steel Cello strings also available online at elderly.com Tenor Guitar J66 BTGS JP450L D-Addario 80/20 brz .010 .014 .022w .032w Custom Breedlove, coated phos .013 .023w .035w .045w John Pearse, 80/20 brz, .013 .020w .030w .042w Requinto RQ80 2400 Sitar ST30 Tiple TPL La Bella nylon, silver-plated wound GHS, ground trebles, silver-wound basses La Bella 18-string GHS 85/15 Bronze 10-string “Ropecore” 4/4 set E single A single D single G single “Dominant” 4/4 set, perlon E single A single D single G single “Red” 4/4 set E single A single D single G single “Blue” 4/4 set E single A single D single G single Greek Bouzouki BZ50 BZ8 RS70 Irish Bouzouki J81 GIBL GIBM Charango ACH DMC1 M1230 M1240 Labella, steel 3x.010, 3x.013, .021w, .031w GHS silver, 3x.011, 3x.014, .022w, .028w Rotosound 3x.011 2x.014 .024w .015 .030 D’Addario, phos brz .011, .016, .028w, .040w GHS, phos lt 3x.010, 2x.015, .016 .024w, .036w GHS, phos med 3x.011, 3x.016, .028w, .040w Aquila, 10 strings (5 pairs), synthetic Nylgut Daniel Mari, 10 strings (5 pairs), black nylon Medina, 10 strings (5 pairs), black nylon Medina, 10 strings (5 pairs), microwound Cuatro CPR10 700C C11 PC663 PC664 Oud AAO13 OU80 OU80A GHS, Puerto Rican 10-string, silver basses La Bella, Puerto Rican La Bella, S. American 4-string, nylon Pyramid, clear nylon Pyramid, clear nylon, heavier tension Aquila, 11-string Arabic tuning La Bella, 11-string nylon, silver-plated wound La Bella, 12-string Arabic tuning P650W Pyramid, 10-string .028 .031 .024w .029w .032w P650LC Pyramid, 11-string .028 .031 .024w .029w .032w .043w 4/4 set, polished aluminum wound on steel core 4/4 set, Gold Series, polished nickel wound, steel core Specialty Sets We carry string sets for most every stringed instrument imaginable Acoustic Bass Guitar EPBB170 D’Addario, 4-str phos brz, med .045 .065 .080 .100 8060 Fender®, 34” scale 4-str phos brz 045 065 080 100 MSP4800 Martin, 4-str phos brz .045 .065 .080 .100 MSP4850 Martin, 4-str phos brz .045 .065 .085 .105 RS445LD Rotosound, 5-str brz .045 .055 .085 .105 .130 Bajo Quinto J85 LBX100 2095QN Dean Markley, 10-string 8/20 brz BSX10 D’Addario, 10-string phos brz GHS, 10-string stainless steel Labella 10-string stainless steel SBX10B SIT Candelas Signature 10-string phos brz SBX10N SIT Candelas Signature, 10-string nickel plated Bajo Sexto J86 Balalaika BL90 EXL158 BRS 11306 11308 12302 BARI BGEL 2096SX Dean Markley, 12-string 8/20 brz BSX12 D’Addario, 12-string phos brz GHS, 12-string stainless steel La Bella, 6-string, 2x.008 2x.010, 2x.012 Baritone Guitar EXP23 D’Addario, 6-string, Coated phos brz D’Addario, nickel lt, .013 .017 .026w .036w .046w .062w D’Addario, for Resonator 6-string, phos brz Elixir, 6-string, Nanoweb Elixir, 8-string, Nanoweb Elixir, 6-string Electric, anti-rust steel GHS, phos brz, .014 .018 .028w .038w .050w .060w Labella, 6-string Electric, nickel-plated lt BEGM Labella, 6-string Electric, nickel-plated med MSP7700 Martin SP Lifespan, 6-string, coated phos brz Dulcimer (Appalachian) J64 D20S M640 D’Addario, nickel, .012, .012, .014, .022w GHS, stainless steel, .012, .012, .012, .020w D20BMS GHS, phos brz, .012, .012, .014, .024w JP5000 John Pearse, 80/20 brz, .009 .010 .012 .023w Martin, nickel, .012, .012, .012, .022w 77 www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890

www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890 78 STRINGS Ukulele AQUILA Synthetic Nylgut: the closest to genuine gut we’ve heard ANSR ANSG ANS5 ANBU ANCR A55UR ANCG ANC5 ANCG2 ANTRP A13UR ANLU ANT8 ANB6 ANBP ANB ANB8 soprano, standard tuning, all plain soprano, low G tuning, wound 4th soprano, 5ths tuning, wound 4th banjo uke, standard tuning, all plain concert, standard tuning, all plain concert, standard tuning, Red 3rd concert, low G tuning, wound 4th concert, 5ths tuning, wound 3 & 4 concert, low G tuning, wound 3 & 4 tenor, standard tuning, all plain ANTGW tenor, low G tuning, wound 4th ATHDR tenor, Lili’U 6-string set tenor, 8-string set baritone baritone, C tuning, all plain baritone, G tuning, wound 3 & 4 baritone,8-string, wound 3 & 4 Bionylon – Warm, mellow tone ABS57 ABS58 ABC59 ABC61 ABC60 ABT63 ABT65 A84U A85U A86U A87U A88U A89U A90U soprano, standard tuning, all plain soprano, low G tuning, wound 4th concert, standard tuning, all plain concert, standard tuning, wound 3rd concert, low G tuning, wound 4th tenor, standard tuning, all plain tenor, low G tuning, wound 4th Red Series – Bright, powerful response A83U soprano, standard tuning soprano, low G tuning (plain 4th) concert, standard tuning concert, low G tuning (plain 4th) tenor, standard tuning tenor, low G tuning (plain 4th) baritone, wound 3 & 4 banjo uke, standard tuning Red Series Singles AR70 AR71 AR72 AR73 AR74 4th plain for low G soprano 4th plain for low G concert 4th plain for low G tenor 3rd plain for baritone 4th plain for baritone Bass Ukulele Sets ABU68 AQUBR Thundergut Silver Rumblers Uke History, Songbooks and More Book – The Martin Ukulele by Tom Walsh and John King The little instrument that helped create a guitar giant. Hundreds of full color photos. 49-109376 Book – The Daily Ukulele by Liz and Jim Beloff A massive collection! Each includes 365 wellknown songs in easy ukulele arrangements. 49-240356 . . . . . . Volume 1 49-240681 . . . . . . Volume 2 Book/CD Set – 50 Easy Uke Chord-Solos by Gerry Long Getting started with chord-soloing. 50 solos and various exercises. 707-1 AUTOHARP® is a registered trademark of the Oscar Schmidt Co. Autoharp® String Sets “A-MODEL” STRINGS - Loop-end strings fit over pins on the bridge. Used on most pre-1967 Autoharps and the recent OS73B and OS73C. “B-MODEL” STRINGS - Ball end strings. An aluminum bridge (string anchor) is inset in the top of the body (most post-1967 instruments). Strings fit into slots in bridge. Also used for fine tuning systems. OSCAR SCHMIDT OSA OSB A-model B-model Single strings also available! FLADMARK FMK1A FMK2A FMK1B A-model for Reissues A-model (most pre-1967) B-model (most post-1967) 707-1 158-92 Pedal Steel D’ADDARIO DPS490 E9 tuning, ProSteels DPS500 C6 tuning, ProSteels ERNIE BALL EB02 EB01 E9 tuning, nickel C6 tuning, nickel Shop from our complete inventory at GHS PF500 E9 tuning, pure nickel PF550 C6 tuning, pure nickel SIT EME9 ST12 E9 tuning, nickel alloy universal set, 12-string Powerwound SHOE9 E9 tuning, nickel SHOC6 C9 tuning, nickel EMC6 C6 tuning, nickel elderly.com tenor, standard tuning, Red Series 3rd tenor, High-D tuning, Red Series 3rd BLACK DIAMOND N54 soprano, white nylon D’ADDARIO J65U J53 J92 J71 J54 J68 EJ87C EJ87T EJ87B soprano, clear nylon concert black nylon concert Pro Arte clear nylon tenor, clear nylon tenor black nylon baritone, clear nylon, silver wound 4 Titanium – Great volume and clarity EJ87S soprano, translucent purple, all plain concert, transluces purple all plain tenor, translucent purple, all plain baritone, purple trebles, wound 3 & 4 Nyltech – Developed with Aquila for soprano, cream, all plain a warm, punchy tone EJ88S EJ88C EJ88T EJ88B concert, cream, all plain tenor, cream, all plain baritone, cream, wound 3 & 4 FREMONT Polished for squeak-free tone SOLO soprano or concert, hard tension tenor STRFTG STR-FG GHS Nylon 10UKE 10HUKE 100UKE GH20 GHT20 GHT20F clear nylon Hawaiian uke, black nylon baritone uke, black nylon Fluorocarbon for sweeter tone G20 soprano/concert D-tuning soprano/concert C-tuning tenor, wound 3rd tenor for fingerstyle, wound third KAMAKA KS1 KS1G KS2 KS3 KS4 standard and concert uke concert uke, low G tuning tenor uke baritone uke 6-string tenor uke Book/2-CD Set – Ukulele Jazz by James Hill 12 jazz standards with lyrics, melody, chords, and a technique tutorial for each song. 158-92 49-109376 49-240356 tenor, low G tuning single low G for soprano/ concert STRFMG soprano or concert low G tuning STR-FT soprano, concert or tenor, wound G Blackline – Black fluorocarbon STR-FM soprano or concert, medium tension STR-FH KO’OLAU ‘Alohi – Hard microfilament for a bright and strong tone KAS KAS4 KACP KAC4 KAT KAT3 KAT4 KAT34 KABP KMSP KMC KMC4 KMT KMT3 KMT4 KMT34 KMB KSLG KCS KCLG KTS KTW3 KTW4 KTW34 KBS soprano, standard tuning, all plain soprano, low G tuning, wound 4th concert, standard tuning, all plain concert, low G tuning, wound 4th tenor, standard tuning, all plain tenor, standard tuning, wound 3rd tenor, standard tuning, wound 4th tenor, wound 3rd & 4th baritone, wound 3 & 4 Mahana – High quality clear nylon KMS4 soprano, low G tuning, wound 4th soprano, standard tuning, all plain concert, standard tuning, all plain concert, low G tuning, wound 4th tenor, standard tuning, all plain tenor, standard tuning, wound 3rd tenor, standard tuning, wound 4th tenor, standard tuning, wound 3 & 4 baritone, wound 3 & 4 Gold Series – Gold nylon KSS soprano, standard tuning soprano, low G tuning concert, standard tuning, all plain concert, low G tuning tenor, standard tuning tenor, standard tuning, wound 3rd tenor, low G tuning, wound 4th tenor, standard tuning, wound 3 & 4 baritone, standard tuning, wnd 3 & 4 LA BELLA Uke-Pro Series – Rectified nylon LB200 soprano, standard tuning LB100 LB12 LB13 LB25 concert and tenor, standard tuning tenor, standard tuning, wnd. 3 banjo-uke, standard tuning wnd. 3 baritone uke, stand. tuning, wnd. 3, 4 MARTIN M600 M620 M630 standard uke, clear nylon tenor, clear fluorocarbon baritone uke, clear nylon, wnd. 3 & 4 WORTH - Long enough to cut and make two sets Clear fluorocarbon WSCH all ukes, heavy WSCHLG WSCF WSCM5 WSCL WSCM WSCD WSCTLG WSC6 WSC8 WSBM WSBS WSBMLG WSBSLG WSBF WSBT WSBTLG WSBB WSB6 all ukes, heavy, low G WSCHLGEX all ukes, heavy, low G (heavier 4th than above set) WSCH5 soprano or concert, high G hard soprano or concert, “fat” gauge soprano or concert, high G med concert, light concert, medium concert, hard WSCMLG concert, low G WSCT tenor tenor, low G WSCHLGHD tenor, low G, heavy tension WSCTLGEX tenor, low G, extra-thick WSCB baritone for 6-string uke for 8-strung uke Brown fluorocarbon WSBL soprano, light soprano, medium soprano, hard soprano, low G soprano, hard, low G soprano or concert, “fat” gauge tenor tenor, low G baritone for 6-string uke

