REFERENCES Deleyto, C. (2012). Film Genres at the Crossroads: What Genres and Films Do to Each Other. In Barry Keith Grant (Ed). Film, Genre and Reader IV (pp. 218238). Texas: University of Texas Press. Grant, B. K. (2007). Film Genre: From Iconography to Ideology. London: Wallflower Press. Hall, S. (1982). The rediscovery of ‘ideology’: return of the repressed in media studies. In Michael Gurevitch et. al (Eds.), Culture, society and the media (pp. 111-141). London: Methuen. Hall, S. (1997). The Work of Representation. In Stuart Hall (Ed.), Representation: Cultural Representations and Signifying Practices (pp. 13-74). London: Sage Publications Ltd. Suria Hani A.Rahman (2019). Screening Islam: The representations of religion and gender in different genres of Islamic films in Malaysia. Unpublished doctoral dissertation. Loughborough University. February 2019. By: Suria Hani A.Rahman, PhD, is a lecturer in Communication Program, Faculty of Leadership and Management in Universiti Sains Islam Malaysia (USIM). She obtained her PhD from Loughborough University, UK, majoring in Media Studies. Her main research interests are film and television studies, specifically in broadcasting and narrative analysis including the representation of religion/Islam and gender in film/TV content.
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