REFERENCES Beng, L.Y. (2015). Yasmin Ahmad: Auteuring a New Malaysian Cinematic Landscape. Wacana Seni, 14, 87-109. Bordwell, D. (1989). Making Meaning: inference and rhetoric in the interpretation of cinema. Cambridge, Massachusetts: Harvard University Press. Bordwell, D. & Thompson, K. (2010). Film History: An Introduction, Third Edition. New York: McGraw Hill. Khoo, G.C. (2007). The Politics of Love: Malaysia’s Yasmin Ahmad. Metro Magazine, 52-57. Norman Yusoff (2011). Sepet, Mukhsin, and Talentime: Yasmin Ahmad’s Melodrama of the Melancholic Boy-in-Love. Asian Cinema, 22 (2), 20-46. Suria Hani A.Rahman (2019). Screening Islam: The representations of religion and gender in different genres of Islamic films in Malaysia. Unpublished doctoral dissertation. Loughborough University. February 2019. By: Suria Hani A.Rahman, PhD, is a lecturer in Communication Program, Faculty of Leadership and Management in Universiti Sains Islam Malaysia (USIM). She obtained her PhD from Loughborough University, UK, majoring in Media Studies. Her main research interests are film and television studies, specifically in broadcasting and narrative analysis including the representation of religion/Islam and gender in film/TV content.
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