PICKS Flatpicks BRAND/ COLOR shell only Unless otherwise noted, all flatpicks are sold by the dozen or greater quantities only GAUGE STOCK # FENDER® standard shape, plastic – see color codes below all colors thin all colors medium all colors heavy ex-heavy thin medium FPCCE-(color)-T FPCCE-(color)-M FPCCE-(color)-H FPCCE-S-XH FENDER® small oval shape, plastic – see color codes below shell only shell only shell only heavy shell only ex-heavy shell or white medium shell or white heavy light grey grey black .046mm .060mm .073 PK358-T-S PK358-M-S PK358-H-S PK358-XH-S FENDER® rounded triangle, plastic – see color codes below shell or white thin PP346-T-(color) PP346-M-(color) PP346-H-(color) FENDER® standard shape, heavy-duty nylon, non-slip grip creme 1.14mm FNPP-46 FNPP-60 FNPP-73 FNPP-114 When ordering Fender® picks, please use the following color codes: Tortoise Shell (-SHL), White (-WHT), Confetti (-CON), or Black (-BLK) CLAYTON ULTEM TORTOISE tan/khaki color, tortoise feel standard 0.072 mm standard 0.080 mm standard 0.094 mm round triangle 0.072 mm round triangle 0.80 mm round triangle 0.94 mm medium heavy thin medium heavy .060 mm .080 mm .100 mm PK19P-STD-72 PK19P-STD-80 PK19P-STD-94 PK19P-TRI-72 PK19P-TRI-80 PK19P-TRI-94 COOL PICKS “ULTRA COOL” standard shape, “Cellulon” thin PKSR-T PKSR-M PKSR-H COOL PICKS “JURATEX” standard shape, high-grade nylon ultra-thin 0.50 mm 0.60 mm 0.8 mm 1.00 mm extra-heavy 1.20 mm medium heavy 0.50 mm 0.75 mm 1.0 mm PKAG-UT PKAG-T PKAG-M PKAG-H PKAG-XH COOL PICKS “COOLCELL” standard shape, pearloid thin PKCC-T PKCC-M PKCC-H ELDERLY INSTRUMENTS standard shape, plastic red or white thin red or white medium red or white heavy shell classic medium shell classic heavy shell classic x-tra heavy trans. green med. light trans. purple medium heavy trans. red trans. yellow x-tra heavy FRED KELLY delrin, tapered tip delrin thin delrin delrin black black medium heavy FRED KELLY nylon, tapered tip black thin medium heavy PK11-T-(color) PK11-M-(color) PK11-H-(color) ELDERLY INSTRUMENTS standard shape, celluloid shell classic thin PK26-T PK26-M PK26-H PK26-XH ELDERLY INSTRUMENTS standard shape, polycarbonate trans. blue light PK13-L PK13-ML PK13-M PK13-H PK13-XH PK93-DELRIN-T PK93-DELRIN-M PK93-DELRIN-H PK93-NYLON-T PK93-NYLON-M PK93-NYLON-H BRAND/ COLOR HERCO nylon gold gray JIM DUNLOP nylon white creme lt. gray gray dk. gray black GAUGE medium heavy .38 mm .46 mm .60 mm .73 mm .88 mm 1.00 mm STOCK # PK15-M/GLD PK15-H/GRY PK12P-38 PK12P-46 PK12P-60 PK12P-73 PK12P-88 PK12P-100 JIM DUNLOP JAZZTONE extra-heavy, contoured edge small, rounded tip small, pointed tip medium oval shape standard size, rounded standard size, pointed orange yellow green blue purple .50 mm .60 mm .73 mm .88 mm 1.00 mm 1.14 mm PK204 PK205 PK206 PK207 PK208 JIM DUNLOP TORTEX TRIANGLE rounded triangle shape red PK29P-50 PK29P-60 PK29P-73 PK29P-88 PK29P-100 PK29P-114 JIM DUNLOP ULTEX STANDARD responsive and expressive lt brown only lt brown only lt brown only lt brown only .60 mm .73 mm 1.00 mm 1.14 mm .60 mm .73 mm .88 mm 1 mm PK421P-60 PK421P-73 PK421P-100 PK421P-114 JIM DUNLOP ULTEX TRIANGLE rounded triangle shape lt brown only lt brown only lt brown only lt brown only PK426P-60 PK426P-73 PK426P-88 PK426P-100 lt brown only green purple 1.14 mm thin medium heavy .73 mm .88 mm 1.00 mm 1.14 mm 1.35 mm 1.50 mm PK426P-114 JIM DUNLOP TORTEX TEARDROP teardrop, beveled edge, non-slip red PK30-T PK30-M PK30-H JIM DUNLOP 478 JAZZ III jazz shape, speed, clarity and definition white only white only white only white only white only white only PK478-73 PK478-88 PK478-100 PK478-114 PK478-135 PK478-150 JIM DUNLOP “BIG STUBBY” standard shape, pointed tip, very stiff clear purple tint dark purple 1 mm 2 mm 3 mm 1.38 mm “Petrucci” PK475-100 PK475-200 PK475-300 JIM DUNLOP “ULTEX” JAZZ III jazz shape, stiff with pointed tip lt brown only lt brown only PK427 PK427PJP JIM DUNLOP JAZZ III jazz shape, stiff with pointed tip red black nylon stiff PK47P3-RN-JAZZ3 PK47P3-BS-JAZZ3 Even more picks from Jim Dunlop in stock! See our website at elderly.com JOHN PEARSE “STUDIO” asymmetrical shape red logo thin black logo blue logo gold logo color varies color varies color varies medium heavy ex-heavy thin medium heavy ex-heavy PKJPS-T PKJPS-H PKJPS-H PKJPS-XH PYRAMID standard shape, pearloid in a variety of colors color varies PYRPKS-T PYRPKS-M PYRPKS-H PYRPKS-XH Call us toll free at 888-473-5810 for discounts on larger quantities 79 www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890

www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890 80 PICKS Premium Flatpicks Great balance, feel, sound, and wear Michael Wegen Dual beveled-edge tips for right handed players. Available in white or black. black black black WPTF140WHT PK513-150 Dunlop Primetone Sculpted Plectra Hand-burnished, sculpted edges. Three pack. TRIANGLE - Specify 1.4mm or 1.5mm PK513 . . . . . . 3-Pack WP-BG-WHT WP-TF140-WHT WP-TF140-BLK WPTF100 WPTF100B WPTF100B MICHAEL WEGAN triangle, 1.40mm – 2-Pack white MICHAEL WEGAN triangle, 1.00mm – 2-Pack white MICHAEL WEGAN “Bluegrass” 1.40mm – 4-Pack white WP-BG-WHT WP-BG-BLK Uke Picks Bolo Felt Uke Pick Pack 3-pack, softer and less dense than other felt picks. Standard size and shape and about 1/8” thick. Comes in pastel colors (blue, purple, yellow and pale green) – sorry no choice of color. BFPK3 . . . . . . . . . . . . . . . . . . . 3-Pack BFPK3 PK514 John Pearse Buffalo Horn PKJPB Saga Golden Gate Same size and contours of the original Grisman Dawg Pick. PK20-S Thumbpicks See even more at elderly.com Adjustable angle and pick length Fred Kelly Bumble Bee Thumbpicks Jazz-style (oval shape). Specify L, M, H, or XH. PKBBJ Each FRED KELLY BUMBLE BEE TEARDROP light medium heavy Kiwaya Leather Uke Pick Triangular leather uke pick with “Kiwaya” stamped on it. Just the right stiffness for strumming. UP6 Mick’s Uke Pick Synthetic felt – similar in look and feel to real felt, but lasts longer. Gray, standard shape and size. MUPK1 . . . 2.5mm MUPK2 . . . 3.8mm PKBBT-L PKBBT-M PKBBT-H extra heavy PKBBT-XH Propik Thumbpicks DELRIN TIP THUMBPICK - Small nickel pick with delrin tip for a mellow clean tone. Specify small, medium, or large. PK43D QUICK-PIK THUMBPICK - Slender plastic pick blade for bright tone. Medium, or large. PKQPT THUMB-FLATPICK - Heavy plastic pick riveted to a metal thumb clasp, adjustable angle. PKTFL right-handed PKTFLE left-handed Triangular Felt Pick Triangle shape with rounded corners, 1 /8 ” thick, hard white felt, about 1 1 /4 ” long by 1” wide. Great for uke and autoharp, too. PK35 Acri Thumbpicks Grip completely encircles thumb and adjusts for a comfortable fit. Pick blade is angled and beveled to give a more parallel attack to the string. ONE-PIECE BRASS AABTP DELRIN BLADE ATPB More Thumbpicks BRAND/ STOCK# GAUGE FRED KELLY SPEED PICK - narrow, delrin thin medium heavy large large, XH PK24-T PK24-M PK24-H GOLDEN GATE - white pearloid medium PK21-M PK21-L PK21-LXH HERCO - plastic, blue medium PK3 HERCO - plastic, flat/thumbpick light medium heavy medium large HE111 HE112 HE113 JIM DUNLOP - white plastic small PK27-S-RHT PK27-M-RHT PK27-L-RHT medium lefty PK27-M-LFT large lefty PK27-L-LFT JIM DUNLOP - tortoise plastic medium large PK39-MED PK39-LG JIM DUNLOP HEAVIES - specify calico or ivoroid plastic medium large PKH-MED PKH-LG JIM DUNLOP ZOOKIE - angled tip allows natural hand position with tip parallel to strings — medium or large 10 degree PKL-10 20 degree PKL-20 30 degree PKL-30 JIM DUNLOP DELRIN - red PK36 JOHN PEARSE VINTAGE REPLICA plastic right only JPVTP NATIONAL - white plastic medium large PK1-M PK1-L PRICE SEMI-ROUND - 1.3mm PK514 . . . . . . 3-Pack John Pearse “Fast Turtle” Asymetrical shape provides a choice of picking edges. Specify T, M or XH. PKFT Guitarmoose Standard shape with soft sticky grip. Specify 0.40mm, 0.50mm, 0.65mm, .080mm or 1.0mm. MOOSEPK1

FINGERPICKS Fingerpicks Propik Fingerpicks RESOPHONIC PICKS - .025 gauge, blade angles back (away from thumb) for comfortable hand position and better string contact in lap-style playing. Also works well for lap and pedal steel. Specify nickel or brass and medium of large size. PK46 . . . . . . . . . single wrap PK46SP . . . . . . . split wrap FINGERTONE - Nickel, blade has oval cutout. Specify medium or large size. PK47 . . . . . . . . . single wrap PK47SP . . . . . . . . split wrap SMALL-SIZED FINGERPICKS - No more need to alter larger picks. Sized especially for smaller fingers, .025 gauge. Specify nickel or brass and small or medium size. PKWC . . . . . . . . single wrap PKWCSP . . . . . . split wrap Fred Kelly Freedom Finger Pick Extremely strong, unbreakable. Specify Small, Medium, or Large. DELRIN - Soft and natural sound. PKFP-DELRIN POLYCARBONATE - Loud and bright sound. PKFP-POLY Alaska Pik Fingerpicks Fits over nail side of finger. Specify cream plastic or brass, and S, M,L, or XL. PLASTIC PK40 . . . . . . . specify size BRASS PK40B . . . . . . specify size Fingerpicks BRAND/ NATIONAL - metal .020 STOCK # PK41 ERNIE BALL PICKY-PICKIES - pointed tip, metal .020 PK7 JIM DUNLOP - tortoise, white or clear plastic medium tortoise large tortoise medium white large white medium clear large clear PK38-MED PK38-LG PK38W-MED PK38W-LG PK370-MED PK370-LG JIM DUNLOP - metal fingerpicks available in various gauges. Please use the following codes when ordering: .013mm = 13 .015mm = 15 .020mm = 20 .0225mm = 225 JIM DUNLOP (adult size) nickel silver various JIM DUNLOP - (adult size) brass various PK8-(gauge) PK8B-(gauge) JIM DUNLOP - (smaller finger size) nickel silver various JIM DUNLOP - (smaller finger size) brass various PK42 PK9-(gauge) PK9B-(gauge) JOHN PEARSE HI-RIDER - holds on at finger joint nickel We have more at elderly.com Shop from one of the largest selections of flatpicks, fingerpicks and thumbpicks you’ll find anywhere! Acri Fingerpicks Slightly cupped pick surface, wide contoured finger band. Specify stainless steel or brass and medium or large size. ACFP-BRASS ACFP-STEEL Showcase 41 Fingerpicks Pre-war shape and tone! German nickel-silver reproductions of classic National® smooth edge. PK1941 National Fingerpicks Original 1930’s specifications. NP2 Cobalt-Plated Showcase 41 and National NP2 Wonderfully smooth and wear-resistant. Cobalt plating reduces drag, resulting in faster playing and cleaner sound. Plating process done by a 3rd party for Elderly Instruments. COBALT-PLATED 1941 FINGERPICKS CB1941 COBALT PLATED NP2 NATIONAL FINGERPICKS CBNP2 Bob Perry Signature Picks Cobalt-plated nickel-silver, 025” guage. Smooth, clean, last a long time. BPSP Sammy Shelor Fingerpicks Highly polished, high quality pair of fingerpicks with slightly wider than standard bands. SSFP-WIDE fingerpicks. Polished for a Hooks’ Banjo Thimble Very original style – solid .025” precision stamped, hand finished brass. Highly recommended for old-time, clawhammer, stroke and frailing styles. JHBT Perfect Touch – by Rusty Thornhill FINGERPICKS - Pair of fingerpicks designed and crafted for extra comfort and ease of use. Available with cupped or flat-faced blade. Lifetime guarantee from the maker. Specify brass or nickel-silver plated and Small, Medium or Large size. PTFP-RF . . . . . . . cupped PTFP-FF . . . . . . . . flat-faced CLAWHAMMER PICKS - Designed specifically for clawhammer banjo style. Crafted for extra comfort and ease of use. Specify brass or nickel-silver plated and Small/ Medium or Large size. PTCP 81 .018mm = 18 .025mm = 25 www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890

www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890 82 CASES AND GIGBAGS Selecting the right size ACOUSTIC GUITAR CASE or GIGBAG Often knowing the make and model of your guitar is enough to properly fit your guitar to an after-market case. However, in the world of handcrafted guitars, slight deviations from industry standard sizes exist. Compare the physical measurements of your guitar with the chart below. MEASURING YOUR INSTRUMENT… To make sure your case fits, use this illustration to measure your instrument. Also include the body depth. C A - Total Length B - Body Length C - Upper Bout D - Lower Bout If it’s an unusual instrument, trace an outline on a large sheet of paper. D Common acoustic guitar body sizes 14-Fret Dreadnought A. Total Length . . . . . . . . . . . . . . 401 Body Depth . . . . . . . . . . . . . . . . . . 47 /2 /8 /8 ” B. Body Length . . . . . . . . . . . . . . . . 20” C. Upper Bout . . . . . . . . . . . . . . . . . 13” D. Lower Bout . . . . . . . . . . . . . . . 155 ” ” 12-Fret Dreadnought A. Total Length . . . . . . . . . . . . . . 399 B Acoustic Guitar Cases and Gigbags Hardshell Cases O-Size GCEV-0F . . . . . . Canadian flat top GCEV-0 . . . . . . . . . . Canadian GVGC-0 . . . . . . . Guardian Vintage GCMA-VIN/0 . . . . . Martin Geib OO-Size (Classical) GCG18-00 . . Guardian basic arch top GCGE-00 . . . . . . Guardian flat top GCEV-00F . . . . . Canadian flat top GCEV-00 . . . . . . . . . Canadian GVGC-00 . . . . . . Guardian Vintage GCMA-00 . . . . . . . Martin molded SFGC2 . . . . . . . Superior Fiberglass GCE-00 . . . . . . . . . . . . . Elite ASSC1-00 . . . . . . . . Ameritage GCMA-VIN/00 . . . . Martin Geib A OOO (14-Fret Grand Concert) GCEV-000F . . . . Canadian flat top GCEV-000 . . . . . . . . Canadian GVGC-000 . . . . . Guardian Vintage GCMA-OM433 . . . Martin archtop GCMA-000 . . . . . . . . . Martin molded GCMA-000GRAY . . Martin Gray molded GCE-000 . . . . . . . . . . . . Elite GCMA-VIN/OM . . . Martin Geib ASSC1-000 . . . . . . . Ameritage OOO (12-Fret Grand Concert) GVGC-00012 . . . Guardian Vintage GCMA-VIN/00012 . Martin Geib OOO0/M (Grand Performance) GCMA-GP64 Martin archtop brown alligator GCMA-0000GRAY Martin gray molded Gypsy Jazz GVGC-GYPSY . . Guardian Vintage GGDC-GYPSY . . . . GoldenGate D (14-Fret Dreadnought) GCG18-D . . . Guardian basic arch top GCGE-D/LD . . . . Guardian flat top GCEV-D6F . . . . . Canadian flat top GCEV-D/LD . . . . . . . Canadian GVGC-D . . . . . . . Guardian Vintage GCMA-D445 . . . . Martin archtop GCMA-D . . . . . . . . Martin molded GCMA-DGRAY Martin Gray molded SFGC1 . . . . . . . Superior Fiberglass GCE-D . . . . . . . . . . . . . . Elite GCMA-VIN/D . . . . . Martin Geib ASSC1-D . . . . . . . . . Ameritage HAGC1-(COLOR) . Hiscox Liteflite /16 D. Lower Bout . . . . . . . . . . . . . . . . 155 Body Depth . . . . . . . . . . . . . . . . . . . 47 A. Total Length . . . . . . . . . . . . . . 395 B. Body Length . . . . . . . . . . . . . . 193 000/OM (14-fret) /8 /8 ” ” C. Upper Bout . . . . . . . . . . . . . . . . . 12” D. Lower Bout . . . . . . . . . . . . . . . . . 15” Body Depth . . . . . . . . . . . . . . . . . . 41 /8 ” 000 (12-fret) A. Total Length . . . . . . . . . . . . . . . 397 B. Body Length . . . . . . . . . . . . . . . 201 /2 /8 /8 ” B. Body Length . . . . . . . . . . . . . . . . . 21” C. Upper Bout . . . . . . . . . . . . . . . . 121 ” ” ” Ordering a new Martin? For acoustic guitars – most sizes in stock Protect your investment – case upgrades available RIES WOOD ARCHTOP - Quality wood-frame cases with arched lid, padded plush interior. Martin name plate near handle. /8 /2 ” ” C. Upper Bout . . . . . . . . . . . . . . . . . 11” D. Lower Bout . . . . . . . . . . . . . . . . . 15” Body Depth . . . . . . . . . . . . . . . . . . . . 4” A. Total Length . . . . . . . . . . . . . . 385 B. Body Length . . . . . . . . . . . . . . 187 Body Depth . . . . . . . . . . . . . . . . . . 41 00 (14-fret) /8 /8 /16 /8 ” ” C. Upper Bout . . . . . . . . . . . . . . . . . 11” D. Lower Bout . . . . . . . . . . . . . . . 145 ” ” 0000 and Jumbo (14-fret) A. Total Length . . . . . . . . . . . . . . . 403 B. Body Length . . . . . . . . . . . . . . . 201 C. Upper Bout . . . . . . . . . . . 12” / 121 /8” / 47 /8 /8 /4 /8 ” ” ” D. Lower Bout . . . . . . . . . . . . . . . . . 16” Body Depth . . . . . . . . . . . . . . 41 ” 400 Series Wood Archtop (GCMA-GP64) 500 Series “Geib” Vintage-Style (GCMA-VIN/D) 600 Series Molded (GCMA-D) Gigbag D-Size (GCMA-DGIG) 500 SERIES “GEIB” VINTAGE STYLE - Shaped, heavy-duty wooden shell with deep textured black vinyl exterior, plush cabernet interior, leather handle, antique white stitching, brass-plated hardware, and lock. Small Martin name plate near handle. 600 SERIES MOLDED - Black thermoplastic with aluminum edging, chrome hardware, locking latch, and plush lined interior. Slate gray shell also available in D, 000, and 0000 sizes. GIGBAG - Thick foam padding, velour lining reinforced at peghead and bridge to prevent string tears. Embroidered with the Martin logo in gold, backpack straps. D (12-Fret Dreadnought) GCMA-VIN/D12FR . Martin Geib LD (Large Dreadnought) GCGE-D/LD . . . . Guardian flat top GCEV-D6F . . . . . Canadian flat top GCEV-D/LD . . . . . . . Canadian Small F (16” lower bout) GVGC-SF . . . . . . Guardian Vintage GCEV-SF . . . . . . . . . Canadian GCE-SF . . . . . . . . . . . . . Elite ASSC1-SF . . . . . . . . Ameritage HAGC1-(COLOR) . Hiscox Liteflite Jumbo F (17” lower bout) GCEV-J . . . . . . . . . . Canadian GCE-J . . . . . . . . . . . . . . . Elite ASSC1-J . . . . . . . . . Ameritage Super Jumbo (18” lower bout) GCEV-JXL . . . . . . . . Canadian GCE-JXL . . . . . . . . . . . . Elite Dobro® GCEV-DOB . . . . . . . Canadian Parlor (13” lower bout) GCEV-PARLOR . . . . Canadian Gigbags O- and 00-Size (Classical) RBSLG-00/DOB . . . . . . Rockbag AGB1-00/DOB . . . . . . . . . Access I BAG3 . . . . . . . . . . . . . Boulder Alpine RBX-00/000 . . . . . . Reunion Blues RBX OOO (Grand Concert) AGB1-D/000 . . . . . . . . . . . Access I BAG2 . . . . . . . . . . . . . Boulder Alpine AGHT33-00/000 . . . . . . . Access III RBX-00/000 . . . . . . Reunion Blues RBX D (Dreadnought) RBSLG-ACOU . . . . . . . . Rockbag AGB1-D/000 . . . . . . . . . . . Access I BAG2 . . . . . . . . . . . . . Boulder Alpine GCMA-DGIG . . . . . . . . . . Martin AGHT33-D/SF . . . . . . . . Access III RBX-D . . . . . . . . . . Reunion Blues RBX LD (Large Dreadnought) RBSLG-ACOU . . . . . . . . Rockbag RBX-D . . . . . . . . . . Reunion Blues RBX Small F (16” lower bout) AGB1-D/000 . . . . . . . . . . . Access I AGHT33-D/SF . . . . . . . . Access III Dobro® BAG3 . . . . . . . . . . . . . Boulder Alpine 3/4 Size (111 /4 “ or smaller lower bout) AGB1-3/4 . . . . . . . . . . . . . Access I

CASES AND GIGBAGS Electric Guitar Cases and Gigbags Hardshell Cases Les Paul GVGC-LP . . . . Guardian Vintage GCEV-LP . . . . . . . . Canadian Les Paul Junior GCEV-LPJR . . . . . . Canadian Explorer GCEV-EXP . . . . . . . Canadian Flying V GCEV-FLYV . . . . . . Canadian SG GCEV-SG . . . . . . . . Canadian ES-335 GVGC-ES335 . Guardian Vintage GCEV-ES335 . . . . . Canadian GCE-ES335 . . . . . . . . Elite ES-175 GCEV-SF . . . . . . . . Canadian GCE-SF . . . . . . . . . . . Elite Tele® and Strat® GCEV-T/S . . . . . . . . Canadian GCFPS-TSBLK . . Fender Pro GCF-ABSST . . . . Fender ABS GCF-TWDTS . . . Fender tweed Fender® Bass GCEV-FBS . . . . . . . Canadian GCFPS-PJTWD Fender Pro tweed GCF-ABSPJ . . . . Fender ABS GCF-TWDP . . . . Fender tweed Gigbags Les Paul RBSLG-EGTR . . . . . . . . Rockbag GCSU-T/S/LP . . . . . . Saga Superior AGB1-T/S/LP . . . . . . . . . . Access I RBX-EG . . . . . . . . . Reunion Blues RBX SG RBSLG-EGTR . . . . . . . . Rockbag GCSU-T/S/LP . . . . . . Saga Superior ES-335 AGB1-ES335 . . . . . . . . . . Access I RBX-HB . . . . . . . . . Reunion Blues RBX ES-175 AGB1-D/000 . . . . . . . . . . . Access I Tele® and Strat® RBSLG-EGTR . . . . . . . . Rockbag GCSU-T/S/LP . . . . . . Saga Superior FGB-DTST . . . . . . . . . Fender Deluxe FGT-S/T . . . . . . . . . . Fender Traditional FGU-S/T . . . . . . . . . . . Fender Urban FGM-S/T . . . . . . . . . . . . Fender Metro AGB1-T/S/LP . . . . . . . . . . Access I RBX-EG . . . . . . . . . Reunion Blues RBX Fender® Bass RBSLG-BASS . . . . . . . . Rockbag FGB-SPJ . . . . . . . . . Fender Standard FGT-B . . . . . . . . . . . . Fender Traditional FGU-B . . . . . . . . . . . . Fender Urban FGM-B . . . . . . . . . . . . .Fender Metro GCSU-BASS . . . . . . . Saga Superior AGB1-BASS . . . . . . . . . . Access I AGHT33-BASS . . . . . . . Access III Fender®, Strat® and Tele® are registered trademarks of the Fender Musical Instruments Corporation. Some products described on this page are manufactured by companies which have no connection with Fender Musical Instruments Corporation, and are not approved or licensed by Fender. Fender® For acoustic and electric guitars and basses. Gigbags ABS For Stratocaster® , Telecaster® , Jazz® and P-Bass® Fender® STANDARD AND DELUXE - Black and grey nylon (standard) or tweed (deluxe) exterior. Heavy-duty padded interior, backpack straps. TRADITIONAL - 600 denier exterior, 8mm thick padding. Large outer pocket and single shoulder strap. URBAN - 600 denier exterior, 11mm thick foam padding, two outer pockets, backpack style shoulder straps. METRO - 25mm thick premium foam padding. Three large outer pockets and backpack style shoulder straps. Elegant and protective with durable molded interiors, molded in feet, thick-pile plush-lined scratch resistant interior. Padded neck cradle, roomy accessory compartment, high quality metal latches. Access For all instruments A variety of designs, from low priced entry-level padded gigbags to extra proctective, heavy-duty ballistic-style nylon with thick closed-cell foam padding. Access Stage 3 Resonator Banjo (ABHT33) Fender® ABS (GCF-ABSST) Fender® Standard Quality wood frame hardshell cases with traditional black Tolex exterior and distinctive orange interior. Select cases available in vintage-style tweed. For guitar Low priced water-resistant nylon gigbags with plush interior and thick padding. Fender® Fender® Pro Series Tweed (GCF-TWDTS) Black covered wooden rectangular hardshell case with chrome hardware, 2 locking end latches, center latch, and 50’s style Fender logo. Soft black plush interior, large split center compartment with extra-wide neck support. Fits right or left handed models. Elite For acoustic guitar and hollow body electrics Classic shaped plywood shell, reinforced arched top and back. Deep textured black leather-look exterior, padded velour lining. Reunion Blues RBX Series For all instruments New RBX Protection System features a lightweight, ultra-protective foam surround, and strategically placed impact panels for targeted protection. Heavy duty quilted chevron exterior, padded blue lining, padded backpack straps, Zero-G handle, and large front pocket which includes cable loop and organizer to keep accessories in place. RBX Dreadnought (RBX-D) 83 pine For acoustic guitar, banjo and mandolin Rugged 600 denier nylon with 30 mm padding, heavy duty zippers, detachable backpack straps, multi layer cargo pocket. Choice of colors in Blue, Green, or Tan. Metro (FGM-D) Urban (FGU-B) www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890

www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890 84 CASES AND GIGBAGS Ameritage er Series anjo, mandolin and uke held y with an lusive suspension system. Banjo Cases and Gigbags Gigbags Hardshell Cases Open Back 5-String (11” rim) SDB11-BLK . . . . Superior Bump BCEV-5STO . . . . . . . Canadian ASSC2-OB11 . . . . . Ameritage Open Back 5-String (12” dia. rim) SDB12-BLK . . . . Superior Bump ASSC2-OB12 . . . . . Ameritage BCEV-5STOLG . . . Canadian Ameritage (ASSC2-RESO) Superior Fiberglass (SFGC1-WHITE) Superior Fiberglass For guitar, banjo, mandolin and violin Rugged fiberglass shell with arched lid, rubber valance seal, generously padded interior. Available with white or black exterior. Hiscox Liteflite (HAGC1) Hiscox Liteflite Artist For guitar tive – ver 00 lbs. Excellent tion. Hiscox iteflite Pro ases also available! Hardshell Cases Gibson A MCKE-AOBL . . . . . . . . . Kentucky MCEV-A . . . . . . . . . . . . . Canadian SFMC2 . . . . . . . . . . Superior Fiberglass ASSC3-SHAPED . . Ameritage Shaped ASSC3-OBLONG . . Ameritage Oblong Calton Fiberglass (CGC1-WH-B) F-Model MCGE-F . . . . . . . . . . . Guardian Basic TLC-F-MANDO . . . . . . . . Travelite MCEV-F . . . . . . . . . . . . . Canadian SFMC1 . . . . . . . . . . Superior Fiberglass EMC1-(COLOR) . . Eastman Fiberglass MCEV-FOBL . . . . . . Canadian oblong ASSC3-SHAPED . . Ameritage Shaped ASSC3-OBLONG . . Ameritage Oblong Calton Cases For guitar, banjo and mandolin Watertight, airtight, the ultimate in protection! Custom Calton cases available – See our web site or give us a call Guardian For guitar, banjo, mandolin and more ECONOMY FLAT TOP - Basic 3-ply wood case with flat lid and plush interior. ECONOMY ARCH TOP - Basic 3-ply wood case with slightly arched lid and plush interior. D- and 00-Size only. DELUXE - Heavy-duty 5-ply shell with arched lid and plush interior. VINTAGE - Classic styling with extra-strong 7-ply shell, arched lid, crushed velour lining. Dual neck supports. Canadian For all stringed instruments Canadian F-Mandolin (MCEV-F) Open Back Long Neck (Pete Seeger) BCGT-LONGNK . . . Gold Tone BCEV-5STOXLF Canadian Flat Top Open Back 4-String Tenor BCEV-TENOB . . . . . Canadian Open Back Irish Tenor BCGT-IRTENOB . . Gold Tone Resonator 5-String and Plectrum BCG18-5STR . . . Guardian Basic BCEV-5STR . . . . . . . Canadian SFBC1 . . . . . . . Superior Fiberglass ASSC2-RESO . . . . Ameritage Resonator Tenor BCEV-TENR . . . . . . . Canadian Resonator Irish Tenor BCGT-IRTEN . . . . . Gold Tone Open Back 5-String and Plectrum BCSU-5STO . . . . . . . Saga Superior ABB1 . . . . . . . . . . . . . . . Access I BAG6 . . . . . . . . . . . . Boulder Alpine RBMCONT-BANJO Reunion Blues Cont’l Open Back Long Neck (Pete Seeger) BCGT-LONGIGOB . . . Gold Tone Resonator 5-String and Plectrum BCSU-BAG . . . . . . . Saga Superior ABB1 . . . . . . . . . . . . . . . Access I ABHT33 . . . . . . . . . . . . Access III BAG5 . . . . . . . . . . . . . . Boulder Alpine RBMCONT-BANJO Reunion Blues Cont’l Resonator Tenor BCGT-TENGIG . . . . . . Gold Tone Irish Tenor BCGT-IRTGIG . . . . . . . Gold Tone Reunion Blues Midnight Continental For banjo and mandolin Ballistic style black Quadraweave exterior with highdensity foam. Blue Diamond velvet interior with Softmesh sides. elderly.com Mandolin Cases and Gigbags Gigbags Martin A MCKE-DLXGIG . . . Kentucky Deluxe AMHT33 . . . . . . . . . Access Stage 3 Gibson A Fit most A-models and many F-style mandolins. MCKE-DLXGIG . . . Kentucky Deluxe BAG4 . . . . . . . . . . . . Boulder Alpine AMHT33 . . . . . . . . . Access Stage 3 F-Model BAG4 . . . . . . . . . . . . . . Boulder Alpine AMHT33 . . . . . . . . . . . . Access Stage 3 RBMCONT-MANDO Reunion Blues Cont’l Concord Adjustable Hardshell Mandolin Case Interior features movable pads to form-fit to most any mandolin, even non-traditional shaped models. Arched-top wood frame with lined cordura nylon cover provides great impact and thermal protection. Full-size music compartment, two accessory compartments, built-in thermometer, hygrometer and humidifier – even a Tone-Gard holder in the lid. CAMC1 . black with burgundy interior CAMC2 . . brown with green interior Concord Mandolin Case Eastman Shaped Fiberglass For mandolin Rugged and light weight with draw bolt latches for a weather tight seal. Plush padded interior, backpack style (CAMC2) Guardian Vintage (GVGC-D) Eastman Fiberglass (EMC1-BLACK)

UKULELE CASES AND GIGBAGS Ukulele Cases and Gigbags Hardshell Cases Soprano DHS-S . . . . . . . . . Ohana Deluxe Shaped GVUC-SOP . . . . . . . Guardian Vintage KAC-S . . . . . . . . . . . . . Kala Alligator UC-SOP . . . . . . . . . . Basic Lightweight U800C1 . . . . . . . . . . . Crossrock ABS UCMA-SOPTHERM . . Martin Molded ASSC4-SOP . . . . . . Ameritage Silver Concert DHS-C . . . . . . . . . Ohana Deluxe Shaped GVUC-CON . . . . . . . Guardian Vintage KAC-C . . . . . . . . . . . . . Kala Alligator UC-CON . . . . . . . . . . Basic Lightweight U800C2 . . . . . . . . . . . Crossrock ABS ASSC4-CON . . . . . . Ameritage Silver Tenor DHS-T . . . . . . . . . . Ohana Deluxe Shaped GVUC-TEN . . . . . . . . Guardian Vintage KAC-T . . . . . . . . . . . . . . Kala Alligator UC-TEN . . . . . . . . . . Basic Lightweight U800C3 . . . . . . . . . . . Crossrock ABS ASSC4-TEN . . . . . . . Ameritage Silver Baritone DHS-B . . . . . . . . . Ohana Deluxe Shaped GVUC-BAR . . . . . . . Guardian Vintage KAC-B . . . . . . . . . . . . . Kala Python ASSC4-BAR . . . . . . Ameritage Silver UC-BAR . . . . . . . . . . Basic Lightweight Ukulele Gigbags Soprano UKKA-SOP . . . . . . . Kaces Polyfoam RBSLG-UKES . . . . . . . . Rockbag TPB-S . . . . . . . . . . Lanikai Sidekick Tribal THB-S . . . . . . . . . . . Lanikai Hard Gigbag UCMA-SOPGIG . . . . . . . . Martin AUB1 . . . . . . . . . . . Access Stage-One AUHT33 . . . . . . . Access Stage-Three HB M80U2 . . . . . . . . . . . . . . Mono M80 Concert RBSLG-CONUKE . . . . . Rockbag UKKA-CON . . . . . . . Kaces Polyfoam TPB-C . . . . . . . . . . Lanikai Sidekick Tribal THB-C . . . . . . . . . . Lanikai Hard Gigbag UCMA-CONGIG . . . . . . . Martin AUB1 . . . . . . . . . . . Access Stage-One RBX-CONUKE . . . . Reunion Blues RBX M80U2 . . . . . . . . . . . . . . Mono M80 Tenor RBSLG-TENUKE . . . . . Rockbag TPB-T . . . . . . . . . . Lanikai Sidekick Tribal UKKA-TEN . . . . . . . . Kaces Polyfoam UCMA-TENGIG . . . . . . . . Martin THB-T . . . . . . . . . . . Lanikai Hard Gigbag RBX-TENUKE . . . . Reunion Blues RBX M80U3 . . . . . . . . . . . . . . Mono M80 Baritone TPB-B . . . . . . . . . . Lanikai Sidekick Tribal UKKA-BAR . . . . . . . Kaces Polyfoam THB-B . . . . . . . . . . Lanikai Hard Gigbag We have cases and gigbags available for banjo-uke sopranino, pineapple, longneck, and other “hard-to-fit” ukes. Call us (toll free) 888-473-5810 or 517-372-7890 outside USA Lanikai Sidekick For soprano, concert, tenor or baritone TRIBAL GIGBAG (TPB) Reinforced rigid side walls, comfortable fabric handle, large exterior pocket. HARD GIGBAG (THB) Strong and attractive. Soft lining, positionable internal padded blocks, 25mm padding, rugged PVC handles, rigid frame construction, extra large exterior storage pocket, hide away comfort backpack straps. Martin For soprano, concert, and tenor GIGBAG Nice quality paddedbag with zippered accessory pocket and Martin embroidered logo. THERMOPLASIC HARDSHELL CASE Black molded case, top and bottom edged in aluminum, green plush shaped interior. Lanikai Tribal (TPB-S) Reunion Blues (RBX-CONUKE) Mono M80 (M80U2) Martin Tenor Gigbag (UCMA-TENGIG) Reunion Blues RBX Series For concert and tenor uke New RBX Protection System features a lightweight, ultraprotective foam surround, and strategically placed impact panels for targeted protection. Heavy duty quilted chevron exterior, padded blue lining, padded backpack straps, ZeroG handle, and a large front pocket which includes a cable loop and organizer to keep accessories in place. Mono M80 For soprano, concert and tenor Extremely durable and highly protective military grade black “sharkskin” exterior. Abrasion resistant and waterproof, with thin ABS panels for impact protection, dense foam padding, and internal neck support. Guardian Vintage (GVUC-SOP) Amerita Silver (ASSC4-SOP) (UC-SOP) Kaces Polyfoam (UKKA-SOP) aces Polyfoam For soprano, concert and tenor Lightweight foam protects and insulates. 1200 denier nylon. Basic Lightweight For soprano, concert and tenor Nylon covered hard plastic shell with zipper closure. Rigid foam padding. Rockbag For soprano, oncert and tenor Nice student gigbag. Water resistant, nylon exterior, padded interior. Access ano, concert and tenor STAGE 1 Access (AUHT33) STAGE 3 Durable nylon, dense foam padding, removable internal pad, wall stiffener. Heavy-duty ballistic-style nylon exterior, thick, dense closed-cell foam padding, wall stiffeners, internal bridge and peghead wear protectors, adjustable neck cradle. Ohana Deluxe For all uke sizes Ohana Deluxe (DHS-T) Super durable wood frame case with plush interior. Ameritage For pineapple, soprano, concert and tenor Highest quality craftsmanship. Uke is held securely in place with a pressure pad suspension system. Guardian Vintage For all uke sizes Heavy-duty 5-ply wood frame, arched lid, pebble-grain exterior, and plush interior. Kala Alligator Pattern Shaped wooden shell, alligator skin-look exterior See our selection of in-case humidifiers on page 62 Kala Alligator (KAC-T) Crossrock For soprano, concert and tenor ABS molded shell. Specify red, blue, grey, champagne, or black/white weave. 85 www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890

www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890 86 VIOLIN CASES AND CASE ACCESSORIES Neotech Case Sling Strong, comfortable and tapered neoprene pad distributes the weight of your case evenly on one shoulder and inhibits slipping. Adjustable from 22” to 54” and attaches with metal swivel hooks. Works well for all instrument cases. Made in the USA. NEOCS Case Shoulder Strap Black web nylon with rubberized shoulder pad, dual-swivel ABS clips, 11 /2 maximum length. CSS1 Hiscox 2” Case Strap Same strap Hiscox provides with their Artist series cases. 2” wide black nylon web with moveable pad and metal clasps. HGCS2 Dr. Duck’s Adjustable Guitar Neck Rest Handy laser cut birch neck support for repairs or string changes. Adjustable in height for most acoustic or electric guitars and basses. Breaks down to four pieces that store easily inside your guitar case. Made entirely from 5/8” thick wood – no metal or plastic parts to break or wear out. Neck cradle and legs are padded with non-slip rubber. NECKREST Planet Waves Headstand Wonderfully designed mini-tripod fits under the neck to elevate the peghead and stabilize instrument during string changes. Compact size and collapsiblity make it easy to store in nearly any instrument case. Works well for guitars, basses, banjos, mandolins and more. PWHDS Case Handles PARALLEL BUCKLE Leather with nickel buckles. Works on cases with parallel U-brackets, buckles on. CH1 CH1 STEEL REINFORCED PARALLEL BUCKLE A heavier duty version of the CH1 above. CH1S U-SHAPED For use with in-line U-brackets. CH2 CASE HANDLE WITH METAL RINGS Thick sausage-shaped CH2 CH3 black leather handle like those used on many vintage style cases. CH3 MOUNTING BRACKETS FOR CH3 STYLE CASE HANDLE Single brass color bracket – you provide your own screws or rivets to attach to your case. CH3BR TKL Upright Bass Bag Gigbag Heavy-duty black nylon oxford shell, thick foam padding, multiple zippered compartments, zippered bow pouch with removable bow sleeve, and multiple heavy duty nylon web handles and straps. 3/4 size. BS14 Superior Brand Upright Bass Gigbag Medium-duty padded nylon bag with reinforced seams. Webbed nylon handles and two adjustable “backpack” shoulder straps. One bow pocket and two accessory pockets (one large, one small). 2-way black zipper. 3/4 size. BS12 Our complete inventory online elderly.com PWHDS ” wide, adjusts up to 35” Violin Cases All cases are full size (4/4), unless otherwise noted Travelite Deluxe Super light and strong, reinforced rigid foam shell with arched top, exterior covered with black nylon. Features exterior music pocket, three bow holders, full suspension fit, padded velour lined interior with blanket, accessory box, detachable backpack style straps, and full zippered closure with flap covered latch. TLC-VIOLIN Guardian Rectangular wooden shell with arched lid and durable nylon cover that adds increased protection from extreme weather conditions. Comfortable padded handle, strong latch, plush padded interior, three accessory boxes (one large enough for a shoulder rest), four bow holders and exterior music pocket. Includes satin lined blanket, string tube, and built-in hygrometer. GVC1 VIOLIN/MANDOLIN Like the GVC1 above, but designed to fit a violin and a mandolin. GMVC1 DOUBLE VIOLIN Like the GVC1 above, but designed to fit two violins. G2VC1 Thermoplastic Molded plastic case with aluminum edging. The same case used by generations of student violinists. Plush interior, dual bow holders and accessory pockets. VCIN Superior Fiberglass Nicely designed and rugged fiberglass shell with arched lid for added strength. Features a rubber valance seal between top and bottom, well padded interior with one large and one small accessory box, four bow holders, instrument blanket. Strong latches, shoulder strap and heavy-duty handle. Specify white or black exterior. SFVC1-(COLOR) Baker Street Violin Cases DELUXE Fabric covered rigid foam shell, suspension fit padding. 221B-1 . half moon, houndstooth 221B-2 . . . . . oblong, brown LUXURY Fabic covered oblong-shaped plywood shell with suspension fit padding and elegant appointments. 221B-3 . . . . . . . . brown 221B-4 . . . . . . . . black TKL Violin Gigbags Bass Bag (BS14) Superior Fiberglass Thermoplastic (VCIN) T TLC-VIOLIN Guardian Vintage Baker Street Deluxe

GUITAR CAPOS Guitar Capos BMF HIGH PRECISION ACOUSTIC GUITAR CAPO 2” wide bar, stainless steel construction. Quick release push button lock system with thumb-screw adjustment. Replacement sleeve included. BMFC-GTR ULTIMATE GUITAR CAPO - Handmade in Oregon by Dave Elliott. Sleek solid brass design for radiused fretboards. Easily adjustable to precise tension. ULTGTR SHUBB - Top quality, durable, and easy-touse capo in your choice of nickel, unplated brass, or black finish. Replacement parts available. GA70 . . . . . . . . . . . nickel-plated GA70B . . . . . . . . . unplated brass GA70BLK . . . . . . . . . . . black SHUBB DELUXE - Roller mechanism provides consistently smooth operation. Made of stainless steel. For curved fretboard. Fits most acoustic and electric steel-string guitars. GA70DLX SHUBB LITE - Nickel-plated aerospace quality aluminum with the look of the original. Extremely lightweight, less than 1oz. GAL1 KYSER QUICK CHANGE - Moves easily with one hand, and comes in assorted cool colors. Specify black, silver, black chrome, silver vein, gold, copper vein, red, pink, blue, red bandana, or dark purple finish. KGC1-(color) G7th PERFORMANCE - For most 6- or 12-string guitars. Unique spring clutch allows precise operation putting less pressure on the neck. Black finish only. CAPNEWB G7th NASHVILLE CAPO - Classy design spring capo for guitar. Light, quick, and secure. CAPOGN G7th NASHVILLE FOR CLASSICAL CAPOGNC PAIGE - Electro-plated steel. Locking crossbar with rubber padding and adjustable thumbscrew. Crossbar is slightly angled to compensate for string size. Black only. GA82-BLK PAIGE CLIK CAPO - The same balanced tension of the original Paige capo above, with quick on-and-off feature that maximizes intonation accuracy with minimal tension on the neck. Available for standard or wide fretboards. CLIK ......................... standard width CLIKWIDE . wide fretboard GAL1 GA70DLX NS GUITAR CAPO - Adjustment dial eliminates an unwanted string buzz. Lightweight aluminum. For 6- or 12-string guitars. NSCAPO-BLK . . . . . . . . . . . black NSCAPO-CHR . . . . . . . . . . chrome NS CLASSICAL - Wider for use on classical guitars. NSCAPO-CLA . . . . . . . . . . classical NS LITE - Ultralight molded ABS plastic. NSCAPO-LITE . . . . . . . . ABS plastic VICTOR BRONZE - Solid cast bronze for precise intonation. Easy to use with a sleek, rugged design. Specify for flat or curved fretboard. VIC-FLAT . . . . . . . . . for flat fretboards VIC-CURV . . . . . . for radiused fretboards BIRD OF PARADISE CAPO - Cam design minimizes pressure. Works for 6- and 12-string guitar and both flat and curved fretboards. BIRD . . . . . . . . . . . orange beak BLKBIRD . . . . . . . . . all black 87 Partial Capos Alternate tunings made easy SHUBB PARTIAL CAPO - Brass capo skips the outside string (either bass or treble) and capos the next three. GA75 SHUBB PARTIAL CAPO 2 - Like above, but skips the sixth string only (low E) while covering the other five. SPC2 GA75 SPC2 PLANET WAVES NS TRIO Perfect for drop/alternate tuning on guitars or as a full capo on a banjo or mandolin. Sleek aluminum design. NSTRIO More capos and accessories in stock at elderly.com Shop from our complete inventory online Squareneck Resonator Guitar Capos BEARD WAVE SQUARENECK CAPO - Paul Beard’s latest capo, made of nickelplated heavy steel. Large tension adjuster. Fits 6- or 8-string guitars. Specify Gold, Black or Chrome. BDC2-GOLD BDC2-BLACK BDC2-CHROME TRIGGER - Spring action clamp-style capo with ergonomically designed, triggerlike handle for one-handed positioning. Specify black, gold or nickel. TGC-(COLOR) SCHEERHORN HEAVY BRASS - Simple flip-action catch releases the capo. Rubber padded arm is positioned between the strings and fretboard, virtually eliminating string bounce. SRGC1 BDC2 SHUBB - Snaps on and off quickly. Easy to place, since it straddles the fret. Solid brass, with rubber and nylon where it touches the neck and strings. SDC1 SRGC1 WALWORTH - Nice design made of heavy brass. Features an easy cam-action flip lever and tension adjustment set screw for the exact tension you desire. Includes an Allen wrench for the adjusting screw. Fits most 6- and 8-string guitars. WRGC1 WRGC1 SDC1 www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890

www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890 88 GUITAR AND UKULELE STRAPS, STRAP LOCKS Guitar Straps ELDERLY A INSTRUMENTS LOGO - Basic 2” wide strap in black only. A M8POLYL HOOTENANNY DESIGN - 2” jacquard weave strap with vintage design. Soft leather backing, distressed leather ends, antique brass adjustment. Available in a variety of colors and patterns. M8HTV B NARROW LEATHER GUITAR STRAP - 11 C M70 LEATHER ROCKABILLY STRAP - Heavy 1” narrow strap with 2” moveable shoulder pad. Adjusts from 38” to 52”. Specify Brown or Black. D PM22RBA El Dorado DURANGO SUAVE STRAP - 21 /2 TWEED STRAP - Vintage look, 2” wide with leather ends. Adjusts from 33” to 54”. G FSTW MONOGRAMMED STRAP - 2” wide leather backed cloth strap with company logo and Strat® ” wide glove-soft leather with sturdy harness-thread edge stitching. Adjusts from 40”-53”. Specify Brown/ Chocolate, Black/Chocolate, Black/Tan, Cognac/Tan, Black/ Red, Black/Chocolate, or Cognac/Chocolate. SUAVE-(color) STITCHED SADDLE-GRADE LEATHER Genuine sheepskin shoulder pads and stainless steel buckles. Adjustable from 45” to 51”. Specify Black, Tan, or Brown. ELOP-(color)-ORIG . . . . . . . . . . 11 ELOP (color)-VINT . . . . . . . . . . . . . 1” E /2 ” EL DORADO DURANGO - Top quality leather, 21 Dark Brown, Brown, Red or Black. EDDU-(color) F /2” wide. Adjustable from 40” - 53”. I SLIM LEATHER MARTIN LOGO - 21 /2” wide, soft brown leather with detail stitching and embossed Martin logo. I MSTP45 MARTIN BASEBALL GLOVE LEATHER - High quality leather for durability with embossed Martin logo. MSTP12 . . . . brown J MSTP13 . . . . . black Resonator Guitar More straps online at elderly.com 2” WIDE COTTON - Designed for resonator /8 guitar but works well for acoustic guitars. 3 ” cotton webbed loop on the headstock end, tri-glide adjustment; adjustable to 70”. Specify Black or Brown. MC8A K SUEDE LEATHER - 21 /2 ” strap for Dobro or acoustic guitar. Brown suede leather with decorative black piping and suede backing. Adjustable from 44” to 64”. MSS6/BRN L Webb WOVEN NYLON - Quick disconnect system. Specify Black, Brown, or Guatemalan Woven Striped. WDS300 . . . 3” wide WOVEN NYLON WITH LINED LEATHER SHOULDER PAD - Specify Black or Brown. LWD2 . . . . . 2” wide LWD3 . . . . . 3” wide M K L M Ukulele Straps N N A variety of colors and designs POLYESTER - Plastic soundhole hook, adjusts to 36” MP20 . 1” wide COTTON UKULELE STRAP - 23 0 /8 ” cotton uke strap with plastic soundhole hook. Adjustable to 22”. M22 L&M Simple black neck strap with J-hook attaches at the soundhole. P LMUS1 Medina-Made 3/4” wide leather strap, 2” wide shoulder pad. Specify Black, Brown or Burgundy. MMS25 Q Kala Cloth 11 /4” wide with shoulder pad and leather tab ends. Adjustable from 30” to 48”. KCSTP1 St. Hawaiian 11 /2 ” wide nylon with Hawaiian print fabric stitched on the top. Leather tab ends. Specify Black, Green, Purple, (shown) or Blue, Pink, Red or Yellow. STUS KCSTP1 STUS O P Q /2 ” wide, adjustable from 38” to 53”. Specify Black or Brown. G B C D E F Classical Guitar LEVY - Nice quality 3/4” wide leather strap hooks on the guitar soundhole with a plastic hook. Black only. M20L LEATHER - Black soft leather with adjustable neckcord and heavy-duty plastic hook. STPC Strap Buttons STRAP BUTTONS - With screw GA15S . . . silver satin GA15C . . . . . chrome GA15E x-long screw nickel GA15B . . . . . . black GA07G . . . . . . gold Strap Locks STRAP KEEPER ENDPIN JACK STRAP LOCK SK1 . . . for standard endpin jacks SK2 . . . for smaller endpin jacks DUNLOP STRAPLOK SYSTEM - The original quick-release strap lock system. DSL-NICKEL . . . DSL-BLACK . . . DSL-GOLD . . . . headstocks monogrammed along top. Adjusts from 26” to 50”. Available in a variety of colors and patterns. FS681 H J DUNLOP PLASTIC STRAP LOCK SL1S H MARTIN ACOUSTIC STRAP HOOK - Leather with durable nylon strap button attaches to any guitar strap. Specify Black, Brown, or Natural. MASH New! Lock-It Strap 2” nylon guitar strap with integrated lock system built into the leather ends. Specify black or brown. LIS2G-(color) SK1 DGS15 PLANET WAVES QUICK-RELEASE SYSTEM DGS15 MASH GA07G STPC M20L DSL-GOLD SL1S

Banjo Straps /2 ” BANJO AND MANDOLIN STRAPS, BANJO CAPOS Banjo and Mandolin Capos R CRADLE-STYLE - Makes heavy banjos feel light. 21 wide leather shoulder piece with 12” sheepskin pad. No metal or plastic parts. Specify Black, Tan, or Brown. R BA65 LM Straps NYLON STRAP - No hooks to scratch your banjo. Attaches with leather tabs. BSGT1 T Strap Tabs Set of two leather tabs convert any guitar strap for use with banjo. BJST2 $6.50 Mandolin Straps F-MODEL 3/4” LEATHER - 44” long, for A- or F-style. Specify Black or Brown. LMS19 U DELUXE - For either A- or F-style. 1/2” wide with brass buckles for length adjustment. Specify Black, Brown, or Tan. M19DLX 1/2” LEATHER - Adjustable from 25” to 48”. Fits all styles of mandolins. Specify Brown, Black or Tan. M19PR 3/8” COTTON WEB - One leather end, one loop end, and tri-glide adjustment. Adjustable to 46”, Black only. M19C V Lakota Leathers Soft, strong and comfortable – handmade on the Lakota Sioux Indian reservations in South Dakota, USA. FLAT BRAID ELK HIDE - 43” long with a loop at one end and three button holes on the other end for adjustment. Chocolate (brown) or Black. LFBMC . . . . . chocolate LFBMB . . . . . . black Supple, single thickness leather, 21 /4 ” wide at shoulder with narrow ends. Loop for attaching to an F-mando scroll, or to a strap button. CMSTRAP W Medina-Made Hand-tooled 3/4” wide leather strap with a sliding 2” wide shoulder pad. Works with A- or F-style mandolins. Specify Black, Brown, or Burgundy. MMS25 X El Dorado Nicely crafted leather strap with a comfortable soft suede underside. Integrated loop end attaches to either the scroll of an F- or the headstock of an A-style mandolin. Adjustable length, Brown only. ELMA Y PWMAS-BRN Leather, 3/4” wide, adjustable. PWMAS-BLK . . . . black PWMAS-BRN . . . brown PWMASE . . embossed brown EARL’S SUSPENDER CAPO - A new approach to a 5th string capo. Requires no drilling or installation, just place one end of the capo on the edge opposite the 5th string, stretch the elastic behind the neck, and place the other end at the desired fret. Easy on, easy off. ESC REAGAN BANJO 5TH STRING CAPO - Small brass block attaches directly to the string and clamps above the nut when not in use. Includes two nylon thumbscrews. RBC55N RBC55N BISON HIDE - 48” long with a loop at one end and eight button holes on the other for adjustment. Black, Mahogany or Rosewood. LMSB . . . . . . . black LMSM . . . . . mahogany LMSR . . . . . . rosewood NICKEL-PLATED - New roller version of the most popular and widely used capo in the industry. SC5N UN-PLATED BRASS BA60B BA60DLX SHUBB DELUXE - Crafted of stainless steel with an all-new roller mechanism that provides consistently smooth operation. BA60DLX 5th String Capos SHUBB - Lever action. BA28N . . . . . nickel-plated BA28B . . . . unplated brass GOLDEN GATE - Nickel-plated, spring action. BA30 LFBMC (ELK HIDE) LMSM (BISON HIDE) BA30 BA28N U V 2” wide, adjustable length and non-marring clips. NYLON PWBS-NY EMBROIDERED LEATHER PWBS-EL CLASSIC LEATHER PWBS-CL W X Y PAIGE “CLIK” WIDE CAPO - For capoing above the 5th fret on 5-string banjos. Also used for mandola, octave mandolin, bouzouki. CLIK63 . . . . . . . . . . . . . flat CLIK63R . . . . . . . . radiused G7TH NEWPORT BANJO/MANDOLIN - Unique spring clutch allows precise one-hand operation while putting less pressure on your instrument’s fretboard. CAPNEWBJO KBC1 KYSER QUICK CHANGE - Black only. KBC1 ULTBJO ULTIMATE BANJO CAPO - Completely hand made in Oregon by Dave Elliott. This sleek design, open sided precision banjo capo is solid brass, and adjusts easily via the good sized knob (not too big) at the bottom. ULTBJO CLIK62 PAIGE “CLIK” BANJO/MANDOLIN CAPO - Quick on and off feature and the same balanced tension as their original capo. Maximum accuracy with less pressure on your instrument’s fretboard. CLIK62 . . . . . . . . . . . . flat CLIK62R . . . . . . . . radiused 2” SUEDE - Leather banjo strap with suede backing, metal clips. Adjustable to 50”. Specify Black, Brown, Sand, or Tan. More colors available special order. M9S S S T PLANET WAVES NS BANJO/MANDOLIN CAPO - Sleek, ultralight design for fast, accurate one-hand positioning. Smooth, tactile dial fine tunes tension to eliminate string buzz for perfect, in-tune performances. NSTRIO BA62-BLK ORIGINAL PAIGE - Locking crossbar, black anodized steel. BA62-BLK 89 ESC www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890

www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890 90 STANDS Instrument Stands Hanging-Style Stands Hercules Instrument Stands Auto-Grab prevents your instrument from falling out. Finish-friendly rubber on all contact points GS414B . . . single GS442B . . double Ultimate Support Genesis Versatile and heavy-duty stand for guitar or banjo. Tubular construction, padding at all contact points, built-in pick holder. GS100 Hamilton KB-38 Hang your instrument in safety – no loose parts to lose. KB38 GS100 Compact, Foldable Stands Cooperstand Pro-Mini Solid wood with neoprene contact points. For uke, violin, mandolin and other small instruments. COOP-MINI Cooperstand ECCO-G Made from recycled ABS plastic, reinforced with steel. Great for guitar, bass, banjo and more. Folds to a compact size – fits in the pocket of most cases or behind the headstock of the guitar. COOPE-BLK Fender® Mini Acoustic Sturdy enough to hold your guitar, yet small enough to fit inside most cases and gigbags. FMAS Ultimate Support A-Frame Heavy-duty steel folds flat. Width adjustable to accomodate body size. JSAG100 Ingles Violin / Viola Stand Stable, heavy-duty design. Features an extendable bow holder. Metal parts finished in a powder coat taupe. Also works for mandolin, mandola, and more. SA20 On-Stage “Mighty-Guitar” Small enough for your gigbag. Rubber padding on all contact points protects your guitar’s finish and provides a slip-free cradle. A-frame design ensures stability. GS6500 On-Stage “Mighty-Uke” Compact, easily fits into gig bags. Rubber padding, depth adjustable. For ukes. GS6000B Ukulele Hanger Stand Classic collapsible tripod hanger stand scaled down for the uke family. Works for soprano, concert, tenor and baritone ukes. All contact points are padded to protect the instrument. US12 Peak A-Frame Banjo Stand Strong A-frame stand. Adjustable arms allow you to size to fit your instrument perfectly. Carrying bag included. ST30B ST30B SMS5H SA20 KB1D FMAS US12 COOPE-BLK UNIVERSAL CC01K Fits most stringed instruments. CC01 MARTIN LOGO CC0M1 BANJO AND SMALLER NECKS CC01B VIOLIN AND BOW HOLDER CC01V UKULELE CC01UK Hercules Wall Hook Wood base with the Hercules AutoGrab instrument hanger. Includes wall anchors and screws. GSP38WB Music Stands Peak SMS-20 Hamilton KB1D Heavy-duty orchestra style stand. KB1D JSAG100 SMS20 Strong tubular steel with glass-filled polycarbonate fittings. Folds into a 24”x6” canvas bag (included). SMS20 Economy Orchestra Stand Tubular steel construction with tripod base. Adjustable tilt desk with ledge. SM050 PUNCHED HOLE DESK VERSION SM051 SM050 On-Stage Wire Stand Lightweight. Carrying bag included. OSMS Stage Mate Mic Stand Sheet Music Holder Attaches to any standard microphone and adjustable height and angle. SMS5H Mighty Bright Xtraflex Duet Flexible dual head LED stand light. No bulbs to replace. Requires 3-AAA batteries (not included). SIGHTXD COOP-MINI GS442B Traditional-Style Instrument Stands Basic Guitar Stand KB38 Our most popular guitar stands Works for most stringed instruments. Sturdy foldable tripod base, soft foam covers all parts touching instrument. CHROME DGS1 BLACK PGS1 Wall-Mount Instrument Hangers String Swing “KEEPER” DESIGN Deep pocket, more secure. CC01K each More stands and wall hangers at elderly.com PGS1 DGS1

Martin Polish/Cleaner Kit Professional level kit with one 4 oz. bottle of polish/cleaner and 11” x 14” polishing cloth. MGPCK1 INSTRUMENT CARE, GIFT IDEAS, BOOKS AND DVDS Hundreds of gift ideas in stock DP0002 SNAPZ Polishing Cloths ELDERLY LOGO POLISHING CLOTH - Safe for delicate lacquer finishes. GRP10 ELDERLY METAL POLISH CLOTH - Specially treated for metal finishes (not for use on lacquer finishes). GRP18 PLANET WAVES MICRO-FIBER POLISH CLOTH - Traps dirt particles and lifts them away from the surface of your instrument. Can be washed time and again. PWMPC Polish, Wax and Cleaners VIRTUOSO PREMIUM CLEANER - 4 oz. bottle cleaner brings back the luster of the original finish. VC VIRTUOSO PREMIUM POLISH - 4 oz. bottle instrument polish. Used in our own repair department. VP DUNLOP FORMULA NO.65 - Optimum cleaning with exceptional shine and incredible protection. 4 oz. bottle. 654 HOWARD FEED • N • WAX® - Combines beeswax and orange oil to preserve finished and unfinished woods. 4 oz. bottle. Best for fingerboards. GRP16 LIZARD SPIT GUITAR POLISH - Keeps your guitar’s shine lasting longer. Good stuff! 4 oz. bottle. LSGP HOHNER BEGINNER’S HARMONICA - Standard 10-hole diatonic in C. Colors vary. HO48 PLASTIC SLIDE WHISTLE SW1 BOOKS AND DVDS PERFORMANCE/DOCUMENTARY DVDS DVD - Ain’t In It for My Health: A Film About Levon Helm Helm, drummer for The Band, lost his voice to cancer. Follow his journey to recover and record an album. “A captivating look at a musician hanging onto his art for dear life.” KINO-DVD838 DVD - Uncle Dave Macon Days: A Tribute to Old Time Music and Dance In-depth look at the event that draws over 50,000 visitors every July to Tennessee. Vintage photos, event footage, dozens of interviews and lots of music and dance. 715-DVD1 INSTRUCTIONAL BOOKS & DVDS DVD - You Are There Performances from the early 1950s: Hank Williams, Bill Monroe, Louvin Brothers, Grandpa Jones, others. SHAN-DVD622 Book/DVD - Daniel Donato - The New Master of the Telecaster: Pathways to Dynamic Solos Open your mind and fingers to uninhibited fretboard freedom, increase theory comprehension, and dynamic solos. 49-121923 DVD - The Guitar Artistry of Doc Watson 29 tracks: “Black Mountain Rag,” “Shady Grove,” “Beamont Rag,” more. VEST-DVD13130 DVD - Appalachian Fingerstyle Guitar in DADGAD Tuning Southern Mountain songs and instrumentals infused with fresh new harmonies and inventive fingerpicking. 300-DVD446SET HO48 SW1 PENGUIN METAL KAZOO KZ1 ELDERLY LOGO PLASTIC KAZOO Variety of colors. CKZ HUMANATONE NOSE FLUTE - Fun to play. HT1 ELECTRIC KAZOO - Look out – a kazoo paired with a pickup. Marshall stack sold separately. EHK1 HT1 PLANET WAVES PRO-WINDER - Combination string winder and wire cutter. DP0002 SNAPZ BRIDGE PIN PULLER - Locks on to bridge pins to allow smooth removal without marring the bridge. SNAPZ PPSW GRP10 ERNIE BALL POWER PEG MOTORIZED STRING WINDER -Handy for extra-quick string changes. Portable, fits most tuning keys. Forward and reverse, locking safety switch. PPSW PARATUSS PST-30C PENGUIN MOTORIZED STRING WINDER - 3-in-1 tool features a motorized string winder, string cutter and bridge pin remover. Long lasting rechargeable battery that charges via USB. PENGUIN KZ1 CKZ 91 EHK1 Book/2 CDs - Rhythm Guitar 365: Daily Exercises for Developing, Improving and Maintaining Rhythm Guitar Technique Learn chord construction and progressions, fingerpicking, strumming techniques, more. 49-103627 DVD - Uncaged & Free The CAGED system strengths and weaknesses and how to get maximum results. 304-DVD1015 DVD - Mike Dowling’s Roadmap to Creative Guitar Arranging: Simple Concepts for Advanced Playing How to develop unique arrangements for favorite tunes using easily accessible fretboard techniques. 300-DVD449 DVD - The Gospel Music of Marty Stuart Stuart brings to life songs that were mainstays of his childhood. GAITHER-DVD94399 DVD - Take a Solo! The Secrets to Blues and Country Guitar Improvisation How to come up with powerful and compelling improvisations in any key and any position, using a flatpick or fingers. 300-DVD452 Book - The Guitar Player’s Guide to Rhythm, Timing, and Groove Become a solid acoustic rhythm player in country, bluegrass, acoustic rock, gospel, Irish, oldtime, folk, more. 475-17 www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890

www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890 92 BOOKS AND DVDS Book/Online Audio - OneMan Guitar Jam: How to Use Riffs, Bass Lines, and Rhythm Patterns for Self-Accompaniment While Soloing Incorporate rhythm and lead playing into a cohesive performance. 49-122026 Book - Learning Music by Ear - For All Stringed Instruments Learn how to find the song’s key, chord progression, and melody - all by ear. 475-18 Book/CD - Eric Clapton: From the Album Unplugged - Guitar Play-Along Vol. 155 CD is enhanced for computers so you can adjust the tempo without changing pitch! 8 songs. 49-703085 Book - 100 Greatest Guitar Intros “Barracuda,” “Crazy Train,” “Free Ride,” “Heartbreaker,” “La Grange,” “Paranoid,” “Pride and Joy,” “Revolution,” more. 49-127533 Book - First Fingerstyle Songs Each solo combines melody and harmony in one easy, full-sounding arrangement. “Hallelujah,” “In My Life,” “Lean on Me,” “Moon River,” more. 49-129734 Book - Baritone Ukulele From Scratch What at treat this book is! Funny, thorough, and easy to comprehend. 578-14 Book - 100 Most Beautiful Songs Ever Contains time-less songs from a wide variety of genres in full arrangements for solo guitar. 49-703066 Book/Online Audio - Easy Banjo Solos for 5-String Banjo, 2nd Edition Presented in order of difficulty, basic rolls and chords to 16th notes and fret-hand techniques. The Beatles, Hank Williams, Flatt and Scruggs, Merle Travis, more. 49-114592 Book/CD - Clawhammer Cookbook: Tools, Techniques and Recipes for Playing Clawhammer Banjo Teaches you ways to approach, arrange, and personalize any tune - to develop your own unique style. 49-118354 Book/CD - Chet Atkins Guitar Play-Along, Vol. 59 CD is playable on any CD player and is enhanced for computers so you can adjust the tempo without changing pitch! 8 songs. 49-702347 DVD - Great Banjo Lessons: Clawhammer Style Eight lessons by top players: Bob Carlin, Mike Seeger, Cathy Fink, David Holt, Kirk Sutphin, Ralph Stanley, Mark Johnson, Frank Lee. 300-DVD447 Book/CD - Ukulele Aerobics 40-week, one-lick-per-day workout program for developing, improving, and maintaining ukulele technique. 49-102162 Book/2 DVDs - B.B. King Style Learn the timing, note selection, bends, vibrato, and famous “box position” that combine to create B.B.’s unique phrasing. 56-59 Book/CD - Old-Time Favorites for Clawhammer Banjo 62 more tunes of varying difficulty. Favorites, new additions and timetested standards. Intermediate/ advanced. 02-30224BCD DVD - The Guitar of Bert Jansch Jansch was one of the most influential and unique guitarists to emerge from the British folk music scene of the sixties. Explores, folk, traditional, and blues segments of his arrangements. 304-DVD1021 Book - Best of Peter Green Green made a name for himself with the Bluesbreakers and Fleetwood Mac. Transcribes 13 of his songs. 49-691190 Book - Folk Songs for Banjo Most tunes are in G tuning with some in double C, C, and G modal: “Amazing Grace,” “John Henry,” “Yankee Doodle,” more. 49-701919 Book/CD - Fingerstyle Ukulele: A Method and Songbook for Fingerpicking Backup and Solos Learn to play chord melody solos, mix chords and single notes, and fingerpick patterns. 49-696620 Book/CD - Ukulele Chord Melody Solos: Tips and Tricks for Arranging Songs on the Ukulele Introduction to the chord melody style. Explanations on how the arrangements were created. “Aloha Oe,” “Blue Skies,” “Eight Days a Week,” more. 49-696609 Book/CD - 50 Easy Uke Chord-Solos: Getting Started With Chord-Soloing 50 solos and exercises to help the strummer advance to the chordmelody-solo player level. Soprano, concert or tenor uke. 707-1 Book - Roy Sakuma’s Treasury of Ukulele Chords Organized by chord form and key. with voicings for each chord. Shows how chord substitutions can spice up the simplest melody. 562-1 Book - The Daily Ukulele - Baritone Edition Strum a different song every day with easy arrangements of 365 of your favorite songs. G tuning (DGBE). 49-121280 Book/2-CD - Enda Scahill’s Irish Banjo Tutor Mick Moloney says “Enda’s Tutor is masterfully conceived, the product of years of playing and thoughtful reflection.” 719-2 Book - Wayne Henderson - Made & Played, Transcribed for Flatpicking and Fingerstyle Guitar Note-for-note transcriptions of Wayne’s first solo album, plus the bonus tune, “Lime Rock.” 666-1 Book/CD - Bach’s Cello Suites I-III Arranged for Tenor Banjo The cello and the tenor banjo share the same tuning, and banjo players will be surprised at how well this music fits on the fretboard. Tab. 02-30430BCD Book/2 CDs - Ukulele Guide Open Mic Songbook Rarely seen songs: “After You’ve Gone,” “Some Of These Days,” “A Good Man Is Hard To Find,” more. 664-2 Book/2 CDs - Ukulele Jazz by James Hill 12 standards; lyrics, melody, chord diagrams; technique tutorials, jam tracks, chord chart. 158-92

BOOKS Book - Baker’s Dozen: A Collection of Mandolin Tunes Original tunes as an exercise in a particular style or technique: Bluegrass, cross-picking, jazz mandolin, Italian Ballo Liscio, more. 781-1 Book/CD - Charlie Parker Transcriptions for Mandolin “Billie’s Bounce,” “Now’s The Time,” “Donna Lee,” “My Little Suede Shoes,” “Anthropology,” and “Blues For Alice.” With play-along tracks. 678-1 Book - Peter, Paul and Mary: Fifty Years on Music and Life During John F. Kennedy’s presidency, America was dramatically changing. The trio became the standard-bearers of America’s new hopes and dreams. 542-327 Book - Classical Themes for Fingerstyle Ukulele 15 solo uke arrangements: “Ave Maria”, “Blue Danube Waltz”, “Canon in D”, “Eine Kleine Nachtmusik,” more. 49-127940 Book - Mandolin from Scratch Bluegrass, old-time, Celtic and folk enthusiasts will learn about chords, singlenote playing, fiddle tunes, the blues, chords up the neck and chord-melody playing. 578-19 Book/CD - Mandolin Master Class: Intermediate and Advanced Bluegrass Improvisation, Theory and Practice Techniques Techniques, scales, improvisation ideas, and theory for intermediate/ advanced players. 642-1 Book - Mike Marshall’s Mandolin Method: The Great Book of Finger Busters Exercises to help you find your way in and out of every possible twist and turn of the left and right hands. 644-1 Book/CD - Old Time String Band Music for Mandolin 70+ old-time period songs recorded mostly by Ernest Stoneman, or the duo Grayson & Whitter, during the 1920s and early 1930s. 49-128131 Book - The Book of the Dawg: Dawg Roots 20 songs, ballads and fiddle tunes as played and recorded by David Grisman: “Shady Grove,” “Boston Boy,” “Wayfaring Stranger,” more. 158-93 Book - The Book of the Dawg: Dawg Grass 20 original songs as played and recorded by David Grisman: “Opus 57,” “Dawg’s Bull,” “Opus 38,” more. 158-94 Book/CD - Exploring Folk Fiddle - An Introduction to Folk Styles, Technique and Improvisation All aspects of folk violin technique, centered on Irish traditional music includes the styles of England, Scotland, Scandinavia and more. 49-943982 Book/CD - 100 Authentic Blues Harmonica Licks From basic 12-bar blues backing riffs to mojo-packed solo licks, 100 time-tested licks to help you get the most out of your 10-hole diatonic harp. For C harp. 49-115070 Book - Lonesome Melodies: The Lives and Music of the Stanley Brothers The first biography of two integral bluegrass innovators and touchstones of old-time country music authenticity. 701-15 Book - Kentucky Traveler: My Life in Music Celebrating Ricky Skaggs’ 40th year as a professional musician, the musical prodigy and legend who revived modern bluegrass presents a heartfelt and candid memoir. 542-455 Book/2CDs - Old-Time Favorites for Fiddle and Mandolin 62 more tunes with chords and mandolin tablature. Each tune is played on both fiddle and mandolin, with a separate CD for each instrument. 02-30225BCD CD/ROM - Mandolin Melodies: Ballo Liscio Dance Music From the 1890s Through the 1960s Collection of mazurkas, waltzes, polkas, marches, tarentellas, rhumbas, more. 659-CDR1 Book/DVDROM - The Worship Bass Book: Bass, Espresso, and the Art of Groove Covers: phrasing, grooves, fingerboard familiarity, musical styles, slap and tap techniques, more. 49-333737 Book/Online Audio - Best Bass Lines Ever Bass PlayAlong, Vol. 46 “Billie Jean,” “Hysteria,” “Longview,” “Roundabout,” “Sweet Child O’ Mine,” “Taxman,” more. 49-103359 Book - 2015 Official Vintage Guitar Magazine Price Guide Current values on vintage and collectible acoustic and electric guitars, basses, lap steels, steels, mandolins, ukuleles, banjos, amplifiers and effects. 49-138549 93 Book/CD - Dobro Roots: A Photo Tour of Prewar Wood Body Dobros Lots of color photos of rare and historically significant instruments produced from 1929 through 1941. CD features 15 different Dobros. 49-125507 Book - Pedal Steel Guitar Chords and Scales Learn chords and scales. More than 1100 chords and 430 scale forms. E9 tuning. 49-696608 Book - Ball’s Manual of Gretsch Guitars: 1950s The ultimate book for vintage Gretsch guitars of the 1950s. Detailed review of both guitar production and individual models. 565-6 Book - Play Well With Others: A Musician’s Guide to Jamming Like a Pro Covers jam do’s and dont’s, progressions, transposing, keys, a theory reference guide, etiquette & technique. 778-1 Book - Songwriting Strategies: A 360-Degree Approach Write songs starting from melody, lyric, harmony, rhythm, or ideas. This liberating approach supports the overall integrity of emotion and meaning in your songs. 49-449621 Book - The Bob Dylan Mandolin Chord Songbook 30 classics with lyrics and chords. Strum and sing: “Forever Young,” “Like a Rolling Stone,” more. 01-108282 Book - Slide Rules: Tunings for Lap Steel, Bottleneck, Resophonic, and Indian Slide Guitar 70+ tunings for acoustic & electric lap steel, bottleneck, resophonic, Weissenborn style, and Hindustani slide guitar. 618-5 Book - Constructing the Mountain Dulcimer A thorough guide on building this unique instrument. Diagrams and photos, fret tables, finish information, playing instructions, and history. 08-47 www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890

www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890 94 COMPACT DISCS Our selection of CDs is among the finest anywhere! Whether it’s big-label releases or the fast-growing world of independent music, we have thousands of titles: bluegrass, Americana, songwriters, Celtic, country, blues, swing, world, roots and acoustic music of all kinds. Here’s just a tiny sample of some of our best-sellers and hot new releases — log on to www.elderly.com and browse our complete, up-to-date selection. CHRIS SMITHER Still On the Levee: A 50-Year Retrospective (2 CDs) MANDOLINS 25 of the best songs from this heralded, bluesified, beloved songwriter and guitarist; with Allen Toussaint, Kris Delmhorst, Loudon Wainwright III and others. SIG-CD2066 SARAH JAROSZ Build Me Up From Bones Third CD from the young and startlingly talented Jarosz, an artist who features a rare combination of instrumental virtuosity, emotive vocals and songwriting chops. SUGA-CD4093 STAN ROGERS The Collection (6 CDs & DVD) The Canadian folk legend’s five original albums remastered, along with the DVD “One Warm Line” featuring additional songs and interviews - plus a bonus EP “Discoveries.” BORL-CD226 VARIOUS ARTISTS Looking Into You: A Tribute to Jackson Browne (2 CDs) 23 songs from the beloved Browne’s deep catalog by Ben Harper, Lyle Lovett, Keb’ Mo’, Bonnie Raitt, Lucinda Williams, Don Henley, Bruce Springsteen & Patti Scialfa, more. MUSICR-CD018 GUY CLARK An American Dream: 4 Classic Albums 1978-92 (2 CDs) The dean of Texas songwriters! “Guy Clark,” “The South Coast of Texas,” “Better Days” and “Boats to Build” packaged together at a great price. RAVEN-CD379 UKULELE THE SPRINGTAILS …Because We’re in Love Singer and ukulele player Julianna Wilson and husband Andy on trumpet and harmonicas. Some originals plus evergreens like “Careless Love,” “Lullaby of Birdland,” and more. EARTHWORK-CD1501 DANIEL HO Polani The first-ever Grammy nomination for an instrumental uke album! All original, totally solo ukulele by this Hawaiian master & teacher. 11 Ho compositions plus “Ahe Lau Makani” by Queen Lili’uokalani. Tab book available too! (Stock #512-76) DHC-CD80065 GERALD ROSS Swing Ukulele The South Pacific breezes meet the Swing Era! Uke-mongering paragon Ross plays uke plus lap steel, guitars and bass on 16 evergreens from the 1930s and ’40s. UT-CD2305 CHET ATKINS & LES PAUL Chester & Lester The perennially popular super session reissued, with four new bonus tracks! Includes 12-page booklet with never-before-seen photos and new liner notes, too. RLG-CD76379 ALY BAIN, ALE MOLLER & BRUCE MOLSKY Meeting Point Shetland fiddling great Bain, Swedish fretmeister Moller and American old-time music ambassador and multi-instrumentalist Molsky shine live at the Liverpool Philharmonic. WHI-CD34 MIKE AULDRIDGE, JERRY DOUGLAS & ROB ICKES Three Bells The three undisputed kings of the Dobro, in what would be Auldridge’s final recording session. Three instruments, six hands and nothing else! on “Sunrise Serenade,” “Panhandle Rag,” nine more. ROUN-CD35773 CHRIS THILE Bach: Sonatas and Partitas, Vol. 1 Three Bach suites recorded by mandolin phenomenon and MacArthur Fellow Thile! Solo violin works rendered here on solo, unaccompanied mandolin: Sonata No. 1 in G minor, Partita No. 1 in B minor, and Sonata No. 2 in A minor. NONE-CD535360 SIMON MAYOR The Art of Mandolin “A portrait of the mandolin across 4 centuries: classics, rags, dances, airs and original music with mandolin, mandola and mandocello.” Mayor originals plus tunes from Chopin, Debussy, Brahms, Scott Joplin, Django Reinhardt and more. ACS-CD065 MIKE MARSHALL & CHORO FAMOSO Segunda Vez “Second Time!” Sophomore outing for mandolin cosmonaut Marshall and his SF Bay-area crew. Classic & modern Brazilian “choro,” the New World’s scintillating blend of 19th-century European popular music with Afro-Brazilian flavor. AM-CD1090 JOHNNY STAATS & THE DELIVERY BOYS Time Moves on West Virginia’s bluegrass mandolin Olympian with his Delivery Boys: guitarist Davey Vaughn, Roger Bissell on bass, banjopicker Butch Osborne and fiddler Ray Cossin. JSRS-CD13 ADAM STEFFEY New Primitive Boxcars mandolinist Adam Steffey’s album of old-time, prebluegrass mountain music! Duets and a few band sides with Tina Steffey on clawhammer banjo, fiddler Eddie Bond and others. ORGANIC-CD14692 HOMER & JETHRO Playing It Straight / It Ain’t Necessarily Square The cornball country duo’s widely coveted no-funny-stuff, all-instrumental LPs reissued! A showcase of their considerable instrumental chops on 23 Chet Atkins-produced tracks. SF-CD19500 JOHN HARTFORD, TONY RICE & VASSAR CLEMENTS Hartford, Rice & Clements 1988 jam session tapes from John Hartford’s basement, never before released. A priceless sonic treasure from this holy trinity of string-mongers, with Roy Huskey Jr. on bass and mandolinist Mark Howard. SMALLD-CD611 JOHN HARTFORD Aereo-Plain / Morning Bugle: The Complete Warner Bros. Recordings (2 CDs) The perennially popular Hartford recordings reissued again at last! With Vassar Clements, Tut Taylor, Norman Blake, Randy Scruggs and Dave Holland; with eight previously unreleased tracks. RGM-CD00098 TOMMY EMMANUEL The Guitar Mastery of Tommy Emmanuel (2 CDs) 28 tracks from the hyperkinetic Aussie, scintillating picker and tireless performer. “Over the Rainbow,” “Endless Road,” “Guitar Boogie” and more. FAVORN-CD2860 PIERRE BENSUSAN Encore: Live (3 CDs) Deep overview of the whole performing career of the incomparable Bensusan, 38 live tracks including 11 never before issued in any form. MVD-CD6049 BRIAN SETZER Rockabilly Riot! All Original The one-man rockabilly revival and guitar killer steps out with - for the first time ever- a program of all-original rockers, 12 in all! With bassist Mark Winchester, Noah Levy on drums and pianist Kevin McKendree. SURFDOG-CD566481 ALBERT KING Born Under a Bad Sign 1967 reissue with five bonus tracks; the classic among classics from this string-bending visionary of electric blues guitar! “Personal Manager,” “Crosscut Saw,” “Laundromat Blues,” 16 stinging rockers in all. FAN-CD34334 DJANGO REINHARDT The Essential Django Reinhardt 36 sweet-and-hot tracks from this legendary Alsatian Gypsy jazz guitarist: “Minor Swing,” “Nuages,” “Djangology,” “Swing 42,” lots more. Lots of sides with violinist Stephane Grappelly and the Quintette du Hot Club de France. SMG-CD83737 FRANK VIGNOLA & VINNY RANIOLO Beloved Earth Songs Another eclectic set from these two jazz guitar monsters: “Apache” to Grieg, Mozart to “Killing Me Softly,” time-tested standards and fresh surprises, all on two acoustic guitars. RANMUS-CD013

COMPACT DISCS ALAN JACKSON The Bluegrass Album The wildly popular country star goes native! Some originals with the chestnuts, top-notch production, and all-star sidemen Rob Ickes, Don Rigsby, Adam Steffey, Samy Shelor, Ronnie Bowman and more. CAPN-CD191070 NICKEL CREEK A Dotted Line They set the world on fire as teenagers; now Nickel Creek has issued their first joint album in nine years! Mandolin demigod Chris Thile, fiddler/singer Sara Watkins and her guitar-playing brother Sean. NONE-CD541944 THE DAVID GRISMAN BLUEGRASS EXPERIENCE Muddy Roads A limited-edition tribute to Doc Watson, Clarence “Tom” Ashley and Ralph Rinzler from mandolin pioneer Grisman and his `grassified outfit: Chad Manning, Keith Little, Jim Nunnally, and Samson and Tracy Bigelow Grisman. ACOUST-CD80 OLD & IN THE WAY Live At the Boarding House (4 CDs) Limited Edition! Recordings of the shows held on October 1973 at the popular club in San Francisco, 14 cuts which have never been released in any format. Jerry Garcia, David Grisman, Peter Rowan, Vassar Clements and John Kahn. ACOUST-CD81 THE INFAMOUS STRINGDUSTERS Let It Go The cutting edge of 21st-century post-bluegrass acoustic Americana! Guitarist Andy Falco, Andy Hall on Dobro, banjo ace Chris Pandolfi, fiddler Jeremy Garrett and Travis Book on upright bass. HIGHCO-CD003 THE BOXCARS It’s Just a Road Third album from this supergroup and reigning IBMA “Instrumental Group of the Year!” Original songs from Ron Stewart and Keith Garrett plus “When Sorrows Encompass Me ‘Round,” the Carter Family’s “Coal Miner’s Blues” and more. MOUH-CD1462 THE SELDOM SCENE Long Time... Seldom Scene First album since 2007 from this long-lived, modernist DC-area bluegrass institution! Original members Tom Gray and John Starling with Emmylou Harris, fiddler Rickie Simpkins, guitarist Chris Eldridge and banjoist Ben Eldridge. FOLKW-CD40199 EARL SCRUGGS The Essential Earl Scruggs (2 CDs) 40 classic tracks spanning the long career of bluegrass banjo’s late patriarch, including sides with Bill Monroe’s band, plenty of Flatt & Scruggs sides, more. COLU-CD90858 BANJOS NOAM PIKELNY Plays Kenny Baker Plays Bill Monroe The latter-day 5-string adventurer in a tribute to the 1973 classic LP that served as his “instrumental bluegrass bible!” All 12 tracks in the same sequence as the original, with Bryan Sutton, Ronnie McCoury and Mike Bub. COMPASS-CD4616 STEVE MARTIN & THE STEEP CANYON RANGERS FEAT. EDIE BRICKELL Live (CD/DVD Set) All the music from their PBS “Great Performances” special, jewels from the Steve-and-Edie collaboration “Love Has Come for You” & funnyman banjoist Steve’s “Crow” & “Rare Bird Alert” sets. ROUN-CD8846 TERRY BAUCOM Never Thought of Looking Back 12 hard-driving tracks with banjo ace Baucom and a knockdown roster of guests including Sam Bush, Jerry Douglas, Wyatt Rice, Steve Bryant, Aubrey Haynie and singers Marty Raybon, John Cowan, Tim Stafford and more. KNEE-CD2 VARIOUS ARTISTS The Patuxent Banjo Project (2 CDs) VARIOUS ARTISTS Classic Banjo From Smithsonian Folkways 30 tracks plus a 44-page booklet, the cream of five-string banjo from Folkways’ deep and formidable catalog: Pete Seeger, Hobart Smith, Dock Boggs, Mike Seeger, Tony Trischka, Bill Evans, Ola Belle Reed, Doc Watson, many more. FOLKW-CD40209 VARIOUS ARTISTS Banjo Gathering (2 CDs) “100% pure old-time banjo; unobscured, unaccompanied and unadulterated!” A 5-string feast of solo banjo from a galaxy of today’s finest players. TALLTR-CD07 KRUGER BROTHERS Remembering Doc Watson Dazzling trio from Switzerland (now residing in North Carolina) in a heartfelt tribute to their old friend, neighbor and Merlefest cohort, the late Doc Watson. DTM-CD025 BRYAN SUTTON Into My Own The dean of latter-day bluegrass guitarists, fleet, bluesy and harddriving; in an eclectic program with guests Noam Pikelny, Bill Frisell, Stuart Duncan, Ronnie McCoury, Sam Bush and more. SUGA-CD4105 R.D. LUNCEFORD Drop-Thumb: 21 Clawhammer Banjo Solos One of our most enduringly popular banjo CDs! An engaging musical feast with nothing but the man and his banjo, no sidemen, no overdubs, no nothin.’ There’s an accompanying book, too (sold separately as 158-24). CBM-CD82498 BELA FLECK & ABIGAIL WASHBURN Bela Fleck & Abigail Washburn Sparrow Quartet bandmates and 5-string world ambassadors in a “front-porch" duo for the 21st century! With Fleck's resonator banjo, Washburn's openback, cello banjo, banjo-uke, baritone uke & more. ROUN-CD3626 5-string blowout from Maryland’s top-shelf indie bluegrass label! 40 tracks from bluegrassers Tom Adams, Murphy Henry, Bill Emerson, clawhammer stylists Reed Martin, Cathy Fink & Marcy Marxer, Joe Herrmann, legends Roni Stoneman & Eddie Adcock and lots more! PATUX-CD250 NATE LEATH & FRIENDS Volume 2 A second go-round of eclectic tuneifying with NC fiddle wiz Leath and his boundary-busting friends: cellist Rashad Eggleston, fiddlers Tatania Hargreaves, Duncan Wickel and Nancy Sluys, guitarists David Grier and Danny Knicely, banjo man Sammy Shelor & more. PATUX-CD244 DIRK POWELL Walking Through Clay Sugar Hill-label debut from this multi-instrumentalist and renaissance man of indigenous American music! “Some Sweet Day,” “Abide With Me,” “That Ain’t Right, 12 in all. SUGA-CD4099 BOB WILLS & HIS TEXAS PLAYBOYS Riding Your Way: The Lost Transcriptions for Tiffany Music, 1946-47 (2 CDs) 50 songs that have never been reissued! These recently discovered Tiffany sides were some of the most electric, freewheeling and spontaneous recordings extant of the King of Western Swing. RGM-CD00244 BRUCE MOLSKY If It Ain’t Here When I Get Back Self-produced solo outing from this multi-instrumentalist, singer, and world ambassador of old-time southern Appalachian music. Fiddle, banjo and guitar on an array of tunes and songs from the mountain tradition and beyond. TFM-CD1301 ALASDAIR FRASER & NATALIE HAAS Abundance More Scottish and Celtic tunifying from fiddle Olympian Fraser and all-world cellist Haas; with Donald Shaw on keys, percussionist James McIntosh and Cory DiMario on bass. 16 tracks of Gaelic glory including the “Connie Suite.” CULB-CD124 MIKE COMPTON & JOE NEWBERRY Live Longtime pickin’ buddies Compton on mandolin and mandola and Newberry on banjo and guitar - they both sing, too! - live at Brandywine Friends in Newark, DE in Feb. of 2012. TBM-CD012 SUTPHIN & LEVY Two Peas In a Pod “This recording is an imaginative look at the Round Peak music of Surry County, NC & the surrounding Piedmont region.” Fiddler Sutphin, Levy on banjo and concertina, with singer Eddie Bond. BLMP-CD5 JIMMY HEFFERNAN & JIM MITCHELL The Old Road to Home: The Songs of Jimmie Rodgers Singer Mitchell teams up with Heffernan on banjo, Dobro, mandolin, guitars and more (plus an array of guests) on a slate of 12 timeless classics. JHEFF-CD0331 VARIOUS ARTISTS Sacred Harp & Shape Note Singing 1922-1950s (4 CDs) Early recordings of the distinctive southern Appalachian church harmony known as “shape-note singing,” “The Sacred Harp.” “Canaan’s Land,” “Wondrous Love,” 81 devotional jewels. JSP-CD77175 95 www.elderly.com Toll-Free (USA only) 888-473-5810 or 517-372-7890

ORDER TOLL FREE! 888-473-5810 (USA only) or 517-372-7890 (outside USA) www.elderly.com PRSRT STD US POSTAGE PAID 1100 N. Washington Lansing, MI 48906 RAVENNA, MI PERMIT NO. 320 Family Owned and Operated Since 1972 Searching for GREAT DEALS? Call now and speak with our experts Our store at 1100 N. Washington Ave., Lansing, MI • Thousands of new, used and vintage instruments in stock. • Experienced repair shop: Our 10-person repair staff has over 150 combined years of experience. • We accept trade-ins: Trade in your instrument, consign it for sale, or we could buy it from you. • We have the answers: We play what we sell. Like you, we’re musicians and we care about instruments and the people who play them. • We believe in old-fashioned customer service. Showroom Hours M-T-W 11:00-7:00 Th 11:00-9:00 Fri-Sat 10:00-6:00 Eastern Show Room Phone: 517-372-7880 Catalog Hours Mon-Fri 9:00-7:00 Sat 9:00-5:00 Eastern

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